Fraud Blocker Skip to main content

Sgraffito Collection

Sgraffito is a fascinating technique that has been used in various forms of art throughout history

Background imageSgraffito Collection: Maison Atelier Horta (Horta Museum), 23-25 Rue Americaine, Brussels, Belgium, c2014-2017

Maison Atelier Horta (Horta Museum), 23-25 Rue Americaine, Brussels, Belgium, c2014-2017
Maison-Atelier Horta (Horta Museum), 23-25 Rue Americaine, Brussels, Belgium, c2014-2017. Designed by Victor Horta in 1898-1901

Background imageSgraffito Collection: St Hugh of Lincoln and St Benedict of Nursia. Creator: Gherardo di Jacopo

St Hugh of Lincoln and St Benedict of Nursia. Creator: Gherardo di Jacopo
St Hugh of Lincoln and St Benedict of Nursia, Unknown date

Background imageSgraffito Collection: Large Lion, early 1830s. Creator: Antoine-Louis Barye

Large Lion, early 1830s. Creator: Antoine-Louis Barye
Large Lion, early 1830s

Background imageSgraffito Collection: Soviet modernist sgraffito, 1970s, Minusinsk, Krasnoyarsk Krai, Russia

Soviet modernist sgraffito, 1970s, Minusinsk, Krasnoyarsk Krai, Russia

Background imageSgraffito Collection: Unique sgraffito murals decorate the traditional houses of the Engadine Valley, Graubunden

Unique sgraffito murals decorate the traditional houses of the Engadine Valley, Graubunden, Switzerland, Europe

Background imageSgraffito Collection: Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898)

Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898). Fig 1: Sgraffito on a house at Rome, Via Giulia Nr. 82. Fig 2: Sgraffito on a house at Rome, Via dei Coronari Nr

Background imageSgraffito Collection: Czech Republic, South Moravia, Slavonice, Sgraffito buildings

Czech Republic, South Moravia, Slavonice, Sgraffito buildings

Background imageSgraffito Collection: Old Town Square or Staromestske Namesti with the painted facade of House At The Minute

Old Town Square or Staromestske Namesti with the painted facade of House At The Minute or Dum u Minuty, Prague, Bohemia, Czech Republic

Background imageSgraffito Collection: Vase, 1895 (ceramic)

Vase, 1895 (ceramic)
3504627 Vase, 1895 (ceramic) by Martin, Robert Wallace (1843-1923); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSgraffito Collection: Vase, 1895 (ceramic)

Vase, 1895 (ceramic)
3504630 Vase, 1895 (ceramic) by Martin, Robert Wallace (1843-1923); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSgraffito Collection: Vase, 1895 (ceramic)

Vase, 1895 (ceramic)
3504628 Vase, 1895 (ceramic) by Martin, Robert Wallace (1843-1923); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSgraffito Collection: Plate 4: From Portfolio 'Folk Art of Rural Pennsylvania', c. 1939. Creator: Unknown

Plate 4: From Portfolio "Folk Art of Rural Pennsylvania", c. 1939. Creator: Unknown
Plate 4: From Portfolio " Folk Art of Rural Pennsylvania", c. 1939

Background imageSgraffito Collection: Plate 14: From the Portfolio 'Folk Art of Rural Pennsylvania', c. 1939. Creator: Unknown

Plate 14: From the Portfolio "Folk Art of Rural Pennsylvania", c. 1939. Creator: Unknown
Plate 14: From the Portfolio " Folk Art of Rural Pennsylvania", c. 1939

Background imageSgraffito Collection: Drawing for Plate 8: From the Portfolio 'Folk Art of Rural Pennsylvania', c. 1939. Creator: Unknown

Drawing for Plate 8: From the Portfolio "Folk Art of Rural Pennsylvania", c. 1939. Creator: Unknown
Drawing for Plate 8: From the Portfolio " Folk Art of Rural Pennsylvania", c. 1939

Background imageSgraffito Collection: Drawing for Plate 2: From Portfolio 'Folk Art of Rural Pennsylvania', c. 1939. Creator: Unknown

Drawing for Plate 2: From Portfolio "Folk Art of Rural Pennsylvania", c. 1939. Creator: Unknown
Drawing for Plate 2: From Portfolio " Folk Art of Rural Pennsylvania", c. 1939

Background imageSgraffito Collection: Plate 2: From Portfolio 'Folk Art of Rural Pennsylvania', c. 1939. Creator: Unknown

Plate 2: From Portfolio "Folk Art of Rural Pennsylvania", c. 1939. Creator: Unknown
Plate 2: From Portfolio " Folk Art of Rural Pennsylvania", c. 1939

Background imageSgraffito Collection: Fragment of a Bowl, mid 12th-early 13th century. Creator: Unknown

Fragment of a Bowl, mid 12th-early 13th century. Creator: Unknown
Fragment of a Bowl, mid 12th-early 13th century

