Canaletto Collection

The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right, 1730s

CANALETTO: THAMES
The River Thames with St. Pauls Cathedral on Lord Mayors Day. Oil on canvas by Giovanni Antonio Canaletto, c1750

Grand Canal Looking South-East from the Campo Santa Sophia t
Canaletto (1697-1768). Italian painter. Grand Canal Looking South-East from the Campo Santa Sophia to the Rialto Bridge, c. 1756. Detail. Gemaldegalerie. Berlin. Germany

Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. Artist: JMW Turner
Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. This view of Venice includes the figure of the Venetian artist Antonio Canaletto

The Square of Saint Mark s, Venice, 1742 / 1744. Creator: Canaletto
The Square of Saint Mark s, Venice, 1742/1744

Venetians in a gondola wearing bauta masks, 18th century, Italy, from a painting by Canaletto.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F

VENICE: MONUMENT, 1735. Campo Santi Giovanni e Paolo in Venice, Italy, and the Monument to Bartolommeo Colleoni. Canal Rio dei Mendicanti is in the foreground

VENICE: GRAND CANAL, 1735. Riva degli Schiavoni in Venice, Italy, looking east. Engraving, 1735, by Antonio Visentini after Canaletto

The Grand Canal, Venice, Looking South toward the Rialto Bridge, 1730s. Creator: Canaletto
The Grand Canal, Venice, Looking South toward the Rialto Bridge, 1730s

Dolo on the Brenta, with Church of St. Rocco and the Villa Zanon-Bon
CH19408 Dolo on the Brenta, with Church of St. Rocco and the Villa Zanon-Bon by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info)

London in the 18th century
6266263 London in the 18th century by Canaletto, Antonio (1697-1768) (after); (add.info.: London, England. A View From Somerset Gardens to Westminster Bridge)

Parade of St James Park, London 18th century
6266249 Parade of St James Park, London 18th century by Canaletto, Antonio (1697-1768) (after); (add.info.: A view of the Parade of St)

The Bacino di San Marco Looking North (oil on canvas)
NGW185013 The Bacino di San Marco Looking North (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 141.3x154 cm; National Museum Wales; National Museums & Galleries of Wales

Ascension Day Festival at Venice, 1765 / 1766. Creator: Canaletto
Ascension Day Festival at Venice, 1765/1766

Prisco onor pur dura... c. 1760. Creator: Joseph Wagner
Prisco onor pur dura... c. 1760

The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, 1763 / 1766
The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, 1763/1766

The Church Of San Giorgio Maggiore, Venice, c. 1740 (oil on canvas)
7139859 The Church Of San Giorgio Maggiore, Venice, c.1740 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 60.5x95.1 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

View of the Salute from the Entrance to the Grand Canal Venice, 1727-28 (oil on canvas)
5974051 View of the Salute from the Entrance to the Grand Canal Venice, 1727-28 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 45x60 cm; Musee des Beaux-Arts, Strasbourg

Venice: the Bacino di San Marco from San Giorgio Maggiore (painting)
3524235 Venice: the Bacino di San Marco from San Giorgio Maggiore (painting) by Canaletto, (Giovanni Antonio Canal) (1697-1768); (add.info.: Venice)

View of Venice: Piazza San Marco (oil on canvas)
PCT4295841 View of Venice: Piazza San Marco (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info.: View of Venice (Venezia, Italia)

View of Venice: Basilica of San Giorgio Maggiore (oil on canvas)
PCT4295824 View of Venice: Basilica of San Giorgio Maggiore (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info)

View of Venice, 18th century (oil on canvas)
PCT4295820 View of Venice, 18th century (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 60x96 cm; Private Collection; (add.info)

Venice, view of piazza san Marco with the procuratie
5309708 Venice, view of piazza san Marco with the procuratie by Canaletto, (Giovanni Antonio Canal) (1697-1768); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

View of Venice with the Rialto bridge, 1735-1740 (oil on canvas)
7062965 View of Venice with the Rialto bridge, 1735-1740 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

View of Venice from the Canal Grande, 1735-1740 (oil on canvas)
7062963 View of Venice from the Canal Grande, 1735-1740 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Venice, the piazzetta with the library of san Marco
5309707 Venice, the piazzetta with the library of san Marco by Canaletto, (Giovanni Antonio Canal) (1697-1768); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

The Terrace, c. 1745. Creator: Unknown
The Terrace, c. 1745. Follower of Canaletto

