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Metal Print : La Comédie politique, 1859. Creator: Félicien Rops
Resolution may be reduced at this size (98 DPI)
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La Comédie politique, 1859. Creator: Félicien Rops
La Comedie politique, 1859. Periodical: Uylenspiegel, 22 May 1859
Heritage Images features heritage image collections
Media ID 36363754
© Heritage Art/Heritage Images
1850s Belgian Felicien Joseph Victor Rops Félicien Rops Felicien Victor Joseph Rops Flanders Belgium Europe Freedom Game Bird Hare Hunt Hunter Justice Periodical Rabbit Rops Felicien Rops Felicien Joseph Victor Shooting Uylenspiegel Freedom Of The Press Parody Satirical
16"x20" (51x41cm) Metal Print
Bring a touch of historical intrigue to your home or office with the Media Storehouse Metal Print of Félicien Rops' "La Comédie Politique," 1859. This captivating image, originally published in the Belgian satirical periodical Uylenspiegel on May 22, 1859, showcases Rops' masterful use of symbolism and wit. The metal print's vibrant colors and high-definition detailing bring out the rich textures and nuances of this iconic work, ensuring a stunning visual display. A perfect addition to any art collection, this unique print is sure to spark conversation and inspire curiosity.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
La Comédie Politique," a captivating lithograph by the renowned Belgian artist Félicien Rops, was first published in the satirical periodical "Uylenspiegel" on May 22, 1859. This intriguing artwork, now held in the prestigious Los Angeles County Museum of Art (LACMA), offers a vivid commentary on the political landscape of the 19th century. Rops masterfully employs a parody of a hunting scene to critique the political figures of his time. In the center, a hunter, dressed in the finest attire, proudly displays a hare and a game bird, symbolizing the capture of political power. Surrounding him are various animals, representing different political figures and their allegiances. A hare, symbolizing Belgium, is being pursued by a pack of rabbits, representing the different factions vying for control. A bird, symbolizing France, is being shot at by a hunter, representing the ongoing tensions between the two countries. The title "La Comédie Politique" alludes to the idea that politics is a game, with its own set of rules and players. Rops uses this concept to satirically comment on the political instability and turmoil of the time, highlighting the themes of freedom of the press, justice, and warfare. The black and white medium adds to the stark and raw portrayal of the political landscape, making it a powerful and enduring piece of historical art. Félicien Rops, a native of Flanders, Belgium, was known for his provocative and satirical works. "La Comédie Politique" is a prime example of his ability to use art as a tool for social commentary, leaving a lasting impact on the world of art and politics alike.
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