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Metal Print : Lines, Reds and a man

Lines, Reds and a man



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Lines, Reds and a man

Hamid Mohammad Hossein Zadeh Hashemi

Media ID 32844598

Construction Industrial Industry Painter Reach Scaffold Scaffolding Symmetry Work Worker Workers Working Renovation


16"x24" (61x41cm) Metal Print

"Add a touch of artistic flair to your space with our Metal Prints from the Media Storehouse range! This stunning piece, "Lines, Reds and a man" by Hamid Mohammad Hossein Zadeh Hashemi from 1x Gallery, is now available in metal form. The vibrant colors and bold lines of this striking image are perfectly captured on high-quality aluminum or stainless steel for a unique and eye-catching display. Perfect for any room in your home or office, this metal print is sure to be a conversation starter. Get ready to elevate your decor with the beauty of art!"

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> 1x Gallery > Abstract

> Abstract Art > Painting > Related Images

> Abstract Art > Related Images

> Architecture > Industrial

> Arts > Abstract art > Abstract paintings > Geometric abstraction

> Arts > Abstract art > Abstract paintings > Modern abstract artwork

> Arts > Abstract art > Abstract paintings

> Arts > Abstract art > Geometric abstraction > Abstract art

> Arts > Abstract art > Geometric abstraction > Geometric patterns

> Arts > Abstract art > Geometric abstraction

> Arts > Abstract art


EDITORS COMMENTS
This striking print captures the essence of urban industrial work, with its bold lines and vibrant red accents. The geometric patterns created by the scaffolding and construction materials form a mesmerizing symphony of shapes and angles against the backdrop of a cityscape. In the midst of this intricate scene stands a lone man, Hamid Mohammad Hossein Zadeh Hashemi, hard at work painting the facade of a building. His presence adds a human element to an otherwise abstract composition, reminding us of the labor and skill that goes into transforming our cities. The careful composition and attention to detail in this photograph elevate it beyond mere documentation; it becomes a piece of art in its own right. The play between light and shadow, geometry and chaos, creates a sense of movement and energy that draws the viewer in. As we gaze upon this image, we are reminded of the beauty that can be found in even the most mundane aspects of our surroundings. The juxtaposition of modern industry with traditional craftsmanship is both jarring and harmonious, hinting at deeper layers of meaning beneath the surface. Overall, Lines, Reds and a man (Hamid Mohammad Hossein Zadeh Hashemi) is not just a snapshot of construction work—it is a meditation on symmetry, pattern, and human ingenuity in an ever-evolving urban landscape.

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