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Virgil Collection

"Virgil: A Journey Through Time and Artistic Interpretations" Step into the world of Virgil, a name that resonates through centuries of literature, art, and exploration

Background imageVirgil Collection: DANTE: DIVINE COMEDY. Frontispiece of Dantes Divine Comedy, showing Dante (in

DANTE: DIVINE COMEDY. Frontispiece of Dantes Divine Comedy, showing Dante (in a red robe) being led by Virgil (in a blue robe) through the agonies of hell. Italian manuscript illumnination

Background imageVirgil Collection: NADIA-JULIETTE BOULANGER, French music teacher

NADIA-JULIETTE BOULANGER, French music teacher
NADIA-JULIETTE BOULANGER (1887-1979), French music teacher and conductor. Her students included Aaron Copland, Roy Harris, Lennox Berkeley, Virgil Thomson and Leonard Bernstein. Date: early 1960s

Background imageVirgil Collection: Astronaut Virgil ?Gus? Grissom in the chow line at the ?

Astronaut Virgil ?Gus? Grissom in the chow line at the ?
Astronaut Virgil ?Gus? Grissom in the chow line at the Grand Bahama Island tracking station, the day after his sub-orbital flight, which had reached an altitude of 118 miles

Background imageVirgil Collection: Roman mosaic

Roman mosaic

Background imageVirgil Collection: Dante & Virgil on Ice

Dante & Virgil on Ice
Virgil is Dantes guide on a tour of Inferno; they come across some evildoers punished by being placed up to their necks in ice

Background imageVirgil Collection: Charon / Styx / Dante / Virgil

Charon / Styx / Dante / Virgil
Charon ferries Dante and Virgil across the Styx, the river which separates this world of ours from the infernal regions

Background imageVirgil Collection: Dante / Virgil Cross Styx

Dante / Virgil Cross Styx
Charon, the ferryman of the Styx, carries Dante and Virgil to the Underworld

Background imageVirgil Collection: Arrival of Aeneas in Italy, the Dawn of the Roman Empire, (c1620-1680?). Artist: Claude Lorrain

Arrival of Aeneas in Italy, the Dawn of the Roman Empire, (c1620-1680?). Artist: Claude Lorrain
Arrival of Aeneas in Italy, the Dawn of the Roman Empire, (c1620-c1680?). Aeneas, hero of Troy, son of Anchises and Aphrodite (Venus)

Background imageVirgil Collection: Dante & Virgil in Hell

Dante & Virgil in Hell
Sinners stand in a frozen lake, with only the tops of their heads above the ice; the rest of their bodies are subjected to a permanent cold bath: Dante & Virgil look on

Background imageVirgil Collection: Bacchus / Dionysus / Wine

Bacchus / Dionysus / Wine
Honouring Bacchus

Background imageVirgil Collection: Propertius (Visconti)

Propertius (Visconti)
PROPERTIUS - Roman elegiac poet and associate of Virgil and Ovid

Background imageVirgil Collection: Female Souls / Purgatory

Female Souls / Purgatory
Dante and Virgil walk among female souls in Purgatorio

Background imageVirgil Collection: Roman Beekeeping / Virgil

Roman Beekeeping / Virgil
A Roman beekeeper tends his bees

Background imageVirgil Collection: Dantes Inferno, suicides and the Harpies

Dantes Inferno, suicides and the Harpies
Dantes Inferno. Canto XIII, line 11: Here [suicide tree] the brute Harpies make their nest (at right: Dante and Virgil). Italian poet Dante Alighieri (1265-1321)

Background imageVirgil Collection: Dante and Virgil in Hell. Artist: Bouguereau, William-Adolphe (1825-1905)

Dante and Virgil in Hell. Artist: Bouguereau, William-Adolphe (1825-1905)
Dante and Virgil in Hell. Found in the collection of Musee d Orsay, Paris

Background imageVirgil Collection: CENTAURS IN INFERNO - 2

CENTAURS IN INFERNO - 2
A band of Centaurs seen by Virgil and Dante in the course of their tour of Inferno

Background imageVirgil Collection: Damned in Hell

Damned in Hell
Virgil and Dante contemplate some of the damned

Background imageVirgil Collection: Dante in Hell

Dante in Hell
Virgil shows Dante the condemned suffering in Inferno

Background imageVirgil Collection: Omnia Vincit Amor, 1599. Creator: Agostino Carracci

Omnia Vincit Amor, 1599. Creator: Agostino Carracci
Omnia Vincit Amor, 1599

Background imageVirgil Collection: Thence issuing we again beheld the stars, c1890. Creator: Gustave Doré

