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Metal Print : Red, Blue, and White Lotus, of Hindostan, 1781 (hand-coloured engraving)
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Red, Blue, and White Lotus, of Hindostan, 1781 (hand-coloured engraving)
986311 Red, Blue, and White Lotus, of Hindostan, 1781 (hand-coloured engraving) by Forbes, James (1749-1819); 33.6x27.6 cm; Private Collection; (add.info.: Red, Blue, and White Lotus, of Hindostan. From Oriental Memoirs.... Engraved by William Hooker (1779-1832), after James Forbes (1749-1819). Hand-coloured engraving. Printed in 1781. 33.6 x 27.6cm.); Photo eChristies Images; English, out of copyright
Media ID 23293078
© Christie's Images / Bridgeman Images
1780s 1781 Background Biology Botanic Botanica English Art English Artist Forbes Ground Hand Colored Hand Coloring Hand Coloured Hand Colouring Hand Tinted Handcolored Hindostan Hooker Late 18th Century Late Eighteenth Century Leafed Leafy Lotus One Animal Oriental Plant Part Prints White Background White Color Artist British British Artist William Hooker
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of history into your home with our Media Storehouse Metal Prints. This exquisite piece features a hand-coloured engraving of "Red, Blue, and White Lotus, of Hindostan," created by James Forbes in 1781. The intricate details of the lotus flowers, set against the serene water, are captured in stunning detail on high-quality metal. Each print is individually printed and coated with a protective layer to ensure vibrant colours and a long-lasting finish. Add a touch of history and artistry to your decor with this beautiful and unique piece from the Media Storehouse collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This hand-coloured engraving titled "Red, Blue, and White Lotus of Hindostan" transports viewers to the enchanting world of 18th-century British art. Created by James Forbes in 1781, this exquisite print showcases his meticulous attention to detail and botanical expertise. The vibrant red, blue, and white lotus flowers take center stage against a pristine white background, their delicate petals beautifully rendered. Each flower seems to come alive with its intricate patterns and graceful form. The artist's skillful use of hand colouring adds depth and dimension to the composition, enhancing the viewer's visual experience. Accompanied by an elegant bee delicately perched on one of the lotus blooms, this artwork captures a moment in nature where beauty and harmony coexist. The inclusion of the insect not only adds a touch of realism but also highlights the interconnectedness between flora and fauna. Engraved by William Hooker after Forbes' original work, this print is a testament to collaboration within artistic circles during that era. It reflects both European influence in technique as well as Oriental inspiration in subject matter. With its rich historical context and timeless appeal, this hand-coloured engraving remains an enduring symbol of natural beauty captured through artistry. Its presence evokes a sense of tranquility while celebrating the wonders found within our natural world.
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