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Prospetto della Chiesa del SS. Salvatore, 1742. Creator: Fabio Berardi

Prospetto della Chiesa del SS. Salvatore, 1742. Creator: Fabio Berardi


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Prospetto della Chiesa del SS. Salvatore, 1742. Creator: Fabio Berardi

Prospetto della Chiesa del SS. Salvatore, 1742

Heritage Images features heritage image collections

Media ID 21229731

© Heritage Art/Heritage Images

Alter Antonio Canaletto Berardi Fabio Canal Giovanni Antonio Canaletto Canaletto Antonio Canaletto Giovanni Antonio Engraving And Etching On Laid Paper Fa And Xe7 Fabio Berardi Giovanni Antonio Canal Giovanni Antonio Canaletto Obelisk Rococo Era Twelfth Century Venetian Venice Italy Baroque Era Rococo San Salvatore


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > Italy > Venice

> Architecture > Religious

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Art Movements > Rococo

> Arts > Artists > C > Canaletto

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings

> Europe > Italy > Veneto > Venice


Prospetto della Chiesa del SS. Salvatore, 1742 - A Glimpse into the Baroque Splendor

EDITORS COMMENTS
. This print showcases the remarkable "Prospetto della Chiesa del SS. Salvatore" (View of the Church of San Salvatore) created by Fabio Berardi in 1742. The artwork takes us back to Venice during the enchanting 18th century, a time when baroque architecture flourished. The image captures an exquisite building exterior adorned with intricate details that epitomize the grandeur of this era. The facade of San Salvatore Church stands proudly, displaying its rococo elements and showcasing Antonio Canaletto's influence on Venetian artistry. In this scene, we see men, women, and children strolling through a serene garden surrounding the church. Their presence adds depth to the composition while providing a glimpse into daily life during that period. Berardi's engraving technique beautifully captures every fine detail on laid paper, emphasizing both architectural precision and artistic finesse. It is evident that he sought to immortalize not only the physical structure but also its cultural significance as a religious symbol for Christianity. As we gaze upon this historical masterpiece at the National Gallery of Art in Washington DC. , we are transported to another time and place - where faith intertwined with artistry creates an awe-inspiring experience for all who behold it. This print serves as a testament to Italy's rich heritage in

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