Book Of Revelation Collection

St. John the Evangelist on the Island of Patmos, c. 1618 (oil on canvas)
BAL10294 St. John the Evangelist on the Island of Patmos, c.1618 (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); 135.5x102.2 cm; National Gallery, London, UK; Spanish

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926440 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 154x256 cm; Chateau d'Angers

The Angel of Revelation, c. 1805 (w / c, pen & ink over graphite)
XOS1127623 The Angel of Revelation, c.1805 (w/c, pen & ink over graphite) by Blake, William (1757-1827); 39.3x26.2 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Book of Revelation)

Romanesque art: high relief detail of the Apocalypse. 13th century Saint Peter's Abbey (Saint-Pierre)
BEN5478626 Romanesque art: high relief detail of the Apocalypse. 13th century Saint Peter's Abbey (Saint-Pierre). Moissac, Tarn and Garonne (82); Photo © Raffaello Bencini.

The last judgement, 12th century (low relief)
8617813 The last judgement, 12th century (low relief); Cite de l'architecture et du patrimoine, Paris, France; (add.info.: Casts of the tympan of the portal of the occidental facade)

The Four Horsemen of the Revelation. Beatus of Liebana. Miniature of 1047
AIS5343457 The Four Horsemen of the Revelation. Beatus of Liebana. Miniature of 1047.; Biblioteca Monasterio del Escorial, Madrid, Spain; © Iberfoto.

The last judgement, 12th century (low relief)
8617812 The last judgement, 12th century (low relief); Cite de l'architecture et du patrimoine, Paris, France; (add.info.: Casts of the tympan of the portal of the occidental facade)

Revelation: "The beast has seven head, ten horns crowned, the hand of God appears" (miniature)
AIS5391436 Revelation: "The beast has seven head, ten horns crowned, the hand of God appears" (miniature); Universidad de Valencia

Last Judgment, 1611. Creator: Aert Pietersz
Last Judgment, 1611

Scene from Revelations, n.d. Creator: Ottmar Elliger, the younger
Scene from Revelations, n.d

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer
The Four Horsemen of the Apocalypse, published 1630

Last Judgment, Lincoln Cathedral, published 1829. Creator: W Walton
Last Judgment, Lincoln Cathedral, published 1829

Puis l'ange prit l'encensoir (And the angel took the censer), 1899. Creator: Odilon Redon
Puis l'ange prit l'encensoir (And the angel took the censer), 1899

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

Puis je vis, dans la main droite de celui quietait assis sur le trone, un livre ecritdedans...)
Puis je vis, dans la main droite de celui quietait assis sur le trone, un livre ecritdedans et dehors, scelle de sept sceaux

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer
The Four Horsemen of the Apocalypse, published 1630

Saint Michael slaying the demon, between 1600 and 1700. Creator: Moscow School
Saint Michael slaying the demon, between 1600 and 1700

Une femme revêtue du Soleil (A woman clothed with the sun), 1899. Creator: Odilon Redon
Une femme revetue du Soleil (A woman clothed with the sun), 1899

Et celui qui était monté dessus se nommait la Mort (And his name that sat on him was Death), 1899
Et celui qui etait monte dessus se nommait la Mort (And his name that sat on him was Death), 1899

C'est moi, Jean, qui ai vu et qui ai oie ces choses (And I John saw these things and heard... 1899)
C'est moi, Jean, qui ai vu et qui ai oie ces choses (And I John saw these things and heard them, 1899

Apres cela je vis descendre du ciel un ange qui avait la clef de l'abime, et une grande... 1899
Apres cela je vis descendre du ciel un ange qui avait la clef de l'abime, et une grande chaine en sa main (And I saw an angel come down from heaven)

Et moi, Jean, Je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel... 1899. Creator: Odilon Redon
Et moi, Jean, Je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel, d'aupres de dieu (And I John saw the holy city, new Jerusalem, coming down from God out of heaven), 1899

Et il tombe du ciel une grande etoile ardente (And there fell a great star from heaven... 1899. Creator: Odilon Redon)
Et il tombe du ciel une grande etoile ardente (And there fell a great star from heaven burning as it were a lamp), 1899

Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante... 1899
Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante (And another angel came out of the temple which is in heaven, and he also having a sharp sickle), 1899

Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou es la b ete et le faux prophete (And the devil thatdeceived them was cast into the lake of fire and brimstone)

Et il avait dans sa main droit sept etoiles, et de sa bouch sortait une epee aigue... 1899. Creator: Odilon Redon
Et il avait dans sa main droit sept etoiles, et de sa bouch sortait une epee aigue a deux tranchants (And he had in his right hand seven stars; and out of his mouth went a sharp two-edged sword), 1899

The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer
The Four Horsemen of the Apocalypse, published 1630

The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer
The Four Horsemen of the Apocalypse, published 1630

The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer
The Four Horsemen of the Apocalypse, published 1630

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

The Last Judgment, c. 1513. Creator: Albrecht Altdorfer
The Last Judgment, c. 1513

Et le lia pour mille ans (And bound him a thousand years), 1899. Creator: Odilon Redon
Et le lia pour mille ans (And bound him a thousand years), 1899

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

The Last Judgment, Christ at top center surrounded by many figures, below figures... ca. 1550-1600. Creator: Anon
The Last Judgment, Christ at top center surrounded by many figures, below figures sound trumpets and people are being forced from the boat into hell, ca. 1550-1600

The Last Judgment, c. 1513. Creator: Albrecht Altdorfer
The Last Judgment, c. 1513

Saint John on the Island of Patmos, c. 1460. Creator: Master ES
Saint John on the Island of Patmos, c. 1460

The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse, 1465-70. Creator: Unknown
The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse, 1465-70

Book of Revelation (Seven Trumpets) from The Bible (also called the...1485...assembled 1929)
Book of Revelation (Seven Trumpets) from The Bible (also called the Tenth German Bible), Plate 28 from Woodcuts from Books of the 15th Century, 1485, portfolio assembled 1929

The opening of the fifth and sixth seals, 1522 (engraving)
1578227 The opening of the fifth and sixth seals, 1522 (engraving) by Durer or Duerer, Albrecht (1471-1528); (add.info.: Martin Luther: Preface to the Revelation of John ( 1522)

Satan bound for a Thousand Years, from the Apocalypse. n. d. Creator: Jean Duvet
Satan bound for a Thousand Years, from the Apocalypse.n.d

The Adoration of the Lamb, 1498 (engraving)
7415643 The Adoration of the Lamb, 1498 (engraving) by Durer or Duerer, Albrecht (1471-1528); Bibliotheque Nationale, Paris

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926066 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 163x239 cm; Chateau d'Angers

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926233 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 171x250 cm; Chateau d'Angers

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"The Book of Revelation: A Visual Journey Through Time" Step into the mystical world of the "Book of Revelation, " a biblical text that has captivated artists for centuries. This collection of artworks transports us to different periods and mediums, each offering its unique interpretation. In St. John the Evangelist on the Island of Patmos, we witness an oil-on-canvas masterpiece from 1618. The artist captures St. John's solitude as he receives divine revelations on the island, setting the stage for what is to come. Moving forward in time, The Angel of Revelation emerges in vibrant watercolors and pen & ink over graphite in 1805. This ethereal figure symbolizes heavenly guidance and unveils secrets hidden within this enigmatic book. The Apocalypse Tapestry or Apocalypse of Angers takes center stage multiple times throughout this visual journey, showcasing its intricate tapestries created between 1375-80. These masterpieces depict scenes filled with chaos, destruction, and salvation as prophesied in the Book of Revelation. Another striking engraving titled The Adoration of the Lamb transports us to 1498 when artists sought inspiration from apocalyptic themes. Here we witness a powerful image representing Christ's triumph over evil forces amidst a chaotic world. The Four Horsemen of the Apocalypse follow suit with their own engraved depiction from 1511. These horsemen represent conquest, war, famine, and death - harbingers foretelling humanity's fate during these tumultuous times. Satan bound for a Thousand Years by Jean Duvet adds another layer to our exploration; it portrays Satan being restrained according to biblical prophecy found within this sacred text. As we conclude our visual odyssey through art inspired by "The Book of Revelation, " let us reflect upon how these diverse interpretations have shaped our understanding and fascination with eschatology –the study of end times– throughout history.