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Metal Print : Marriage a la Mode, 1745; plate II. Artist: Bernard Baron

Marriage a la Mode, 1745; plate II. Artist: Bernard Baron



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Marriage a la Mode, 1745; plate II. Artist: Bernard Baron

Marriage a la Mode, 1745; plate II. The young nobleman comes home from a night of revelry at 1.20 am and ignores his wife who has been holding a card party. The steward walks out in disgust

Heritage Images features heritage image collections

Media ID 15166936

© London Metropolitan Archives (City of London) / Heritage-Images

Baron Bernard Bernard Baron Disgust Drunk Drunkenness Guildhall Library Art Gallery Hogarth W Hogarth William Hogarth William Hogarth Hogarth William W Hogarth Pastime


16"x20" (51x41cm) Metal Print

Bring timeless elegance into your home with Media Storehouse's Metal Prints featuring Marriage à la Mode, plate II. This exquisite artwork by Bernard Baron, from Heritage Images, captures a scene of 18th-century aristocracy. Witness the young nobleman's return home from a late-night revelry, as he overlooks his wife's card party. The disgusted steward's departure adds to the intrigue. Our high-quality Metal Prints transform your chosen image into a stunning, vibrant, and durable work of art for your wall. Experience the allure of history with every detail brilliantly displayed.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > William Hogarth

> Arts > Artists > W > William White

> Arts > Artists > William Hogarth

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Art > William Hogarth

> Europe > United Kingdom > England > London > Boroughs > City of London

> Popular Themes > William Hogarth


Marriage a la Mode, 1745; plate II - A Captivating Satire on Eighteenth-Century Matrimonial Discord

EDITORS COMMENTS
. In this print by artist Bernard Baron, we are transported back to the opulent interiors of an eighteenth-century nobleman's home. Titled "Marriage a la Mode" this satirical engraving offers a glimpse into the tumultuous dynamics of marital life during that era. Plate II portrays a scene filled with tension and discontent. The young nobleman stumbles through the door at 1.20 am, clearly intoxicated from a night of revelry. Ignoring his wife, who has been hosting a card party in their lavishly decorated interior, he displays utter disregard for her presence. The steward, depicted walking out in disgust, serves as both witness and symbol of societal disapproval towards such behavior within marriage. His departure signifies not only his disdain for the nobleman's drunkenness but also highlights the crumbling foundations of their union. Artist William Hogarth masterfully employs monochrome tones to emphasize the stark contrast between wealth and unhappiness within this aristocratic household. Through biting satire and sharp social commentary, Hogarth invites viewers to reflect upon the consequences of neglecting one's spouse in pursuit of personal indulgence. This thought-provoking print can be found at Guildhall Library Art Gallery—a testament to its enduring significance as an artistic masterpiece that continues to resonate with audiences today.

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