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Metal Print : From the profound abyss, behind the lid of a great monument we stood retired, c1890
Metal Prints From Heritage Images
From the profound abyss, behind the lid of a great monument we stood retired, c1890
From the profound abyss, behind the lid of a great monument we stood retired, c1890. Dante and the Roman poet Virgil shelter in craggy rocks and try to avoid the horrible excess of fetid exhalation. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri. This long, narrative poem, written in Italian c1308-1321, tracing Dantes imaginary journey from Hell, through Purgatory and finally to Heaven and a beatific vision of God, has been published numerous times. This edition, published late 19th century, is illustrated by Gustave Dore. [Cassell Petter & Galpin, c1890]
Heritage Images features heritage image collections
Media ID 18909466
© The Print Collector/Heritage Images
Abyss Aligheri Alighieri Dante Dante Aligheri Dante Alighieri Divina Commedia Divine Comedy Dore Gustave Gustave Dore Hell Louis Christophe Gustave Dore Paul Gustave Paul Gustave Dore Petter And Galpin Poem Publius Publius Vergilius Maro Sheltering Smell Vergil Vergilio Vergilius Maro Virgil Cassell
16"x20" (51x41cm) Metal Print
Step into the past with our captivating Metal Prints from Media Storehouse. This vintage image, titled 'From the profound abyss, behind the lid of a great monument we stood retired, c1890' from Heritage Images, transports you to a time long gone. Witness the epic journey of Dante and Virgil as they seek refuge from the horrors of the underworld, hidden behind the imposing monument. Our premium Metal Prints bring the rich details and vibrant colors of this timeless photograph to life, creating a stunning piece of art for your home or office. Experience the depth and texture of this historical image like never before with our high-quality Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "From the profound abyss, behind the lid of a great monument we stood retired, c1890" transports us to a moment in time when Dante Alighieri and the Roman poet Virgil find themselves seeking refuge amidst craggy rocks. The image is an illustration from "The Vision of Hell" (Inferno), which is part of Dante's renowned literary masterpiece, "The Divine Comedy". Published numerous times since its creation in the 14th century, this particular edition was published in the late 19th century and features exquisite illustrations by Gustave Dore. In this scene, Dore skillfully captures the tension as Dante and Virgil attempt to shield themselves from a repulsive stench emanating from below. As we gaze upon this monochrome engraving, we are reminded of the immense talent possessed by both Dore and Dante Alighieri. The intricate details within each rock formation showcase Dore's architectural prowess while also emphasizing the treacherous nature of their surroundings. Through this powerful image, we are transported into Dante's imaginary journey through Hell as he navigates his way towards Purgatory and eventually Heaven. It serves as a testament to both literature's ability to transcend time and art's capacity to bring words to life.
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