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Metal Print : Sir Isumbras at the Ford, from A Catalogue of a Collection of Engravings, Etchings
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Sir Isumbras at the Ford, from A Catalogue of a Collection of Engravings, Etchings
KW320794 Sir Isumbras at the Ford, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts, by Richard Fisher, published 1879 (litho) by English School, (19th century) (after); Private Collection; (add.info.: facsimile of an anonymous engraving satirising the Pre-Raphaelite painting of the same subject by Sir John Everett Millais (see 1981), printed London, 1857; ); Ken Welsh; English, out of copyright
Media ID 12849847
© www.bridgemanimages.com
Medieval Romance Painters Pre Raphaelite Brotherhood Pre Raphaelites
16"x24" (61x41cm) Metal Print
Bring the timeless beauty of Sir Isumbras at the Ford to your home or office with Media Storehouse Metal Prints. This exquisite artwork, taken from the catalog of a Collection of Engravings, Etchings and Woodcuts by Richard Fisher, published in 1879, showcases Sir Isumbras in a captivating moment from the medieval tale. Our high-quality metal prints are not just a picture, they are a work of art in themselves. The vibrant colors and exceptional details are brought to life through our unique printing process on a durable aluminum sheet. Each print is coated with a protective finish to ensure long-lasting brilliance. Add a touch of history and elegance to your space with Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Sir Isumbras at the Ford" takes us back to a bygone era of myth and legend. The image, captured from a facsimile of an anonymous engraving dating back to 1857, satirizes the Pre-Raphaelite painting of the same subject by Sir John Everett Millais. It showcases the wit and creativity of artists in the 19th century who used satire as a tool for commentary. In this scene, we see Sir Isumbras, a medieval knight, bravely crossing a river on his trusty donkey. The composition is rich with symbolism and irony as it pokes fun at both traditional medieval romances and the revered Pre-Raphaelite Brotherhood. The meticulous attention to detail in this lithograph highlights the skillful craftsmanship of English School artists during that time. The juxtaposition between mythological elements like knights and legends with everyday objects such as donkeys adds an element of whimsy to this piece. It reminds us that art can be playful while still conveying deeper messages about society and artistic movements. This print serves as a testament to the enduring power of art throughout history. Its inclusion in A Catalogue of a Collection of Engravings, Etchings, and Woodcuts by Richard Fisher further solidifies its significance within artistic discourse. As we admire this intriguing image today, we are reminded not only of its historical context but also how humor can be found even in serious works of art.
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