Framed Print > Arts > Abstract art > Abstract paintings > Geometric abstraction
Framed Print : Lines, Reds and a man
Framed Photos From 1x Innovations
Lines, Reds and a man
Hamid Mohammad Hossein Zadeh Hashemi
Media ID 32844598
Construction Industrial Industry Painter Reach Scaffold Scaffolding Symmetry Work Worker Workers Working Documentary Renovation
18"x14" Modern Frame
"Elevate your space with the striking 'Lines, Reds and a man' print from 1x Gallery's Hamid Mohammad Hossein Zadeh Hashemi. This stunning framed print is part of our Media Storehouse range, expertly crafted to showcase the artist's unique vision. The bold lines and vibrant red hues come alive in this captivating piece, perfect for adding a touch of modern artistry to any room. Bring home a piece of artistic excellence with our high-quality framed prints."
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")
Estimated Product Size is 35.6cm x 45.7cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking print captures the essence of urban industrial work, with its bold lines and vibrant red accents. The geometric patterns created by the scaffolding and construction materials form a mesmerizing symphony of shapes and angles against the backdrop of a cityscape.
In the midst of this intricate scene stands a lone man, Hamid Mohammad Hossein Zadeh Hashemi, hard at work painting the facade of a building. His presence adds a human element to an otherwise abstract composition, reminding us of the labor and skill that goes into transforming our cities.
The careful composition and attention to detail in this photograph elevate it beyond mere documentation; it becomes a piece of art in its own right. The play between light and shadow, geometry and chaos, creates a sense of movement and energy that draws the viewer in.
As we gaze upon this image, we are reminded of the beauty that can be found in even the most mundane aspects of our surroundings. The juxtaposition of modern industry with traditional craftsmanship is both jarring and harmonious, hinting at deeper layers of meaning beneath the surface.
Overall, Lines, Reds and a man (Hamid Mohammad Hossein Zadeh Hashemi) is not just a snapshot of construction work—it is a meditation on symmetry, pattern, and human ingenuity in an ever-evolving urban landscape.
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