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Pl. 32, Chateau DAzay-Le-Rideau (Indre et Loire), 1860. Creator: Victor Petit (French

Pl. 32, Chateau DAzay-Le-Rideau (Indre et Loire), 1860. Creator: Victor Petit (French


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Pl. 32, Chateau DAzay-Le-Rideau (Indre et Loire), 1860. Creator: Victor Petit (French

Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles: Pl. 32, Chateau DAzay-Le-Rideau (Indre et Loire), 1860

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Media ID 19616978

© Heritage Art/Heritage Images

1817 1874 Charles Boivin Charles Boivin Publisher And Editor Lith De Godard A Paris Lith De Godard A Paris Printer Lithograph With Tint Stone Printer Publisher And Editor Victor Petit Victor Petit French


FEATURES IN THESE COLLECTIONS

> Architecture > Country > France

> Europe > France > Canton > Indre

> Europe > France > Canton > Loire

> Europe > France > Paris > Related Images

> Europe > United Kingdom > England > Cleveland


EDITORS COMMENTS
Pl. 32, Chateau d'Azay-Le-Rideau (Indre et Loire), 1860: A Captivating Glimpse into French Renaissance Architecture This stunning print captures the enchanting beauty of Pl. 32, Chateau d'Azay-Le-Rideau in Indre et Loire, France. Created by Victor Petit in 1860 as part of his renowned work "Architecture Pittoresque ou Monuments des xveme. Et xvieme. Siecles: Chateaux De France des XV et XVI Siecles" this image showcases the grandeur and elegance of French Renaissance architecture. The chateau itself is a masterpiece, with its symmetrical design and intricate details that epitomize the opulence of the era. The lithograph technique employed by Charles Boivin perfectly highlights every delicate feature and brings out the richness of colors found within this architectural gem. As we gaze upon this print, we are transported back to a time when craftsmanship was revered and attention to detail was paramount. The meticulousness with which each stone has been placed is evident, creating an awe-inspiring sight that stands as a testament to human ingenuity. This particular print comes from a portfolio of 100 lithographs with tint stone curated by Charles Boivin himself – an esteemed publisher and editor during the late 19th century in France. Its inclusion in The Cleveland Museum of Art's collection speaks volumes about its historical significance and artistic merit. Through

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