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Cleveland Gallery

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Cleveland, England, United Kingdom in Europe

Choose from 11497 pictures in our Cleveland collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.

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The Races, 1865. Creator: Edouard Manet (French, 1832-1883) Featured Cleveland Print

The Races, 1865. Creator: Edouard Manet (French, 1832-1883)

The Races, 1865. The Race Track is based on Manet's painting The Races at Longchamp. The lithograph, however, conveys the excitement of horseracing even more than the painting. Energy and movement are suggested by bold, quickly drawn lines and by rapid, curving smudges. The unrestrained, spontaneous use of the lithographic crayon foreshadows the expressiveness of 20th-century printmaking

© Heritage Art/Heritage Images

Violin Player with a Wine Glass, 1623. Creator: Dirck van Baburen (Dutch, c. 1595-1624) Featured Cleveland Print

Violin Player with a Wine Glass, 1623. Creator: Dirck van Baburen (Dutch, c. 1595-1624)

Violin Player with a Wine Glass, 1623. A native of Utrecht, Dirck van Baburen spent several years in Italy and was among the first artists to introduce Caravaggio's revolutionary style to the Netherlands. From about 1600, the Italian artist's unsparing naturalism and strong lighting effects had transformed painting throughout Europe. Adopting Caravaggio's innovations, Baburen positioned his half-length musician so close to the picture plane that he seems to project into our space. Infectious spontaneity and loose, colourful dress marks him as a figure at the edges of society, unbound by behavioral norms?enhanced by his bold gaze, unshaven face, and cheeky grin complete with broken tooth

© Heritage Art/Heritage Images

The Tired Gleaner, 1880. Creator: Jules Breton (French, 1827-1906) Featured Cleveland Print

The Tired Gleaner, 1880. Creator: Jules Breton (French, 1827-1906)

The Tired Gleaner, 1880. Gleaning?or picking up what little grain remains after a wheat field has been harvested?was usually the job of the poor, especially women and children. Breton shows a single gleaner stretching against a backdrop of the setting sun, while behind her others still labor in the field. Her bare feet and worn, simple clothing immediately identify her as a peasant. At the same time, however, her expansive gesture and the subdued tones of her skin and clothes link her to the surrounding landscape, both visually and symbolically. This painting not only suggests the hardships of peasant life, but also the grand link between humanity and the land. Like many of his successful contemporaries, Breton met demand for his paintings by copying and making variations of his own works. This picture is similar to a larger, more famous painting that was exhibited in the Paris Salon of 1880. The Cleveland collector Hinman H. Hurlbut, who bought this canvas from the artist, probably commissioned Breton to make this smaller variation of the larger painting

© Heritage Art/Heritage Images