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Metal Print : Keokuk, Chief of the Sacs and Foxes, 1838 (hand-coloured lithograph on wove paper)
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Keokuk, Chief of the Sacs and Foxes, 1838 (hand-coloured lithograph on wove paper)
3526197 Keokuk, Chief of the Sacs and Foxes, 1838 (hand-coloured lithograph on wove paper) by Bowen, John T. (1801-c.1856); 49.8x34.6 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; (add.info.: Keokuk (1767-1848) was a chief of the Sauk or Sac tribe in central North America noted for his cooperation with the U.S. government which led to war with Black Hawk. Upon his death, his son Moses (1821-1903) assumed the position); American, out of copyright
Media ID 23138306
© Bridgeman Images
American Indian Chief Chieftain Clan Feathers Iowa Robe Sauk Staff Tomahawk Tribe War Chief
16"x20" (51x41cm) Metal Print
Bring historical artistry into your home with our Media Storehouse Metal Prints. This stunning piece showcases Keokuk, Chief of the Sacs and Foxes, as depicted in the hand-coloured lithograph by John T. Bowen from 1838. Originally published in Washington D.C.'s Corcoran Collection, this captivating image of Keokuk, a prominent Native American leader, is now available in a modern, vibrant metal print. Each print is meticulously crafted to preserve the intricate details and rich colors of the original artwork. Elevate your decor with a piece of history that tells a story.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Keokuk, Chief of the Sacs and Foxes, 1838
EDITORS COMMENTS
is a captivating hand-coloured lithograph that offers a glimpse into the life of one of North America's notable Native American leaders. The image showcases Keokuk, adorned in traditional feathers and an impressive headdress, exuding strength and authority as he stands tall with his watchful fox by his side. As a chief of the Sauk or Sac tribe, Keokuk played a significant role in shaping the relationship between his people and the U. S. government during a tumultuous period. His cooperation with the government ultimately led to war with Black Hawk, highlighting both his diplomatic skills and commitment to protecting his tribe's interests. This print not only captures Keokuk's powerful presence but also hints at the legacy he left behind. Upon his passing, his son Moses assumed leadership, carrying on their family's influential position within their community. The artwork provides insight into Native American culture through its depiction of tribal symbols such as warrior staffs and tomahawks while showcasing intricate details like traditional robes worn by both adults and children. It serves as a reminder of the rich heritage these tribes possess. Displayed in Washington D. C. 's National Gallery of Art as part of the Corcoran Collection, this piece invites viewers to appreciate not only its artistic merit but also to reflect upon the complex history between indigenous peoples and colonial powers in North America.
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