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Canvas Print : Rule Britannia, 1882
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Rule Britannia, 1882
Rule Britannia, 1882. Britannia is not sure whether or not she has jurisdiction over the proposed Channel Tunnel. From Punch, or the London Charivari, July 15, 1882
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Media ID 14831783
© The Print Collector / Heritage-Images
Britannia Edward Linley Edward Linley Sambourne Heritage Image Partnership Jurisdiction Pick Axe Sambourne Tunnel Workman Workmen Allegorical Figure Channel Tunnel
20"x16" (51x41cm) Canvas Print
Step back in time with our exquisite Canvas Print of 'Rule Britannia, 1882' by Edward Linley Sambourne from Heritage Images. This captivating piece, originally published in Punch magazine in 1882, depicts Britannia pondering her jurisdiction over the proposed Channel Tunnel. Our high-quality Canvas Prints bring the rich history and intriguing stories of the past to life in your home, making it an excellent addition to any decor. Order yours today and let the charm of history surround you.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print, titled "Rule Britannia, 1882" captures the essence of political satire during the late 19th century. Created by Edward Linley Sambourne, a renowned caricaturist of his time, this engraving showcases an allegorical figure representing Britannia herself. In this satirical depiction, Britannia is depicted as unsure about her jurisdiction over the proposed Channel Tunnel. Standing amidst a group of workmen with tools in hand, she appears to be contemplating whether or not she has authority over this ambitious project that would connect Britain and France. The artist's clever use of symbolism is evident through the inclusion of a pickaxe held by one of the workers. This tool represents both physical labor and progress towards bridging two nations together. Through this image, Sambourne highlights the complexities surrounding national identity and sovereignty during that era. With its monochrome aesthetic and intricate details, this print serves as a historical artifact from the 19th century. It offers us a glimpse into societal attitudes towards occupation and international relations at that time. Preserved by Heritage Image Partnership, this artwork continues to captivate viewers today with its thought-provoking commentary on power dynamics between countries.
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