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The New North-West Passage, 1887. Artist: Joseph Swain

The New North-West Passage, 1887. Artist: Joseph Swain


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The New North-West Passage, 1887. Artist: Joseph Swain

The New North-West Passage, 1887. Britannia points towards the Canadian train and says that no more will lives have to be lost, as were those of Franklin and his crew, in trying to negotiate the North-West Passage. As it is part of the Empire, Canada will be happy for Britain not to have to rely on furtive enemy or doubtful friend but will allow access via the Dominions land where Britain can count herself at home. From Punch, or the London Charivari, October 15, 1887

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Media ID 14832029

© The Print Collector / Heritage-Images

Britannia Canada Canadian Foreign Affairs Foreign Policy Heritage Image Partnership John Tenniel Joseph Swain Sir John Tenniel Swain Tenniel Train Trident Allegorical Figure British Empire


FEATURES IN THESE COLLECTIONS

> Arts > Artists > T > John Tenniel

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Transport > Railway

> North America > Canada > Related Images

> Popular Themes > Politics


EDITORS COMMENTS
This print titled "The New North-West Passage, 1887" showcases the artistic brilliance of Joseph Swain and John Tenniel. In this allegorical piece, Britannia takes center stage as she points towards a Canadian train, symbolizing a significant shift in British foreign policy and colonialism. With deep historical context, the image alludes to the tragic fate of Franklin and his crew who lost their lives attempting to navigate the treacherous North-West Passage. However, Britannia assures that such sacrifices will no longer be necessary. As part of the Empire, Canada willingly offers access through its dominions' land, eliminating Britain's reliance on dubious allies or hidden enemies. The presence of a female figure representing Britannia adds an empowering touch to this political satire. Her trident signifies her authority while also highlighting women's growing influence during the 19th century. Through intricate engraving techniques and monochrome aesthetics, Swain masterfully captures both the grandeur of transportation and the delicate balance between nations in this era. The black-and-white composition evokes a sense of nostalgia for a bygone time when railways were transforming landscapes across countries. As we delve into this heritage image partnership with Heritage Images (not mentioning commercial use), we are transported back to an era where art served as powerful social commentary. This print serves as a testament to Joseph Swain's artistic prowess and John Tenniel's ability to convey complex political messages through visual storytelling.

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