Portico with a Lantern, 1741 / 45. Creator: Unknown
Portico with a Lantern, 1741/45. Follower of Canaletto

Plate 9: Procession on Corpus Christi Day in the Piazza San Marco, from Ducal Ceremonies and Festivals (Le Feste Ducali), ca. 1766

Plate 5: The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, from Ducal Ceremonies and Festivals (Le Feste Ducali), ca. 1766

A coastal scene with a classical ruin at right, 1811. Creator: George Hawkins
A coastal scene with a classical ruin at right, 1811

The Rialto Bridge, Venice, with boats and gondolas in the water, 1763

View of Piazza San Marco, with the church of San Geminiano at the far end, and figures and market stalls in the foreground, 1763

Venetians wearing bauta masks, 18th century, Italy, from a painting by Canaletto
5855373 Venetians wearing bauta masks, 18th century, Italy, from a painting by Canaletto. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Venetians in a gondola wearing bauta masks)

The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony
990213 The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony during his Visit in 1740, (oil on canvas) by Canaletto

The Piazzetta, Venice, with the Bacino di S. Marco and the Isola di S
990131 The Piazzetta, Venice, with the Bacino di S. Marco and the Isola di S. Giorgio Magiore, (oil on canvas) by Canaletto

The Bacino di S. Marco, Venice, from the Piazzetta, (oil on canvas)
990107 The Bacino di S. Marco, Venice, from the Piazzetta, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 60.5x92.3 cm; Private Collection; (add.info.: The Bacino di S)

A View of a Terrace in Padua, (black chalk, pen and brown ink)
990017 A View of a Terrace in Padua, (black chalk, pen and brown ink) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 34.2x43.1 cm; Private Collection; (add.info.: A View of a Terrace in Padua)

The Library and the Piazzetta, Venice, from the Doges Palace, (oil on canvas)
659336 The Library and the Piazzetta, Venice, from the Doges Palace, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 59.5x93.8 cm; Private Collection; (add.info)

View on the Grand Canal, Venice, from Campo S. Vio (oil on copper)
5054858 View on the Grand Canal, Venice, from Campo S. Vio (oil on copper) by Canaletto, (Giovanni Antonio Canal) (1697-1768)

London looking towards Westminster (litho)
5213815 London looking towards Westminster (litho) by English School, (19th century); Private Collection; (add.info.: London looking towards Westminster)

Al Dolo (etching on laid paper)
996350 Al Dolo (etching on laid paper) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 29.6x42.6 cm; Art Gallery of Ontario, Toronto, Canada; © Art Gallery of Ontario

Old Somerset House from the River Thames, London (oil on canvas)
1766785 Old Somerset House from the River Thames, London (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info.: Old Somerset House from the River Thames)

The Grand Canal, Venice, Looking East from the Campo S. Vio, (oil on canvas)
659310 The Grand Canal, Venice, Looking East from the Campo S. Vio, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 47x78.5 cm; Private Collection; (add.info.: The Grand Canal)

All Professionally Made to Order for Quick Shipping

"Canaletto: Capturing the Essence of Venice's Grandeur" Step into the mesmerizing world of Canaletto, a renowned Italian artist whose masterpieces beautifully depict the enchanting city of Venice. With his keen eye for detail and impeccable skill, Canaletto transports us to a bygone era filled with elegance and grandeur. In "The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right, " painted in the 1730s, we are immersed in the bustling atmosphere of one of Venice's most iconic waterways. The vibrant colors and intricate architecture bring this scene to life as gondolas gracefully glide through its waters. Canaletto's talent extends beyond his beloved hometown; he also captured London's charm in works like "CANALETTO: THAMES. " This painting showcases his versatility as he portrays a different landscape while maintaining his signature attention to architectural details. One cannot mention Canaletto without mentioning his masterpiece "Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting" from 1833. Here we witness Venetians adorned in bauta masks enjoying a leisurely ride on a gondola. Their mysterious allure adds an air of intrigue to this already captivating scene. Another gem among Canaletto's collection is "VENICE: GRAND CANAL, " which presents Riva degli Schiavoni looking eastward. The play between light and shadow creates depth within each brushstroke, transporting viewers back in time to experience Venetian life firsthand. "The Square of Saint Mark s" captures another iconic location in Venice during 1742-1744. Canaletto expertly depicts every architectural detail surrounding this famous square while infusing it with an undeniable sense of vibrancy that only he could achieve. Moving along the canals once more brings us to "Grand Canal Looking South-East from the Campo Santa Sophia.