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Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré
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Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré
Soon as both embark d, cutting the waves, goes on the ancient prow, more deeply than with others it is wont, c1890. Phlegyas ferries Dante and the Roman poet Virgil across the river Styx which is filled with wrathful souls. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri. This long, narrative poem, written in Italian c1308-1321, tracing Dantes imaginary journey from Hell, through Purgatory and finally to Heaven and a beatific vision of God, has been published numerous times. This edition, published late 19th century, is illustrated by Gustave Dore. [Cassell Petter & Galpin, c1890]
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Media ID 18909444
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Aligheri Alighieri Anger Angry Dante Dante Aligheri Dante Alighieri Divina Commedia Divine Comedy Dore Ferry Ferryman Fury Gustave Gustave Dore Hell Louis Christophe Gustave Dore Paul Gustave Paul Gustave Dore Petter And Galpin Poem Publius Publius Vergilius Maro Rage Soul Souls Styx Torment Tormented Vergil Vergilio Vergilius Maro Virgil Cassell Greek Mythology Poetry
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This print, titled "Soon as both embark d, cutting the waves" takes us on a haunting journey through the depths of Dante Alighieri's Inferno. Created by Gustave Doré in 1890, this illustration is part of his renowned series depicting scenes from "The Divine Comedy". In this particular image, we witness Phlegyas ferrying Dante and the Roman poet Virgil across the treacherous river Styx. The ancient prow cuts through the wrathful souls that fill its murky waters, emphasizing their torment and anguish. Doré's meticulous attention to detail brings this vivid scene to life. The monochrome palette enhances the eerie atmosphere while highlighting every nuance of despair etched upon each tormented soul's face. "The Vision of Hell" (Inferno) is just one part of Dante's epic poem written between 1308 and 1321. It follows Dante's imaginary odyssey through Hell, Purgatory, and finally Heaven—a spiritual quest culminating in a beatific vision of God. Published numerous times throughout history, this late 19th-century edition stands out for its masterful illustrations by Gustave Doré. His evocative portrayal captures not only the physical landscape but also delves into the emotional turmoil experienced by those condemned to eternal suffering. As we gaze upon this powerful artwork, we are transported into a realm where anger reigns supreme and souls yearn for redemption amidst an unforgiving underworld.
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