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Metal Print : The Featherd Fair in a Fright, 18th century
Metal Prints from Heritage Images
The Featherd Fair in a Fright, 18th century
The Featherd Fair in a Fright, 18th century. Women with elaborate feathered hairdos flee from angry ostriches who want their feathers back. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
Heritage Images features heritage image collections
Media ID 14916963
© The Print Collector / Heritage-Images
Afraid Alarm Angry Chasing Collet Collett Emily Morse Emily Morse Symonds Fearful Feather Feathered Feathers Fleeing Fright Frighten Frightened Frightening Funny George Paston Humorous John Collet John Collett Ostrich Ostrich Feather Ostrich Feathers Paston Running Away Scared Silly Symonds
16"x20" (51x41cm) Metal Print
Bring the enchanting world of 18th century art into your home with Media Storehouse's Metal Prints. Feast your eyes on the captivating image of "The Feathered Fair in a Fright," an intriguing painting from Heritage Images. This masterpiece, featuring women with extravagant feathered hairstyles fleeing from angry ostriches, is sure to add a touch of elegance and whimsy to any room. Our high-quality Metal Prints are meticulously crafted to bring out the rich colors and details of this iconic artwork. Experience the beauty and allure of the past with Media Storehouse's Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Feathered Fair in a Fright, 18th century
EDITORS COMMENTS
captures a whimsical scene from the past, where women with extravagant feathered hairdos find themselves in a comical predicament. In this illustration by George Paston (pseudonym of Emily Morse Symonds) and John Collet, we witness an amusing chase between these fashionable ladies and a group of angry ostriches who are determined to reclaim their feathers. The image transports us back to 18th-century Britain, showcasing the elaborate dress and fashion trends of the time. The women's fear is palpable as they frantically flee from the towering ostriches, their hairstyles bouncing wildly with each step. It's hard not to chuckle at this satirical portrayal of people being chased by animals that desire nothing more than their own plumage. With its monochrome palette adding a touch of nostalgia, this print exemplifies the humor and wit prevalent in social caricature during that era. The exaggerated expressions on both human and avian faces evoke laughter while also highlighting societal norms surrounding beauty and fashion. As we admire this delightful artwork, let us appreciate how it encapsulates not only the creativity of its creators but also provides insight into the cultural nuances and satire prevalent in 18th-century Britain.
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