Medieval Romance Collection

The Love Potion, intended for Isolde the Fair and King Mark of Cornwall
BRA76575 The Love Potion, intended for Isolde the Fair and King Mark of Cornwall, but drunk by Tristan and Isolde the Fair, from The Story of Tristan and Isolde, William Morris & Co

The Tomb of Tristan and Isolde the Fair, from The Story of Tristan and Isolde
BRA76582 The Tomb of Tristan and Isolde the Fair, from The Story of Tristan and Isolde, William Morris & Co. (stained glass) by Burne-Jones

Stumpwork depicting Tristan and Isolde (textile)
XZL151812 Stumpwork depicting Tristan and Isolde (textile) by German School, (16th century); Victoria & Albert Museum, London, UK; German, out of copyright

The Fight with Sir Marhalt, from The Story of Tristan and Isolde
BRA76573 The Fight with Sir Marhalt, from The Story of Tristan and Isolde, William Morris & Co. (stained glass) by Rossetti

Tristan and Isolde the Fair at the Court of King Arthur
BRA76580 Tristan and Isolde the Fair at the Court of King Arthur, from The Story of Tristan and Isolde, William Morris & Co

Isolde the Fair attempts to kill herself, from The Story of Tristan and Isolde
BRA76577 Isolde the Fair attempts to kill herself, from The Story of Tristan and Isolde, William Morris & Co. (stained glass) by Burne-Jones

The Ladys Knight (oil on canvas)
TW426511 The Ladys Knight (oil on canvas) by Wynfield, David Wilkie (1837-87); 108.3x148.8 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; British

Sir Tristan leaving Ireland with Isolde the Fair, from
BRA76574 Sir Tristan leaving Ireland with Isolde the Fair, from The Story of Tristan and Isolde, William Morris & Co. (stained glass) by Prinsep

The Madness of Sir Tristan, from The Story of Tristan and Isolde
BRA76578 The Madness of Sir Tristan, from The Story of Tristan and Isolde, William Morris & Co. (stained glass) by Burne-Jones, Edward Coley (1833-98); 68x60.5 cm; Bradford Art Galleries and Museums

The Death of Sir Tristram (oil on canvas)
BIR150913 The Death of Sir Tristram (oil on canvas) by Brown, Ford Madox (1821-93); 64.2x58.5 cm; Birmingham Museums and Art Gallery; English, out of copyright

Sir Tristan is recognized by Isolde the Fairs dog, from
BRA76579 Sir Tristan is recognized by Isolde the Fairs dog, from The Story of Tristan and Isolde, William Morris & Co. (stained glass) by Morris

The Marriage of Tristan and Isolde of the White Hands, daughter of the ruler of Brittany
BRA76576 The Marriage of Tristan and Isolde of the White Hands, daughter of the ruler of Brittany, from The Story of Tristan and Isolde, William Morris & Co

Once More Roland Blew His Ivory Horn, plate from The Story of France
STC292428 Once More Roland Blew His Ivory Horn, plate from The Story of France by Mary MacGregor, 1920 (coloured litho) by Rainey

Death of Sir Tristram, 1863 (w / c and pencil)
CEC131751 Death of Sir Tristram, 1863 (w/c and pencil) by Brown, Ford Madox (1821-93); 10.8x9.5 cm; The Higgins Art Gallery & Museum, Bedford, UK; eThe Higgins Art Gallery & Museum; English

Queen Guinevere and Isolde of the White Hands, from
BRA76583 Queen Guinevere and Isolde of the White Hands, from The Story of Tristan and Isolde, William Morris & Co. 1850 (stained glass) by Morris

The Birth of Tristan, from The Story of Tristan and Isolde, William Morris & Co
BRA76572 The Birth of Tristan, from The Story of Tristan and Isolde, William Morris & Co. (stained glass) by Hughes, Arthur (1832-1915); 68x60.5 cm; Bradford Art Galleries and Museums

Sir Isumbras at the Ford, from A Catalogue of a Collection of Engravings, Etchings
KW320794 Sir Isumbras at the Ford, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts, by Richard Fisher, published 1879 (litho) by English School

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In the enchanting realm of medieval romance, love and tragedy intertwine in a tapestry of passion and destiny. The Love Potion, crafted with utmost care, was intended to unite Isolde the Fair and King Mark of Cornwall in an unbreakable bond. As their hearts danced to the rhythm of forbidden desire, fate played its hand. The Death of Sir Tristan echoes through time, immortalized in stained glass by William Morris & Co. Their tale resonates with undying devotion as they faced insurmountable obstacles together. In death's embrace, their souls found solace for eternity. A delicate piece of stumpwork weaves a vivid portrait depicting Tristan and Isolde's eternal love. This textile masterpiece captures their essence - two souls entwined against all odds. Amidst the turmoil that surrounded them, The Fight with Sir Marhalt stands as a testament to Tristan's unwavering loyalty and courage. He fought valiantly for his beloved Isolde until his last breath. Tristan and Isolde grace the illustrious Court of King Arthur like celestial beings from another world. Their presence illuminates every corner with an ethereal glow as they navigate treacherous waters amidst jealous eyes. Isolde the Fair's despair reaches its zenith when she attempts to end her own life - a desperate act born out of unbearable heartache. Her pain reverberates through history as a reminder that even great love can bring immense sorrow. Sir Tristan leaves Ireland behind on an arduous journey alongside his cherished Isolde the Fair; together they face countless trials while clinging onto hope like lifelines intertwined. The Madness of Sir Tristan consumes him like wildfire raging within his soul - tormented by longing for his lost love, he descends into madness but remains forever loyal to Isolde's memory. In The Death of Sir Tristram captured on canvas strokes blend seamlessly into emotions; grief and loss are etched upon the faces of those left behind.