Intarsia Collection

Table, c.1835-c.1935. Creator: Anon
Table, c.1835-c.1935. With intarsia

Cabinet, c.1835-c.1935. Creator: Anon
Cabinet, c.1835-c.1935. Wooden cabinet or sideboard for a dining room, with intarsia and marble leaf

Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898). Fig 1: Sgraffito on a house at Rome, Via Giulia Nr. 82. Fig 2: Sgraffito on a house at Rome, Via dei Coronari Nr

Throne depicting St. Ambrose (wood)
4073998 Throne depicting St. Ambrose (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli; Italian, out of copyright

Detail of a bench with a panel depicting a chalice (wood)
4073991 Detail of a bench with a panel depicting a chalice (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli

Bench with intarsia panels, 1461-77 (wood)
4073989 Bench with intarsia panels, 1461-77 (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli

Choir, 1471 (wood)
4073993 Choir, 1471 (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli

Detail of the choir with a panel depicting St. Augustine, 1471 (wood)
4073995 Detail of the choir with a panel depicting St. Augustine, 1471 (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli

Detail of the choir, with a panel depicting St. Gregory the Great 1471 (wood)
4073992 Detail of the choir, with a panel depicting St. Gregory the Great 1471 (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli

Genoa, Duomo (St Lawrence Cathedral), inside, apse, choir, North side: "Salome with the head of the Baptist"
6372490 Genoa, Duomo (St Lawrence Cathedral), inside, apse, choir, North side: " Salome with the head of the Baptist"

Landscape, Intarsia, detail of the wooden choir, 1545-46 (wood)
3736137 Landscape, Intarsia, detail of the wooden choir, 1545-46 (wood) by Venetiis, Cristoforo & Giuseppe Da (fl.16th century); Chiesa di San Prospero, Reggio Emilia, Emilia Romagna

Detail of the choir with a panel depicting St. Jerome, 1471 (wood)
4073996 Detail of the choir with a panel depicting St. Jerome, 1471 (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli

Detail of a bench with intarsia panels (wood)
4073990 Detail of a bench with intarsia panels (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli; Italian, out of copyright

Suzanne Lenglen at Biarritz
Suzanne Lenglen (1899-1938) who had just won the The Ladies Tennis Championship at Wimbledon for the fifth time in succession that year, pictured at ease at Biarritz in her latest jumper. 1923

Marmor Homericum, 1863-65 (stone, pigments & plaster)
5857658 Marmor Homericum, 1863-65 (stone, pigments & plaster) by Triqueti, Henri Joseph Francois de, baron (1807-74); UCL Art Museum, University College London, UK; eUCL Art Museum

Italian Renaissance wood mosaic, (1898). Creator: Unknown
Italian Renaissance wood mosaic, (1898). Fig 1: From the choir-stalls in S. Anastasia at Verona. Fig 2: From the dado of the vestry-shrines in S. Maria in Organo ibid

Italian Renaissance illumination, weaving, and marble-mosaic, (1898). Creator: Unknown
Italian Renaissance illumination, weaving, and marble-mosaic, (1898). Figs 1-6: Paintings from divers manuscripts. Fig 7: Velvet-stuff in the Museum vaterlandischer Altertumer at Stuttgart

Lazio Roma Rome S. Benedetto Piscinula Italy
Lazio Roma Rome S. Benedetto in Piscinula, this is my Italy, the italian country of visual history, Medieval Architecture, architectural sculpture, painting, frescoes, intarsia

Rex Ingram - American film producer
Rex Ingram, famous American film producer and frequent resident of the French Riviera where he ran a film studio. Pictured in a natty beret and intarsia knit cardigan carrying his favourite lemur

Knitted swimming costume, c. 1935
Woman wearing a knitted swimming costume in an intarsia pattern, 1930s. c.1935

Pringle fashion 1965
A model wearing cashmere knitwear by Pringle of Scotland, the classic knitwear brand. The intarsia-patterned sleeveless sweater in pineapple and white is teamed with a classic pineapple cardigan

Ballantyne pullover and skirt, - sixties woman
A chic young woman models an Intarsia pullover with a chequered pattern, worn with a cashmere knitted skirt. Date: 1964

Ballantyne twinset - sixties woman
An elegant woman wearing one of Ballantynes famous Intarsia graded twinsets with a Daks skirt to match. Date: 1964

Ballantyne three-piece knitted suit - sixties woman
A stylish woman wearing a three-piece Intarsia Cashmere suit by Ballantyne. Date: 1964

Copy Reverse Design Orientation Based Group Reclining Figures
Artokoloro

Cashmere sweater, 1953
A short-sleeved cashmere sweater by Ballantyne of Peebles with a raised intarsia design of white on white. Date: 1953

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Intarsia, a captivating art form that emerged during the Italian Renaissance, is a true testament to the skill and creativity of its craftsmen. Combining elements of sgraffitos, wood-mosaic, marble-mosaic, and bas-reliefs, intarsia creates stunning masterpieces that continue to mesmerize viewers even today. One remarkable example of this technique can be found in the magnificent Genoa Duomo (St Lawrence Cathedral). As you step inside and make your way towards the apse and choir on the South side, you will encounter an awe-inspiring sight: "The Massacre of Innocents, " a wood intarsia masterpiece by Giovanni Francesco Zambelli from the 16th century. The intricate details and meticulous craftsmanship bring this tragic scene to life before your eyes. As you explore further into the cathedral's interior, you'll discover more extraordinary examples artistry. A throne depicting St. Ambrose catches your attention with its exquisite wooden design. Nearby stands a bench adorned with a panel showcasing a chalice – both pieces demonstrating the immense talent required for creating such delicate works. Moving along through time within these sacred walls, another striking piece captures your gaze - an intricately designed bench featuring panels crafted between 1461-77. Each panel tells its own story through carefully arranged wood intarsia patterns that seem almost alive as they depict various scenes. Continuing into the choir area dated back to 1471; it becomes evident how integral intarsia was in enhancing religious spaces' beauty during this era. Panels portraying saints like St. Augustine and St. Gregory grace these wooden structures with their divine presence. Onward to explore further wonders within Genoa Duomo's apse and choir on its North side awaits yet another breathtaking creation by Giovanni Francesco Zambelli – "Salome with the head of Baptist. " This wood intarsia artwork showcases his mastery once again as he captures the intensity and drama of this biblical scene.