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Metal Print : Juno, Venus and Cupid, print made by William Wynne Ryland, 1777 (stipple engraving)

Juno, Venus and Cupid, print made by William Wynne Ryland, 1777 (stipple engraving)



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Juno, Venus and Cupid, print made by William Wynne Ryland, 1777 (stipple engraving)

695574 Juno, Venus and Cupid, print made by William Wynne Ryland, 1777 (stipple engraving) by Kauffmann, Angelica (1741-1807) (after); The Geffrye Museum of the Home, London, UK; eGeffrye Museum; English, out of copyright

Media ID 23228386

© Geffrye Museum / Bridgeman Images

Cupid Frame Gilded Gods Juno Pantheon Round Togas Venus Goddesses Neo Classical


16"x20" (51x41cm) Metal Print

Bring timeless beauty into your home with our Media Storehouse Metal Prints featuring the captivating artwork "Juno, Venus and Cupid" by William Wynne Ryland, 1777. This exquisite stipple engraving, inspired by Angelica Kauffmann's original painting, showcases the mythological goddesses Juno, Venus, and Cupid in a delicate and enchanting scene. The high-quality metal print preserves the intricate details and vibrant colors of the original artwork, making it a stunning addition to any room. Elevate your decor and add a touch of fine art to your space with this breathtaking print from Bridgeman Images and Fine Art Finder.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Angelica (after) Kauffmann

> Fine Art Finder > Pre-raphaelites & Neo-classical

> Arts > Artists > K > Angelica Kauffmann

> Arts > Artists > R > Roman Roman

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > London > Museums > Geffrye Museum


EDITORS COMMENTS
This print, created by William Wynne Ryland in 1777, transports us to the realm of ancient mythology. Titled "Juno, Venus and Cupid" this stipple engraving beautifully captures the essence of three iconic figures from antiquity. In this masterpiece, we witness Juno, the queen of gods and goddesses, adorned in a resplendent golden gown known as cestum. Her regal presence exudes power and authority as she gazes upon Venus with an intriguing expression. The goddess of love herself is depicted with grace and elegance, her flowing robes adding a sense of ethereal beauty to the scene. But it is Cupid who steals our attention - a mischievous child-like figure armed with his signature bow and arrow. With his playful demeanor and cherubic features, he adds a touch of innocence amidst these divine beings. The composition is framed within a round neo-classical frame that complements the classical theme perfectly. Every detail has been meticulously engraved by Ryland's skilled hand, capturing both the grandeur and delicacy of each figure. As we gaze upon this print at The Geffrye Museum of the Home in London, we are transported back to an era where gods walked among mortals. It serves as a reminder not only of our fascination with mythology but also highlights Ryland's mastery as an engraver during the Georgian period. This print truly encapsulates the timeless allure and enduring appeal that classical art continues to hold over us today

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