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Metal Print : The Immaculate Conception, 1767-9 (oil on canvas)
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The Immaculate Conception, 1767-9 (oil on canvas)
3247709 The Immaculate Conception, 1767-9 (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 281x155 cm; Prado, Madrid, Spain; (add.info.: In Catholic doctrine, the Virgin Mary was already free from original sin, as described in the Book of Revelation by the crown of stars and her triumph over the cosmos.); Italian, out of copyright
Media ID 18259227
© Prado, Madrid, Spain / Bridgeman Images
Altarpiece Book Of Revelation Chastity Cosmos Dove Gospels Original Sin Palm Pure Purity Putti Rococo Symbolism Triumph Cherubs Serpent Symbols
16"x24" (61x41cm) Metal Print
Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. This exquisite piece features "The Immaculate Conception, 1767-9" by the renowned artist Giovanni Battista Tiepolo. Captured in intricate detail from the Prado Museum in Madrid, Spain, this oil on canvas masterpiece showcases the Immaculate Conception, a central tenet of Catholic doctrine. Our high-quality metal prints are not only visually stunning but also durable and long-lasting, making them an excellent investment for any art lover or collector. Add a touch of history and elegance to your space with this breathtaking representation of faith and artistry.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Immaculate Conception" painted by Giovanni Battista Tiepolo between 1767 and 1769. The oil on canvas masterpiece, measuring an impressive 281x155 cm, is housed in the Prado Museum in Madrid, Spain. Tiepolo's portrayal of the Immaculate Conception aligns with Catholic doctrine, depicting the Virgin Mary as free from original sin. The painting beautifully captures her triumph over the cosmos through a crown of stars adorning her head. Symbolism abounds in this work; a snake representing evil slithers beneath her feet while a palm branch signifies victory over sin. A dove hovers above, symbolizing purity and holiness. Rendered in exquisite Baroque style with elements of Rococo influence, the painting features heavenly clouds as its backdrop. Standing gracefully amidst celestial angels and cherubs, Mary radiates purity and grace. "The Immaculate Conception" draws inspiration from biblical texts such as the Book of Revelation and serves as a testament to Mary's sanctity within Christianity. This altarpiece exemplifies Tiepolo's mastery in capturing religious themes with his brushstrokes. As we gaze upon this remarkable image captured by www. bridgemanimages. com, we are transported into a world where divine symbolism intertwines with artistic brilliance—a true homage to faith and devotion that continues to inspire viewers today.
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