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Framed Print : Cremation, 1875. Artist: Joseph Swain

Cremation, 1875. Artist: Joseph Swain




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Cremation, 1875. Artist: Joseph Swain

Cremation, 1875. A young man is dismayed to find his uncle helping himself to some snuff that he found in an urn on the mantelpiece of his nephews lodgings. In fact, cremation was being strongly advocated as a more hygienic method of disposal of bodies by some groups. The previous year, Lady Dilkes remains were cremated at Dresden in the presence of her relatives. She had been a strong supporter of the process. This came about in part as a result of the growing outrage at the over-filled and terrible urban graveyards that polluted air and soil. One of these is graphically described by Dickens in Bleak House. From Punch, or the London Charivari, 1875

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Media ID 14831303

© The Print Collector / Heritage-Images

Charles Dickens Charles John Huffam Charles John Huffam Dickens Cremation Dickens Heritage Image Partnership John Tenniel Joseph Swain Lodging House Nephew Sideboards Sideburns Sir John Tenniel Snuff Swain Tenniel Tobacco Top Hat Uncle


12"x10" Modern Frame

Introducing the stunning Framed Print from Media Storehouse's Heritage Images collection, featuring the captivating artwork "Cremation, 1875" by Charles Dickens, John Tenniel, and Joseph Swain. This iconic piece tells a thought-provoking story of surprise and dismay as a young man discovers his uncle helping himself to snuff from an urn on his nephew's mantelpiece. This exquisitely detailed and intriguing artwork is now available as a beautifully framed print, adding an air of sophistication and intrigue to any room in your home or office. Embrace the rich history and storytelling power of art with this exceptional Framed Print from Media Storehouse.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Charles Dickens

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > Charles White

> Arts > Artists > W > John White

> Arts > Artists > Y > John Young

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Related Images

> Popular Themes > Charles Dickens


EDITORS COMMENTS
In this intriguing print titled "Cremation, 1875" we witness a comical scene unfolding in a Victorian lodging house. The artist, Joseph Swain, captures the dismay of a young man as he catches his uncle indulging in some snuff that he discovered inside an urn on the mantelpiece. This peculiar incident sheds light on the growing popularity of cremation during that era. During the late 19th century, cremation was being advocated by certain groups as a more hygienic method for disposing of bodies. Lady Dilkes, who strongly supported this process, had her remains cremated in Dresden just the previous year. This movement gained momentum due to public outrage over overcrowded and unsanitary urban graveyards described vividly by Charles Dickens in his novel Bleak House. The image portrays elements typical of Victorian society: top hats, sideburns, and formal attire worn by both men involved in this amusing encounter. The engraving adds to its nostalgic charm while capturing the essence of satire prevalent during that period. This print not only provides us with a glimpse into British family life but also serves as a reminder of how societal attitudes towards death and burial practices have evolved over time. It stands as an intriguing testament to the cultural shifts occurring during the 19th century when traditional customs were challenged by new ideas such as cremation.

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