Thence issuing we again beheld the stars, c1890. Creator: Gustave Doré
The beautiful lights of heav n dawn d through a circular opening in the cave: thus issuing we again beheld the stars, c1890. Dante and the Roman poet Virgil emerge from Hell, and see the stars

Background imageVirgil Collection: Dante and Virgil with three-headed monster, 1951. Creator: Shirley Markham

Dante and Virgil with three-headed monster, 1951. Creator: Shirley Markham
Dante and Virgil with three-headed monster, 1951. Design for illustration to Dantes " Divine Comedy". Shirley Markham (1931-1999)

Background imageVirgil Collection: The Divine Comedy. s. XIV. Virgil urges Dante

The Divine Comedy. s. XIV. Virgil urges Dante
The Divine Comedy. s.XIV. Virgil urges Dante

Background imageVirgil Collection: Celebrating Bacchus

Celebrating Bacchus
Country folk celebrate a festival in honour of the God of wine: Bacchus. (Greek: Dionysus)

Background imageVirgil Collection: Virgil & Aeneid

Virgil & Aeneid
VIRGIL Roman writer, depicted reading his Aeneid to his patron, Maecenas

Background imageVirgil Collection: Virgil / Georgics / Corydon

Virgil / Georgics / Corydon
Corydon pines for Alexis

Background imageVirgil Collection: Now was the day departing, c1890. Creator: Gustave Doré

Now was the day departing, c1890. Creator: Gustave Doré
Now was the day departing, and the air, imbrown d with shadows, from their toils released, c1890. Dante and the Roman poet Virgil

Background imageVirgil Collection: Moeris And Galatea, From Virgil's Eclogues, 1884. Creator: Samuel Palmer

Moeris And Galatea, From Virgil's Eclogues, 1884. Creator: Samuel Palmer
Moeris And Galatea, From Virgil's Eclogues, 1884

Background imageVirgil Collection: The Bucolics by Virgil - Page with an illustration on the craftwork

The Bucolics by Virgil - Page with an illustration on the craftwork. Latin edition of 1529 (engraving)
CUL4931655 The Bucolics by Virgil - Page with an illustration on the craftwork. Latin edition of 1529 (engraving); Biblioteca Nacional, Madrid, Spain; (add.info.: SPAIN. MADRID. Madrid)

Background imageVirgil Collection: VIRGIL (70-19 BC) Roman poet author of the Aeneid (engraving)

VIRGIL (70-19 BC) Roman poet author of the Aeneid (engraving)
CUL4876802 VIRGIL (70-19 BC) Roman poet author of the Aeneid (engraving); Biblioteca Nacional, Madrid, Spain; (add.info.: from the Illustrium imagines (1606)); Photo © Esteban/AIC

Background imageVirgil Collection: Tapestry of the Astrolabes, c.1451-1500 (silk wool)

Tapestry of the Astrolabes, c.1451-1500 (silk wool)
CUL4938892 Tapestry of the Astrolabes, c.1451-1500 (silk wool); Museo de Santa Cruz, Toledo, Spain; (add.info.: Tapestry of the astrolabe)

Background imageVirgil Collection: Dante and Virgil at the edge of the abyss from which a foetid smell steamed up: Canto XI

Dante and Virgil at the edge of the abyss from which a foetid smell steamed up: Canto XI
536434 Dante and Virgil at the edge of the abyss from which a foetid smell steamed up: Canto XI. Illustration by Gustave Dore for Dante Inferno, 1863

Background imageVirgil Collection: Sheep, cattle, horses and goats: In foreground a horse and a cow are being assessed by farmers

Sheep, cattle, horses and goats: In foreground a horse and a cow are being assessed by farmers
531491 Sheep, cattle, horses and goats: In foreground a horse and a cow are being assessed by farmers. In right background a shepherd plays on pan pipes as he and his companion guard their flock

Background imageVirgil Collection: Statue of a Roman consul believed to be Virgilio. In the Vatican

Statue of a Roman consul believed to be Virgilio. In the Vatican. Copperplate engraving from Pietro Paolo
FLO4997298 Statue of a Roman consul believed to be Virgilio. In the Vatican. Copperplate engraving from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome

Background imageVirgil Collection: The Bucolics by Virgil - Page with an illustration on the extraction of cork, 1529 (engraving)

