Original Sin Collection

Satan and Beelzebub
" Satan and Beelzebub and scene from the Miltons Paradise Lost. Forthwith upright he rears from off the pool His mighty stature. Engraving from 1870

The angel up to heaven 1885
Engraving by Gustave Dore. From Miltons Paradise Lost by Robert Vaughan, D.D. Chicago and New York 1885

The Fall, after 1479 (oil on panel) (detail of 13000)
828652 The Fall, after 1479 (oil on panel) (detail of 13000) by Goes, Hugo van der (c.1440-82); 32.3x21.9 cm; Kunsthistorisches Museum, Vienna

Adam and Eve are Driven out of Paradise, published 1886
Adam and Eve are Driven out of Paradise (Genesis 3, 21-24). Chromolithograph, published in 1886

Original Sin: The Fall of Adam and Eve, c1467-1468 (1956). From the Kunsthistorisches Museum, Vienna. A print from Ideas, a volume about the origin and early history of many things

Adam and Eve, 1543 (copperplate engraving)
5058816 Adam and Eve, 1543 (copperplate engraving) by Beham, Hans Sebald (1500-50); 8.3 x 5.7 cm; Kunstmuseum, Basel, Switzerland; (add.info)

Eve (oil on panel)
471023 Eve (oil on panel) by Cranach, Lucas the Elder (1472-1553); 86x65 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Adam and Eve being expelled from paradise, ca. 1515-25. Creator: Marcantonio Raimondi
Adam and Eve being expelled from paradise, ca. 1515-25

Adam and Eve flanked by two trees, a town in the background, ca. 1512-14. Creator: Marcantonio Raimondi
Adam and Eve flanked by two trees, a town in the background, ca. 1512-14

The Fall of Man, ca. 1508-1532. Creator: Ludwig Krug
The Fall of Man, ca. 1508-1532

Adam and Eve, 1519 (woodcut)
5858432 Adam and Eve, 1519 (woodcut) by Grien, Hans Baldung (1484/5-1545); 25.8x10.1 cm; National Gallery of Art, Washington DC, USA

Adam and Eve, 1511 (woodcut)
5858433 Adam and Eve, 1511 (woodcut) by Grien, Hans Baldung (1484/5-1545); 37.7x25.7 cm; National Gallery of Art, Washington DC, USA

The Fall of Mankind, 1511 (woodcut)
5858421 The Fall of Mankind, 1511 (woodcut) by Grien, Hans Baldung (1484/5-1545); 38--25.8 cm; Metropolitan Museum of Art, New York, USA; (add.info.: on upper plaque: LAPSUS HUMA: / NI GENERIS )

Sensuality, c. 1891 (oil on canvas)
CH416890 Sensuality, c.1891 (oil on canvas) by Stuck, Franz von (1863-1928); 50.5x36.3 cm; Private Collection; (add.info.: Der Sinnlichkeit; ); Photo © Christies Images

The expulsion from the Earthly Paradise, Byzantine mosaic, Old Testament Cycle-Earthly Paradise
6166389 The expulsion from the Earthly Paradise, Byzantine mosaic, Old Testament Cycle-Earthly Paradise, XII-XIII century (mosaic) by Byzantine

The original sin, Byzantine mosaic, Old Testament cycle-Earthly Paradise, XII-XIII sec (mosaic)
6166360 The original sin, Byzantine mosaic, Old Testament cycle-Earthly Paradise, XII-XIII sec (mosaic) by Byzantine, (12th-13th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily

The labours and the work of Adam and Eve, Byzantine mosaic, Old Testament Cycle-Earthly Paradise
6166390 The labours and the work of Adam and Eve, Byzantine mosaic, Old Testament Cycle-Earthly Paradise, XII-XIII century (mosaic) by Byzantine

Tile depicting "The Original Sin"(scene of the Old Testament), 1185-86 (bronze)
6166480 Tile depicting " The Original Sin" (scene of the Old Testament), 1185-86 (bronze) by Pisano, Bonanno (12th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily

Eve, 1926 (wood engraving)
1631661 Eve, 1926 (wood engraving) by Gill, Eric (1882-1940); Private Collection; The Stapleton Collection

Eve and the tempting serpent, Byzantine mosaic, Old Testament cycle-Earthly Paradise, XII-XIII century (mosaic)
6166358 Eve and the tempting serpent, Byzantine mosaic, Old Testament cycle-Earthly Paradise, XII-XIII century (mosaic) by Byzantine, (12th-13th century); Duomo (Cattedrale di Santa Maria Nuova)

Tile depicting "The Expulsion from the Paradise"(scene of the Old Testament), 1185-86 (bronze)
6166481 Tile depicting " The Expulsion from the Paradise" (scene of the Old Testament), 1185-86 (bronze) by Pisano, Bonanno (12th century); Duomo (Cattedrale di Santa Maria Nuova)

Ms Hunter 229 f. 7v the Creation of Adam and his Temptation, from the Hunterian Psalter, c
GUL175491 Ms Hunter 229 f.7v the Creation of Adam and his Temptation, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) by English School

Ms Hunter 229 f. 8r Expulsion from Eden, below, Adam delving, Eve spinning, from the Hunterian Psalter, c
GUL175492 Ms Hunter 229 f.8r Expulsion from Eden, below, Adam delving, Eve spinning, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) by English School

Adam and Eve Paradise 1885
Engraving by Gustave Dore. From Miltons Paradise Lost by Robert Vaughan, D.D. Chicago and New York 1885

Not only tears rained at their eyes 1885
Engraving by Gustave Dore. From Miltons Paradise Lost by Robert Vaughan, D.D. Chicago and New York 1885

The guilty serpent 1885
Engraving by Gustave Dore. From Miltons Paradise Lost by Robert Vaughan, D.D. Chicago and New York 1885

The coming of Raphael, a scene from the bible. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker

Adam and Eve 1885
Engraving by Gustave Dore. From Miltons Paradise Lost by Robert Vaughan, D.D. Chicago and New York 1885

The Gates of Hell
" Satan at the gates of hell, a scene from Miltons Paradise Lost. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker."

