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Framed Print : La Comédie politique, 1859. Creator: Félicien Rops

La Comédie politique, 1859. Creator: Félicien Rops




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La Comédie politique, 1859. Creator: Félicien Rops

La Comedie politique, 1859. Periodical: Uylenspiegel, 22 May 1859

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Media ID 36363754

© Heritage Art/Heritage Images

1850s Belgian Felicien Joseph Victor Rops Félicien Rops Felicien Victor Joseph Rops Flanders Belgium Europe Freedom Game Bird Hare Hunt Hunter Justice Periodical Rabbit Rops Felicien Rops Felicien Joseph Victor Shooting Uylenspiegel Freedom Of The Press Parody Satirical


12"x10" Modern Frame

Experience the wit and satire of Belgian artist Félicien Rops with our Framed Print of his iconic work, "La Comédie politique" from Uylenspiegel, published on May 22, 1859. This captivating print, showcasing Rops' signature style of political commentary, is now available in a beautifully crafted frame, adding a touch of history and artistry to any space. With its intricate details and rich colors, this Framed Print of "La Comédie politique" is a must-have for art enthusiasts, history buffs, and those who appreciate the power of satire. Bring a piece of the past into your home or office with this stunning and thought-provoking addition to your collection.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Hare

> Animals > Mammals > Leporidae > European Hare

> Animals > Mammals > Leporidae > European Rabbit

> Arts > Artists > R > Felicien Rops

> Arts > Pop art > Satire > Satirical artwork

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Europe > Belgium > Politics


EDITORS COMMENTS
La Comédie Politique," a captivating lithograph by the renowned Belgian artist Félicien Rops, was first published in the satirical periodical "Uylenspiegel" on May 22, 1859. This intriguing artwork, now held in the prestigious Los Angeles County Museum of Art (LACMA), offers a vivid commentary on the political landscape of the 19th century. Rops masterfully employs a parody of a hunting scene to critique the political figures of his time. In the center, a hunter, dressed in the finest attire, proudly displays a hare and a game bird, symbolizing the capture of political power. Surrounding him are various animals, representing different political figures and their allegiances. A hare, symbolizing Belgium, is being pursued by a pack of rabbits, representing the different factions vying for control. A bird, symbolizing France, is being shot at by a hunter, representing the ongoing tensions between the two countries. The title "La Comédie Politique" alludes to the idea that politics is a game, with its own set of rules and players. Rops uses this concept to satirically comment on the political instability and turmoil of the time, highlighting the themes of freedom of the press, justice, and warfare. The black and white medium adds to the stark and raw portrayal of the political landscape, making it a powerful and enduring piece of historical art. Félicien Rops, a native of Flanders, Belgium, was known for his provocative and satirical works. "La Comédie Politique" is a prime example of his ability to use art as a tool for social commentary, leaving a lasting impact on the world of art and politics alike.

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