The Bucolics by Virgil - Page with an illustration on the extraction of cork, 1529 (engraving)
CUL4931631 The Bucolics by Virgil - Page with an illustration on the extraction of cork, 1529 (engraving); Biblioteca Nacional, Madrid, Spain; (add.info.: SPAIN. MADRID. Madrid)

Background imageVirgil Collection: Aristaeus compels Proteus to give his Response, 17th century (engraving)

Aristaeus compels Proteus to give his Response, 17th century (engraving)
3480511 Aristaeus compels Proteus to give his Response, 17th century (engraving); (add.info.: Aristaeus compels Proteus to give his Response)

Background imageVirgil Collection: Virgil's tomb

Virgil's tomb
3740690 Virgil's tomb; (add.info.: Illustration depicting a Roman burial vault in Naples thought to be tomb of the poet Virgil. Virgil (70 BC-19 BC) an ancient Roman poet of the Augustan period

Background imageVirgil Collection: Petrarch's Virgil (title page) c. 1336 Manuscript. Illustrated by Simone martini

Petrarch's Virgil (title page) c. 1336 Manuscript. Illustrated by Simone martini
3523605 Petrarch's Virgil (title page) c. 1336 Manuscript. Illustrated by Simone martini by Martini, Simone (1284-1344); (add.info.: Petrarch's Virgil (title page) c. 1336 Manuscript

Background imageVirgil Collection: Dante protected by Virgil from harm by demons

Dante protected by Virgil from harm by demons
534378 Dante protected by Virgil from harm by demons. by Dore, Gustave (1832-83); (add.info.: Dante protected by Virgil from harm by demons)

Background imageVirgil Collection: Papyrus with a line of Virgil's Aeneid, 1st cnetury

Papyrus with a line of Virgil's Aeneid, 1st cnetury
3330427 Papyrus with a line of Virgil's Aeneid, 1st cnetury; (add.info.: Papyrus with a line of Virgil's Aeneid, which has been repeated as part of a writing exercise)

Background imageVirgil Collection: Dante and Virgil beset by demons on their passage through the eighth circle

Dante and Virgil beset by demons on their passage through the eighth circle
532226 Dante and Virgil beset by demons on their passage through the eighth circle. Illustration (1861) by Gustave Dore for Dante Inferno, Canto XXI

Background imageVirgil Collection: Ploughing with oxen, sowing seed broadcast and harrowing. In background agricultural tools are

Ploughing with oxen, sowing seed broadcast and harrowing. In background agricultural tools are being made from wood
531495 Ploughing with oxen, sowing seed broadcast and harrowing. In background agricultural tools are being made from wood

Background imageVirgil Collection: Beekeeping showing beekeepers preparing to take a swarm. 18th century

Beekeeping showing beekeepers preparing to take a swarm. 18th century (copperplate engraving from Virgil Georgics which)
531493 Beekeeping showing beekeepers preparing to take a swarm. 18th century (copperplate engraving from Virgil Georgics which followed the agricultural traditions set down by Virgil in Roman times)

Background imageVirgil Collection: Charon the ferryman rowing to collect Dante and his guide, Virgil, to carry them across the Styx

Charon the ferryman rowing to collect Dante and his guide, Virgil, to carry them across the Styx, 1861 (engraving)
536563 Charon the ferryman rowing to collect Dante and his guide, Virgil, to carry them across the Styx, 1861 (engraving); (add.info.: Charon the ferryman rowing to collect Dante and his guide)

Background imageVirgil Collection: Lake Fusaro, Southern Italy, the Lethe of Virgil, 1864. Creator: Mason Jackson

Lake Fusaro, Southern Italy, the Lethe of Virgil, 1864. Creator: Mason Jackson
Lake Fusaro, Southern Italy, the Lethe of Virgil, 1864. Engraving from a sketch by M. Mariani. At present the Lake Fusaro has shaken off its romantic traditions, and, calmly majestic

Background imageVirgil Collection: Four Seasons, Winter: Juno beseeches to destroy Aeneas Fleet, 1856-1863

Four Seasons, Winter: Juno beseeches to destroy Aeneas Fleet, 1856-1863. Creator: Delacroix, Eugène (1798-1863)
Four Seasons, Winter: Juno beseeches to destroy Aeneas Fleet, 1856-1863. Found in the Collection of the Museu de Arte de S£o Paulo

Background imageVirgil Collection: The Trojans repulsing the Greeks. After Giulio Romano, 1538. Creator: Scultori (called Mantovano)

The Trojans repulsing the Greeks. After Giulio Romano, 1538. Creator: Scultori (called Mantovano)
The Trojans repulsing the Greeks. After Giulio Romano, 1538. Private Collection

