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Fine Art Print : The Tuileries, 20th June 1792, illustration from The Outline of History by H

The Tuileries, 20th June 1792, illustration from The Outline of History by H



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The Tuileries, 20th June 1792, illustration from The Outline of History by H

KW270834 The Tuileries, 20th June 1792, illustration from The Outline of History by H.G. Wells, Volume II, published in 1920 (litho) by Elmore, Alfred W. (1815-81) (after); Private Collection; (add.info.: On the night of 20 June 1791 the French Royal family fled the Tuileries wearing the clothes of servants, while their servants dressed as nobles. However the next day King Louis XVI (1754-93) was recognised and arrested at Varennes; ); Ken Welsh; English, out of copyright

Media ID 12783335

© www.bridgemanimages.com

1755 93 Bourgeoisie Escape Escaping Fleeing Monochrome Queen Marie Antoinette Revolutionaries Revolutionary Terror Fear French Revolution Revolt


20"x16" (+3" Border) Fine Art Print

Step into the past with our exquisite fine art print of The Tuileries, 20th June 1792, from the pages of H.G. Wells' "The Outline of History." This captivating illustration, published in 1920, depicts a pivotal moment in history as the people of Paris storm the Tuileries Palace, marking the beginning of the French Revolution. Bring the rich history and intrigue of this iconic event into your home or office with our high-quality fine art print. Each print is meticulously produced using premium materials and techniques to ensure a stunning, museum-quality result. Add this beautiful piece to your collection and let the story of the past come alive.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 49.9cm x 40.6cm (19.6" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Alfred W. (after) Elmore

> Fine Art Finder > French Royalty, Rulers And Revolutions


The Tuileries, 20th June 1792

EDITORS COMMENTS
captures a pivotal moment in history through the skilled artistry of Alfred W. Elmore. This lithograph, featured in H. G. Wells' renowned work "The Outline of History" transports us back to the French Revolution. In this intense scene, we witness the aftermath of an audacious escape attempt by the French Royal family from their opulent residence at the Tuileries Palace. Disguised as servants while their loyal staff masquerade as nobles, they hoped to evade capture and flee to safety. However, fate had other plans for King Louis XVI and his entourage. As dawn breaks on that fateful day after their daring escapade, tension fills the air within these grand walls. The once regal interior now teems with an angry mob seeking vengeance against a monarchy steeped in privilege and excess. Elmore's monochromatic rendering masterfully conveys not only fear but also desperation etched onto Queen Marie Antoinette's face as she clings tightly to her husband's arm amidst chaos and uncertainty. The revolutionaries stand resolute before them—representatives of a burgeoning bourgeoisie determined to overthrow centuries-old aristocratic rule. This print serves as a haunting reminder of how power can crumble under societal pressure and how even palaces cannot protect those who have lost touch with their people's plight. It encapsulates both the terror felt by those fleeing for their lives and the revolutionary fervor that swept across

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