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Metal Print : Headman of the village holding his court, 1847
Metal Prints from Heritage Images
Headman of the village holding his court, 1847
Headman of the village holding his court, 1847. Meeting under a tree in an Indian village. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)
Heritage Images features heritage image collections
Media ID 14935414
© The Print Collector / Heritage-Images
Banyan Tree Cella Chief Corner Court Julia Julia Corner Julia Parley Law Court Lovechild Meeting Miss Corner Miss Julia Parley Rawlins Shrine Solomon Solomon Lovechild T J Rawlins Thomas Lovechild Thomas Parley Tj Rawlins Tropical Headman Hindoostan
16"x24" (61x41cm) Metal Print
Step into the past with our exquisite Metal Prints featuring the captivating image of 'Headman of the Village Holding His Court,' 1847. This vintage illustration, sourced from Heritage Images and originally published in 'The History of China and India' by Miss Corner, depicts a traditional Indian village scene with the headman presiding over a meeting under a tree. Bring history to life with the vibrant colors and exceptional detail that only our premium Metal Prints can deliver. A perfect addition to any home or office, this timeless piece is sure to ignite conversation and inspire wonder.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print takes us back to the year 1847, immersing us in a scene of cultural significance. The image showcases the Headman of a vibrant Indian village as he presides over his court under the sheltering branches of a majestic banyan tree. This enchanting illustration is extracted from "The History of China and India" by Miss Julia Corner, an esteemed author whose work shed light on these ancient civilizations. In this rural setting, we witness the convergence of law and tradition as villagers gather around their respected leader. The atmosphere exudes tranquility, with nature's beauty harmonizing with human affairs. The towering banyan tree acts as both a physical landmark and spiritual shrine, symbolizing stability and wisdom within this close-knit community. Rendered through intricate engraving techniques, every detail comes to life: from the rustic attire worn by those present to the expressions etched upon their faces. Through this monochromatic lens, we are transported into a bygone era where customs prevailed over modernity. The collaboration between Unknown creator, Miss Corner's insightful narrative, and TJ Rawlins' skilled craftsmanship has resulted in an evocative piece that captures not only historical accuracy but also highlights the timeless essence of rural Indian life during the 19th century. As viewers engage with this print today, they are invited to appreciate its artistic merits while contemplating how societies have evolved since then - yet still hold onto traditions that shape their identity even now.
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