Background imageVirgil Collection: Cybele, goddess of the Phrygians, in a chariot

Cybele, goddess of the Phrygians, in a chariot
Cybele, goddess of the Phrygians, with orb and sceptre in a chariot drawn by four lions. With Attis in Phrygian cap holding syrinx panpipes and shepherds crook. Cibele, Ati, &c

Background imageVirgil Collection: Allegory of the British Empire strangling the world, satirical cartoon from

Allegory of the British Empire strangling the world, satirical cartoon from
CHT211314 Allegory of the British Empire strangling the world, satirical cartoon from Le Perroquet (Il Papagallo), 1878 (colour litho) by Italian School, (19th century); Bibliotheque Nationale

Background imageVirgil Collection: Dante and Virgil in Hell, 1850 (oil on canvas)

Dante and Virgil in Hell, 1850 (oil on canvas)
938625 Dante and Virgil in Hell, 1850 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 280.5 x 225.3 cm; Musee d Orsay, Paris, France; (add.info.: Dante et Virgile); French

Background imageVirgil Collection: DIVINE COMEDY / DAMNED

DIVINE COMEDY / DAMNED
Dante & Virgil contemplate some of the damned... Date: First published: 1307-21?

Background imageVirgil Collection: DANTE IN HELL

DANTE IN HELL
Virgil is Dantes guide on a tour of Inferno; they come across some evildoers punished by being placed up to their necks in ice

Background imageVirgil Collection: Aeneas and the Sibyl in the Underworld, 1630s. Creator: Jan Brueghel the younger

Aeneas and the Sibyl in the Underworld, 1630s. Creator: Jan Brueghel the younger
Aeneas and the Sibyl in the Underworld, 1630s

Background imageVirgil Collection: Dante and Virgil in the Second Circle of Hell, 1823. Creator: Koch, Joseph Anton (1768-1839)

Dante and Virgil in the Second Circle of Hell, 1823. Creator: Koch, Joseph Anton (1768-1839)
Dante and Virgil in the Second Circle of Hell, 1823. Found in the Collection of Thorvaldsens Museum, Copenhagen

Background imageVirgil Collection: From left: Alan Shepard Jr and John Glenn Jr in the Mer?

From left: Alan Shepard Jr and John Glenn Jr in the Mer?
From left: Alan Shepard Jr and John Glenn Jr in the Mercury control center on 18 July 1961 prior the sub-orbital flight of Virgil Grissom on 21 July. Date: 1961

Background imageVirgil Collection: John Glenn and Virgil Grissom pose beside Mercury spacecraft

John Glenn and Virgil Grissom pose beside Mercury spacecraft
John Glenn, left, and Virgil Grissom pose beside a boiler-plate relica of a Mercury spacecraft, c.July 1961. Date: 1961

Background imageVirgil Collection: Astronaut Virgil ?Gus? Grissom wearing the NASA Disting?

Astronaut Virgil ?Gus? Grissom wearing the NASA Disting?
Astronaut Virgil ?Gus? Grissom wearing the NASA Distinguished Service Medal and a Project Mercury lapel pin, during a news conference at Cape Canaveral, the day after his sub-orbital flight

Background imageVirgil Collection: USAF astronaut Virgil ?Gus? Grissom wearing a US Navy o?

USAF astronaut Virgil ?Gus? Grissom wearing a US Navy o?
USAF astronaut Virgil ?Gus? Grissom wearing a US Navy orange flying suit aboard the aircraft carrier USS Randolph, after his sub-orbital flight, which had reached an altitude of 118 miles

Background imageVirgil Collection: Astronaut Virgil ?Gus? Grissom steps down from the van ?

Astronaut Virgil ?Gus? Grissom steps down from the van ?
Astronaut Virgil ?Gus? Grissom steps down from the van at Cape Canaveral prior to his delayed flight which was cancelled due to bad weather, 19 July 1961. Date: 1961

Background imageVirgil Collection: Astronaut Virgil ?Gus? Grissom leaves hangar, Cape Canaveral

Astronaut Virgil ?Gus? Grissom leaves hangar, Cape Canaveral
Astronaut Virgil ?Gus? Grissom leaves the hangar at Cape Canaveral prior to his delayed flight which was cancelled due to bad weather, 19 July 1961. Date: 1961

Background imageVirgil Collection: A technician adjusts the microphones for astronaut Virg?

