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Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898)
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Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898)
Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898). Fig 1: Sgraffito on a house at Rome, Via Giulia Nr. 82. Fig 2: Sgraffito on a house at Rome, Via dei Coronari Nr. 148. Fig 3: Sgraffito on a house at Rome, Vicolo Calabraga Nr. 31 and 32. Fig 4: Sgraffito on a house at Rome, Vigna alla via Porta S. Sebastiano Nr. 27. Fig 5: Sgraffito on a house at Rome, Borgo al vicolo del Campanile Nr. 4. Fig 7: Inlaid marble-Work on the floor of the cathedral at Siena. Figs 8 and 9: Inlaid marble-Work from a tomb-plate in San Giovanni e Paolo at Venice. Fig 10: Inlaid marble-Work from a tomb-plate in Sta. Croce at Florence. Fig 11: Inlaid marble-Work from a tomb-plate in the Frari-church at Venice. Figs 12 and 13: Basso relievos from tomb-plates in Sta. Maria del Popolo at Rome. Figs 14 and 15: Basso relievos from the tomb of Vendramin in San Giovanni e Paolo at Venice. Plate 52 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19778054
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Amorini Angelic B T Batsford Bamp W Bas Relief Batsford Bt Batsford Carl Cherubs Dolmetsch E Hochdanz Floor Flooring Foliage Grotesque H Dolmetsch Heinrich Heinrich Dolmetsch Hippocamp Hippocampi Hippocamps Hippocampus Historic Styles Of Ornament Hochd Hochdanz Inlaid Inlaying Karl Lion Lions Marble Mausoleum Mosaic Ornate Sea Horse Sea Horses Sgraffito Stylised Symmetrical Symmetry Winged Cherub Flowered Intarsia Interior Decoration Interior Design Mythical Beast Mythical Creature Putti
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EDITORS COMMENTS
This print showcases the exquisite artistry of Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic, and bas-reliefs. Dating back to 1898, this collection of images takes us on a visual journey through some of Rome's most historic streets and iconic buildings. Figures 1 to 5 highlight the intricate sgraffito designs adorning houses along Rome's Via Giulia, Via dei Coronari, Vicolo Calabraga, Vigna alla via Porta S. Sebastiano, and Borgo al vicolo del Campanile. These stunning wall decorations demonstrate the mastery of technique employed by Renaissance artisans in creating elaborate patterns and motifs. Moving beyond Rome, figures 7 to 11 showcase the breathtaking beauty of inlaid marble-work found in prominent cathedrals and churches across Italy. The floor of Siena Cathedral displays an awe-inspiring mosaic-like design created with meticulously placed pieces of colored marble. Similarly impressive are tomb-plates from San Giovanni e Paolo at Venice and Sta. Croce at Florence that feature intricate marble-inlay work depicting scenes from religious history. The final set (figures 12 to 15) presents basso relievos from tomb-plates located within significant Roman churches such as Sta. Maria del Popolo and San Giovanni e Paolo at Venice. These sculptural elements exhibit remarkable craftsmanship and offer glimpses into the lives commemorated by these tombs. Plate 52 is part of "The Historic Styles of Ornament" a translation from German author H. Dolmetsch's seminal work published by B. T Batford in London in 1898. This invaluable resource allows us to appreciate the rich artistic heritage left behind by Italian Renaissance craftsmen for generations to come.
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