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Metal Print : Orestes pursued by the Furies, 1858
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Orestes pursued by the Furies, 1858
Orestes pursued by the Furies, 1858. Lord Palmerston, Leader of the Opposition, is pursued by the Furies. These are John Bright holding the cat o nine tails, Disraeli, the Conservative chancellor of the Exchequer with the birch and the brand, and a third, more schematic, Fury represents Roebuck. This cartoon refers to what Punch called The Battle of the Ballot in which the extension of the franchise was discussed. John Bright and Disraeli were both advocates of the extension, whereas Palmerston just as passionately opposed any such extension. However, as Punch reported, the fight ended with the usual defeat of the attacking forces. From Punch, or the London Charivari, June 19, 1858
Heritage Images features heritage image collections
Media ID 14830452
© The Print Collector / Heritage-Images
Benjamin Benjamin Disraeli Birch Bright Cat O Nine Tails Chancellor Of The Exchequer Chasing Conservative Conservative Party Disraeli Earl Of Beaconsfield Fury Henry John Henry John Temple Heritage Image Partnership John Bright Lord Lord Palmerston Orestes Palmerston Punishment Viscount Palmerston Whip
16"x20" (51x41cm) Metal Print
Bring the dramatic intensity of history to your home or office with our Media Storehouse Metal Prints. This captivating piece, "Orestes pursued by the Furies, 1858," showcases an intriguing political allegory from the past. The painting, featuring Benjamin Disraeli, John Arthur Roebuck, and John Bright, as well as Lord Palmerston, is a fascinating representation of the political climate during the 19th century. The Metallic finish adds a modern twist to this classic artwork, making it a unique and eye-catching addition to any space. Experience the rich history and intrigue of this iconic image with our high-quality Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The print titled "Orestes pursued by the Furies, 1858" captures a powerful political satire from the 19th century. In this cartoon, Lord Palmerston, Leader of the Opposition, is depicted as Orestes being relentlessly chased by three formidable Furies representing his political adversaries. John Bright holds the cat o' nine tails symbolizing punishment and retribution, while Benjamin Disraeli, the Conservative chancellor of the Exchequer, wields a birch and brand to inflict further torment. The third Fury represents John Arthur Roebuck in a more abstract form. This artwork alludes to Punch's portrayal of "The Battle of the Ballot" which centered around discussions on extending voting rights. Both John Bright and Disraeli were fervent advocates for expanding suffrage, whereas Palmerston vehemently opposed any such extension. Despite their passionate pursuit of change, Punch reports that once again, these reformist forces faced defeat at the hands of those resisting progress. Through this caricature filled with symbolism and wit, we are reminded of the complex dynamics within British politics during this era. It showcases not only differing ideologies but also highlights how entrenched opposition can hinder societal advancements. This black-and-white engraving serves as an important historical artifact reflecting upon key figures such as Lord Palmerston, Benjamin Disraeli, John Arthur Roebuck, and John Bright who played significant roles in shaping Britain's political landscape during that time.
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