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Framed Print : Marriage a la Mode, 1745; plate II. Artist: Bernard Baron
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Marriage a la Mode, 1745; plate II. Artist: Bernard Baron
Marriage a la Mode, 1745; plate II. The young nobleman comes home from a night of revelry at 1.20 am and ignores his wife who has been holding a card party. The steward walks out in disgust
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Media ID 15166936
© London Metropolitan Archives (City of London) / Heritage-Images
Baron Bernard Bernard Baron Disgust Drunk Drunkenness Guildhall Library Art Gallery Hogarth W Hogarth William Hogarth William Hogarth Hogarth William W Hogarth Pastime
12"x10" Modern Frame
Introducing the exquisite Marriage à la Mode Framed Print from Media Storehouse, featuring plate II of this renowned 18th-century series by artist Bernard Baron. This captivating work of art, titled "The young nobleman comes home from a revelry," depicts a tale of marital indifference. At 1.20 am, the young nobleman returns home, oblivious to his wife's card party in progress. The steward, in disgust, walks out, leaving a scene of unspoken tension. Bring this timeless work of art into your home and add an air of sophistication and intrigue to any room. Each print is carefully framed and ready to hang, ensuring a stunning presentation of this Heritage Image masterpiece.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Marriage a la Mode, 1745; plate II - A Captivating Satire on Eighteenth-Century Matrimonial Discord
EDITORS COMMENTS
. In this print by artist Bernard Baron, we are transported back to the opulent interiors of an eighteenth-century nobleman's home. Titled "Marriage a la Mode" this satirical engraving offers a glimpse into the tumultuous dynamics of marital life during that era. Plate II portrays a scene filled with tension and discontent. The young nobleman stumbles through the door at 1.20 am, clearly intoxicated from a night of revelry. Ignoring his wife, who has been hosting a card party in their lavishly decorated interior, he displays utter disregard for her presence. The steward, depicted walking out in disgust, serves as both witness and symbol of societal disapproval towards such behavior within marriage. His departure signifies not only his disdain for the nobleman's drunkenness but also highlights the crumbling foundations of their union. Artist William Hogarth masterfully employs monochrome tones to emphasize the stark contrast between wealth and unhappiness within this aristocratic household. Through biting satire and sharp social commentary, Hogarth invites viewers to reflect upon the consequences of neglecting one's spouse in pursuit of personal indulgence. This thought-provoking print can be found at Guildhall Library Art Gallery—a testament to its enduring significance as an artistic masterpiece that continues to resonate with audiences today.
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