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Framed Print : The New North-West Passage, 1887. Artist: Joseph Swain

The New North-West Passage, 1887. Artist: Joseph Swain




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The New North-West Passage, 1887. Artist: Joseph Swain

The New North-West Passage, 1887. Britannia points towards the Canadian train and says that no more will lives have to be lost, as were those of Franklin and his crew, in trying to negotiate the North-West Passage. As it is part of the Empire, Canada will be happy for Britain not to have to rely on furtive enemy or doubtful friend but will allow access via the Dominions land where Britain can count herself at home. From Punch, or the London Charivari, October 15, 1887

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Media ID 14832029

© The Print Collector / Heritage-Images

Britannia Canada Canadian Foreign Affairs Foreign Policy Heritage Image Partnership John Tenniel Joseph Swain Sir John Tenniel Swain Tenniel Train Trident Allegorical Figure British Empire


12"x10" Modern Frame

Discover the captivating history of exploration with our Framed Print of "The New North-West Passage, 1887" by John Tenniel. This iconic illustration, created by Joseph Swain and published by Heritage Images, depicts Britannia proudly pointing towards a Canadian train, signaling the end of the perilous journeys that once claimed lives, such as those of Franklin and his crew. Bring this piece of historical art into your home and be inspired by the determination and discovery that shaped our past. Each Framed Print is meticulously crafted with high-quality materials to ensure a stunning and lasting impression.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Europe > France > Canton > Landes

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Transport > Railway

> North America > Canada > Related Images

> Popular Themes > Politics

> Popular Themes > Railway Posters

> Posters > Railway Posters

> Transportation > Trains


EDITORS COMMENTS
This print titled "The New North-West Passage, 1887" showcases the artistic brilliance of Joseph Swain and John Tenniel. In this allegorical piece, Britannia takes center stage as she points towards a Canadian train, symbolizing a significant shift in British foreign policy and colonialism. With deep historical context, the image alludes to the tragic fate of Franklin and his crew who lost their lives attempting to navigate the treacherous North-West Passage. However, Britannia assures that such sacrifices will no longer be necessary. As part of the Empire, Canada willingly offers access through its dominions' land, eliminating Britain's reliance on dubious allies or hidden enemies. The presence of a female figure representing Britannia adds an empowering touch to this political satire. Her trident signifies her authority while also highlighting women's growing influence during the 19th century. Through intricate engraving techniques and monochrome aesthetics, Swain masterfully captures both the grandeur of transportation and the delicate balance between nations in this era. The black-and-white composition evokes a sense of nostalgia for a bygone time when railways were transforming landscapes across countries. As we delve into this heritage image partnership with Heritage Images (not mentioning commercial use), we are transported back to an era where art served as powerful social commentary. This print serves as a testament to Joseph Swain's artistic prowess and John Tenniel's ability to convey complex political messages through visual storytelling.

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