A technician adjusts the microphones for astronaut Virg?
A technician adjusts the microphones for astronaut Virgil ?Gus? Grissom prior to his delayed flight which was cancelled due to bad weather, 19 July 1961. Date: 1961

Background imageVirgil Collection: Capt Virgil Ivan ?Gus? Grissom, USAF, 1926-1967, April 1961

Capt Virgil Ivan ?Gus? Grissom, USAF, 1926-1967, April 1961. Date: 1961

Background imageVirgil Collection: Astronaut Virgil ?Gus? Grissom receives the NASA Distin?

Astronaut Virgil ?Gus? Grissom receives the NASA Distin?
Astronaut Virgil ?Gus? Grissom receives the NASA Distinguished Service Medal from James E. Webb, NASA Administrator, right, during a news conference at Cape Canaveral

Background imageVirgil Collection: Astronaut Virgil ?Gus? Grissom starts to remove his spa?

Astronaut Virgil ?Gus? Grissom starts to remove his spa?
Astronaut Virgil ?Gus? Grissom starts to remove his spacesuit prior to receiving a medical checkup aboard the aircraft carrier USS Randolph, after his sub-orbital flight

Background imageVirgil Collection: Astronaut Virgil ?Gus? Grissom talks on the telephone t?

Astronaut Virgil ?Gus? Grissom talks on the telephone t?
Astronaut Virgil ?Gus? Grissom talks on the telephone to the US President, John F. Kennedy, from the aircraft carrier USS Randolph, after his sub-orbital flight

Background imageVirgil Collection: Astronaut Virgil ?Gus? Grissom enters his Mercury space?

Astronaut Virgil ?Gus? Grissom enters his Mercury space?
Astronaut Virgil ?Gus? Grissom enters his Mercury spacecraft, Liberty Bell 7, at Cape Canaveral for a second attempt at his sub-orbital flight following the earlier cancellation due to bad weather

Background imageVirgil Collection: Astronaut Virgil ?Gus? Grissom leaves his quarters at C?

Astronaut Virgil ?Gus? Grissom leaves his quarters at C?
Astronaut Virgil ?Gus? Grissom leaves his quarters at Cape Canaveral for a second attempt at his sub-orbital flight following the earlier cancellation due to bad weather, 21 July 1961. Date: 1961

Background imageVirgil Collection: Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki

Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki
Blumauer's Aeneide, 1789. From almanac: Konigl. Grosbritannischer Historischer Genealogischer Calender, 1790. Aloys Blumauer's Vergils Aeneis travestirt (1783)

Background imageVirgil Collection: Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki

Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki
Blumauer's Aeneide, 1789. From almanac: Konigl. Grosbritannischer Historischer Genealogischer Calender, 1790. Aloys Blumauer's Vergils Aeneis travestirt (1783)

Background imageVirgil Collection: Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki

Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki
Blumauer's Aeneide, 1789. From almanac: Konigl. Grosbritannischer Historischer Genealogischer Calender, 1790. Aloys Blumauer's Vergils Aeneis travestirt (1783)

Background imageVirgil Collection: Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki

Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki
Blumauer's Aeneide, 1789. From almanac: Konigl. Grosbritannischer Historischer Genealogischer Calender, 1790. Aloys Blumauer's Vergils Aeneis travestirt (1783)

Background imageVirgil Collection: Maro Publius Vergelius, 70-19 BC, unknown date. Creator: Anon

Maro Publius Vergelius, 70-19 BC, unknown date. Creator: Anon
Maro Publius Vergelius, 70-19 BC, unknown date

Background imageVirgil Collection: Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki

Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki
Blumauer's Aeneide, 1789. Almanac: Konigl. Grosbritannischer Historischer Genealogischer Calender, 1790. Aloys Blumauer's Vergils Aeneis travestirt (1783)

Background imageVirgil Collection: Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki

Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki
Blumauer's Aeneide, 1789. Almanac: Konigl. Grosbritannischer Historischer Genealogischer Calender, 1790. Aloys Blumauer's Vergils Aeneis travestirt (1783)

Background imageVirgil Collection: The Arrival of Aeneas in Carthage, between 1772 and 1774. Creator: Jean Bernard Restout

The Arrival of Aeneas in Carthage, between 1772 and 1774. Creator: Jean Bernard Restout
The Arrival of Aeneas in Carthage, between 1772 and 1774

Background imageVirgil Collection: The Departure of Dido and Aeneas for the Hunt, between 1772 and 1774. Creator: Jean Bernard Restout

