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Framed Print : Rule Britannia, 1882
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Rule Britannia, 1882
Rule Britannia, 1882. Britannia is not sure whether or not she has jurisdiction over the proposed Channel Tunnel. From Punch, or the London Charivari, July 15, 1882
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Media ID 14831783
© The Print Collector / Heritage-Images
Britannia Edward Linley Edward Linley Sambourne Heritage Image Partnership Jurisdiction Pick Axe Sambourne Tunnel Workman Workmen Allegorical Figure Channel Tunnel
12"x10" Modern Frame
Step back in time with our exquisite framed print of 'Rule Britannia, 1882' by Edward Linley Sambourne from Heritage Images. This iconic illustration, originally published in Punch magazine in 1882, depicts Britannia pondering the proposed Channel Tunnel, encapsulating the uncertainty and intrigue of the era. Add a touch of historical charm to your home or office with this beautifully framed piece, a timeless treasure that is sure to spark conversation.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print, titled "Rule Britannia, 1882" captures the essence of political satire during the late 19th century. Created by Edward Linley Sambourne, a renowned caricaturist of his time, this engraving showcases an allegorical figure representing Britannia herself. In this satirical depiction, Britannia is depicted as unsure about her jurisdiction over the proposed Channel Tunnel. Standing amidst a group of workmen with tools in hand, she appears to be contemplating whether or not she has authority over this ambitious project that would connect Britain and France. The artist's clever use of symbolism is evident through the inclusion of a pickaxe held by one of the workers. This tool represents both physical labor and progress towards bridging two nations together. Through this image, Sambourne highlights the complexities surrounding national identity and sovereignty during that era. With its monochrome aesthetic and intricate details, this print serves as a historical artifact from the 19th century. It offers us a glimpse into societal attitudes towards occupation and international relations at that time. Preserved by Heritage Image Partnership, this artwork continues to captivate viewers today with its thought-provoking commentary on power dynamics between countries.
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