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Metal Print : Cremation, 1875. Artist: Joseph Swain
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Cremation, 1875. Artist: Joseph Swain
Cremation, 1875. A young man is dismayed to find his uncle helping himself to some snuff that he found in an urn on the mantelpiece of his nephews lodgings. In fact, cremation was being strongly advocated as a more hygienic method of disposal of bodies by some groups. The previous year, Lady Dilkes remains were cremated at Dresden in the presence of her relatives. She had been a strong supporter of the process. This came about in part as a result of the growing outrage at the over-filled and terrible urban graveyards that polluted air and soil. One of these is graphically described by Dickens in Bleak House. From Punch, or the London Charivari, 1875
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Media ID 14831303
© The Print Collector / Heritage-Images
Charles Dickens Charles John Huffam Charles John Huffam Dickens Cremation Dickens Heritage Image Partnership John Tenniel Joseph Swain Lodging House Nephew Sideboards Sideburns Sir John Tenniel Snuff Swain Tenniel Tobacco Top Hat Uncle
16"x20" (51x41cm) Metal Print
Experience the hauntingly intriguing image of "Cremation, 1875" by Joseph Swain, as depicted in this exquisite Metal Print from Media Storehouse. Originally created by Joseph Swain, with the illustration brought to life by the masterful hand of John Tenniel, this classic work by Charles Dickens captures a moment of unexpected discovery. The Metal Print's vibrant colors and exceptional detail bring the scene to life, making it a captivating addition to any home or office decor. Embrace the rich history and intrigue of this timeless piece, now available as a high-quality Metal Print from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this intriguing print titled "Cremation, 1875" we witness a comical scene unfolding in a Victorian lodging house. The artist, Joseph Swain, captures the dismay of a young man as he catches his uncle indulging in some snuff that he discovered inside an urn on the mantelpiece. This peculiar incident sheds light on the growing popularity of cremation during that era. During the late 19th century, cremation was being advocated by certain groups as a more hygienic method for disposing of bodies. Lady Dilkes, who strongly supported this process, had her remains cremated in Dresden just the previous year. This movement gained momentum due to public outrage over overcrowded and unsanitary urban graveyards described vividly by Charles Dickens in his novel Bleak House. The image portrays elements typical of Victorian society: top hats, sideburns, and formal attire worn by both men involved in this amusing encounter. The engraving adds to its nostalgic charm while capturing the essence of satire prevalent during that period. This print not only provides us with a glimpse into British family life but also serves as a reminder of how societal attitudes towards death and burial practices have evolved over time. It stands as an intriguing testament to the cultural shifts occurring during the 19th century when traditional customs were challenged by new ideas such as cremation.
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