Garden of Eden
The first approched of the serpent. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker

Heavenly bands down from sky of jasper 1885
Engraving by Gustave Dore. From Miltons Paradise Lost by Robert Vaughan, D.D. Chicago and New York 1885

The confusion of tongues, a scence from the bible. The Tower of Babel in the background. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker

Black and white drawing of Tower of Babel
[url=http://www.istockphoto.com/file_search.php?action=file&lightboxID=11047139][img]http://img-fotki.yandex.ru/get/5809/5232617.2/0_702d2_40b270_orig[/img][/url] The confusion of tongues at

adam and eva
the original painting " The Fall of Man" by Palma il Vecchio(Jacopo Negretti) (Venice 1544-1628)

Adam and Eve, 1513 / 15 (oil on panel)
1706482 Adam and Eve, 1513/15 (oil on panel) by Cranach, Lucas the Elder (1472-1553); Museum fur Franken Staatliches Museum fur Kunst- und Kulturgeschichte in Wurzburg

Adam and Eve (original sin) chapel

The Original Sin, n. d. Creator: Etienne Delaune
The Original Sin, n.d

Adam and Eve by Albrecht Durer, 1504. Albrecht Durer was a German painter, engraver, printmaker, mathematician, and theorist from Nuremberg

Adam Naming the Animals, from The Story of Adam and Eve (oil on copper) (see also )
742112 Adam Naming the Animals, from The Story of Adam and Eve (oil on copper) (see also ) by Brueghel, Jan the Younger (1601-78); 66.6x84.5 cm; Private Collection; Photo eChristies Images; Flemish

Paradise Lost, 1867 (oil on canvas)
780743 Paradise Lost, 1867 (oil on canvas) by Cabanel, Alexandre (1823-89); 122.6x93.3 cm; Private Collection; (add.info.: Le Paradis Perdu); Photo eChristies Images; French, out of copyright

Adam and Eve (oil on panel)
3930855 Adam and Eve (oil on panel) by German School, (16th century); 25x35 cm; National Museum, Stockholm, Sweden; German, out of copyright

The Temptation (engraving)
3646475 The Temptation (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: The Temptation. From Holbeins Totentanz (Danse Macabre)

The expulsion from Paradise, 1543 (copperplate engraving)
5058817 The expulsion from Paradise, 1543 (copperplate engraving) by Beham, Hans Sebald (1500-50); 8.1 x 5.8 cm; Kunstmuseum, Basel, Switzerland; German, out of copyright

Adam and Eve driven out of Paradise
LLM460006 Adam and Eve driven out of Paradise by Bendixen, Siegfried Detler (1786-1864); Private Collection; (add.info.: Adam and Eve driven out of Paradise)

The Fall of Man (colour litho)
3108108 The Fall of Man (colour litho) by French School, (19th century); Private Collection; (add.info.: The Fall of Man. Chute de l homme)

The Expulsion of Adam and Eve (oil on canvas)
CTS336339 The Expulsion of Adam and Eve (oil on canvas) by Domenichino (Domenico Zampieri) (1581-1641); 68.6x54.6 cm; eThe Devonshire Collections

The Original Sin and the Expulsion from Paradise, 1360-70 (fresco)
ALI238740 The Original Sin and the Expulsion from Paradise, 1360-70 (fresco) by Menabuoi, Giusto di Giovanni de (d.1393); Padua Baptistery, Padua

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"Original Sin: A Tale of Temptation and Redemption Through Art" In the realm of art, the concept has been explored through various masterpieces that capture the essence of humanity's fall from grace. From heavenly depictions to earthly expulsions, these artworks unravel the timeless story. "The Angel up to Heaven 1885" portrays a celestial being ascending towards divine realms, symbolizing purity and innocence before mankind's transgression. Contrastingly, "The Fall, after 1479 (oil on panel)" delves into the pivotal moment when Adam and Eve succumb to temptation in the Garden of Eden. With intricate detail in "Adam and Eve are Driven out of Paradise, published 1886, " we witness their expulsion from paradise as punishment for disobeying God's command. The presence of Satan and Beelzebub further emphasizes the malevolent forces at play. Engravings like "Adam and Eve, 1543 (copperplate engraving)" etch this biblical tale onto copper plates with meticulous precision. These prints serve as enduring reminders of our inherent flaws and vulnerability to temptation. "Eve (oil on panel)" captures her contemplative gaze as she ponders her role in humanity's downfall. Meanwhile, Marcantonio Raimondi's works such as "Adam and Eve flanked by two trees" transport us back to a time where paradise was lost but not forgotten. Ludwig Krug's masterpiece titled "The Fall of Man" encapsulates both physical beauty and spiritual turmoil within its brushstrokes. This artwork serves as a poignant reminder that even amidst chaos; redemption is still attainable. Woodcuts like "Adam and Eve, 1519" or "Adam and Eve, 1511" offer simplified yet powerful representations that resonate deeply with viewers across centuries. These prints evoke introspection about our own capacity for sin while highlighting hope for salvation.