The Departure of Dido and Aeneas for the Hunt, between 1772 and 1774. Creator: Jean Bernard Restout
The Departure of Dido and Aeneas for the Hunt, between 1772 and 1774

Background imageVirgil Collection: Aeneas and Dido Fleeing the Storm, between c1772 and c1774. Creator: Jean Bernard Restout

Aeneas and Dido Fleeing the Storm, between c1772 and c1774. Creator: Jean Bernard Restout
Aeneas and Dido Fleeing the Storm, between c1772 and c1774

Background imageVirgil Collection: Aeneas Offering Presents to King Latinus and Asking Him for the Hand of His Daughter, 1778

Aeneas Offering Presents to King Latinus and Asking Him for the Hand of His Daughter, 1778

Background imageVirgil Collection: Venus Ordering Arms from Vulcan for Aeneas (image 1 of 2), 1717. Creator: Jean Restout

Venus Ordering Arms from Vulcan for Aeneas (image 1 of 2), 1717. Creator: Jean Restout
Venus Ordering Arms from Vulcan for Aeneas (image 1 of 2), 1717

Background imageVirgil Collection: Camilla at War from Virgil's Aeneid, between 1708 and 1710. Creator: Giacomo del Po

Camilla at War from Virgil's Aeneid, between 1708 and 1710. Creator: Giacomo del Po
Camilla at War from Virgil's Aeneid, between 1708 and 1710

Background imageVirgil Collection: The Fight between Aeneas and King Turnus, from Virgil's Aeneid, c1700. Creator: Giacomo del Po

The Fight between Aeneas and King Turnus, from Virgil's Aeneid, c1700. Creator: Giacomo del Po
The Fight between Aeneas and King Turnus, from Virgil's Aeneid, c1700

Background imageVirgil Collection: Dido at the stake summoning the gods. Creator: Kauffmann, Angelika (1741-1807)

Dido at the stake summoning the gods. Creator: Kauffmann, Angelika (1741-1807)
Dido at the stake summoning the gods. Private Collection

Background imageVirgil Collection: Les Bergers de Virgile, 1842. Creator: Honore Daumier

Les Bergers de Virgile, 1842. Creator: Honore Daumier
Les Bergers de Virgile, 1842. Virgil's Shepherds. Air suffisamment connu: Ces beaux enfans de l'Italie, Celebraient ainsi tour a tour, Le bois, le coteau, la prairie

Background imageVirgil Collection: Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki

Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki
Blumauer's Aeneide, 1789. From almanac: Konigl. Grosbritannischer Historischer Genealogischer Calender, 1790. Aloys Blumauer's Vergils Aeneis travestirt (1783)

Background imageVirgil Collection: Dido and Aeneas, c1630. Creator: Rutilio di Lorenzo Manetti

Dido and Aeneas, c1630. Creator: Rutilio di Lorenzo Manetti
Dido and Aeneas, c1630



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"Virgil: A Journey Through Time and Artistic Interpretations" Step into the world of Virgil, a name that resonates through centuries of literature, art, and exploration. From Dante's Divine Comedy to Roman mosaics, this captivating figure has left an indelible mark on our cultural tapestry. In the frontispiece of Dante's Divine Comedy, we witness Virgil guiding Dante through the realms of Hell, Purgatory, and Heaven. Their partnership symbolizes wisdom leading humanity towards enlightenment. But Virgil's influence extends beyond literature. Nadia-Juliette Boulanger, a French music teacher known for her prodigious talent, draws inspiration from his timeless spirit as she imparts knowledge to future generations. Even in space exploration, Virgil finds his place. Astronaut Virgil "Gus" Grissom stands in the chow line at NASA - a modern-day embodiment of bravery and discovery echoing the ancient poet's adventurous spirit. Artists like Claude Lorrain capture pivotal moments in history with their brushstrokes. The arrival of Aeneas in Italy signifies the dawn of the Roman Empire - a testament to Virgil's role as a chronicler and shaper of civilization. As we delve deeper into mythological realms depicted by Shirley Markham's artwork or explore Roman beekeeping practices intertwined with Virgil's legacy; we uncover layers upon layers of symbolism and meaning. Charon ferries souls across Styx while Dante and Virgil cross paths with Bacchus himself – Dionysus personified – reminding us that even gods are not immune to human struggles such as temptation represented by wine. Through it all, one thing remains constant: Virgil is our guide through darkness. Whether traversing icy terrains or descending into hellish depths alongside Dante; he represents resilience against adversity and unwavering determination towards truth. So let us celebrate this enigmatic figure who transcends time and boundaries.

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