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Metal Print : The Tuileries, 20th June 1792, illustration from The Outline of History by H
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The Tuileries, 20th June 1792, illustration from The Outline of History by H
KW270834 The Tuileries, 20th June 1792, illustration from The Outline of History by H.G. Wells, Volume II, published in 1920 (litho) by Elmore, Alfred W. (1815-81) (after); Private Collection; (add.info.: On the night of 20 June 1791 the French Royal family fled the Tuileries wearing the clothes of servants, while their servants dressed as nobles. However the next day King Louis XVI (1754-93) was recognised and arrested at Varennes; ); Ken Welsh; English, out of copyright
Media ID 12783335
© www.bridgemanimages.com
1755 93 Bourgeoisie Escape Escaping Fleeing Monochrome Queen Marie Antoinette Revolutionaries Revolutionary Terror Fear French Revolution Revolt
16"x20" (51x41cm) Metal Print
Bring history to life with Media Storehouse's Metal Prints featuring the iconic image of The Tuileries, 20th June 1792. This captivating illustration from H.G. Wells' The Outline of History, published in 1920, showcases a pivotal moment in French history. Each Metal Print is meticulously crafted, transforming your chosen image into a stunning, vibrant work of art. The high-quality metal surface enhances colors and details, ensuring a museum-quality finish. Relive history with this beautiful and durable addition to your home or office decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Tuileries, 20th June 1792
EDITORS COMMENTS
captures a pivotal moment in history through the skilled artistry of Alfred W. Elmore. This lithograph, featured in H. G. Wells' renowned work "The Outline of History" transports us back to the French Revolution. In this intense scene, we witness the aftermath of an audacious escape attempt by the French Royal family from their opulent residence at the Tuileries Palace. Disguised as servants while their loyal staff masquerade as nobles, they hoped to evade capture and flee to safety. However, fate had other plans for King Louis XVI and his entourage. As dawn breaks on that fateful day after their daring escapade, tension fills the air within these grand walls. The once regal interior now teems with an angry mob seeking vengeance against a monarchy steeped in privilege and excess. Elmore's monochromatic rendering masterfully conveys not only fear but also desperation etched onto Queen Marie Antoinette's face as she clings tightly to her husband's arm amidst chaos and uncertainty. The revolutionaries stand resolute before them—representatives of a burgeoning bourgeoisie determined to overthrow centuries-old aristocratic rule. This print serves as a haunting reminder of how power can crumble under societal pressure and how even palaces cannot protect those who have lost touch with their people's plight. It encapsulates both the terror felt by those fleeing for their lives and the revolutionary fervor that swept across
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