Background imageSgraffito Collection: Bean-Shaped Pillow with Peony Scrolls, Northern Song dynasty, (960-1127)

Bean-Shaped Pillow with Peony Scrolls, Northern Song dynasty, (960-1127), early 12th century

Background imageSgraffito Collection: Incense Burner with Peony Scroll, Northern Song dynasty, (960-1127)

Incense Burner with Peony Scroll, Northern Song dynasty, (960-1127), late 11th/early 12th century

Background imageSgraffito Collection: Fragment of a Bowl, 17th century. Creator: Unknown

Fragment of a Bowl, 17th century. Creator: Unknown
Fragment of a Bowl, 17th century

Background imageSgraffito Collection: Plate, 1792. Creator: Rudolph Drach

Plate, 1792. Creator: Rudolph Drach
Plate, 1792. Sgraffito decoration, bird, tulip, and star shapes

Background imageSgraffito Collection: Dish with Rampant Lion, Northern Italy, 1500 / 1600. Creator: Unknown

Dish with Rampant Lion, Northern Italy, 1500 / 1600. Creator: Unknown
Dish with Rampant Lion, Northern Italy, 1500/1600

Background imageSgraffito Collection: Pa. German Scraffito Plate, c. 1941. Creator: Aaron Fastovsky

Pa. German Scraffito Plate, c. 1941. Creator: Aaron Fastovsky
Pa. German Scraffito Plate, c. 1941

Background imageSgraffito Collection: Madonna and Child with angels, Saint Dominic and Saint Catherine of Alexandria, c

Madonna and Child with angels, Saint Dominic and Saint Catherine of Alexandria, c
LRI3509531 Madonna and Child with angels, Saint Dominic and Saint Catherine of Alexandria, c.1435 (tempera & gold on panel) by Angelico

Background imageSgraffito Collection: Dish, 13th-14th century (earthenware)

Dish, 13th-14th century (earthenware)
AME117773 Dish, 13th-14th century (earthenware) by Persian School; diameter: 38 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Gift of Sir Alan Barlow; Persian, out of copyright

Background imageSgraffito Collection: Madonna della Cintola with St. Thomas and angels (tempera on panel)

Madonna della Cintola with St. Thomas and angels (tempera on panel)
3529670 Madonna della Cintola with St. Thomas and angels (tempera on panel) by Domenico di Francesco d Antonio (1417-91); Chiesa di S.Vito a Loppiano, Incisa Valdarno, Italy; Alinari Archives

Background imageSgraffito Collection: Deep Plate with Decorative Patterns, 1100s (sgraffito earthenware)

Deep Plate with Decorative Patterns, 1100s (sgraffito earthenware)
499701 Deep Plate with Decorative Patterns, 1100s (sgraffito earthenware) by Byzantine, (12th century); 4.8x23.5 cm; Cleveland Museum of Art, OH, USA; Purchase from the J. H

Background imageSgraffito Collection: Deep Plate with Hawk and Foliage, 1100s (sgraffito earthenware)

Deep Plate with Hawk and Foliage, 1100s (sgraffito earthenware)
499703 Deep Plate with Hawk and Foliage, 1100s (sgraffito earthenware) by Byzantine, (12th century); 3.85x22.25 cm; Cleveland Museum of Art, OH, USA; Purchase from the J. H

Background imageSgraffito Collection: Sgraffito decorations (engraving)

Sgraffito decorations (engraving)
586949 Sgraffito decorations (engraving) by English School, (19th century); Private Collection; (add.info.: Sgraffito decorations, from the original cartoons by F W Moody)

Background imageSgraffito Collection: Deep Plate with Hawk, Rabbit, and Foliage, 1100s (sgraffito earthenware)

Deep Plate with Hawk, Rabbit, and Foliage, 1100s (sgraffito earthenware)
499702 Deep Plate with Hawk, Rabbit, and Foliage, 1100s (sgraffito earthenware) by Byzantine, (12th century); 3.85x24 cm; Cleveland Museum of Art, OH, USA; Purchase from the J. H

Background imageSgraffito Collection: Deep Plate with Hawk, Rabbit, and Foliage, 1100s (sgraffito earthenware)

Deep Plate with Hawk, Rabbit, and Foliage, 1100s (sgraffito earthenware)
5901694 Deep Plate with Hawk, Rabbit, and Foliage, 1100s (sgraffito earthenware) by Byzantine, (12th century); 3.9x24 cm; Cleveland Museum of Art, OH, USA; out of copyright

Background imageSgraffito Collection: Inundated Ruins of a Monastery, ca. 1824. Creator: Karl Blechen

Inundated Ruins of a Monastery, ca. 1824. Creator: Karl Blechen
Inundated Ruins of a Monastery, ca. 1824

Background imageSgraffito Collection: Battery Park, New York, 1849. Creator: Christian Gottlieb Cantzlier

Battery Park, New York, 1849. Creator: Christian Gottlieb Cantzlier
Battery Park, New York, 1849

Background imageSgraffito Collection: Greece, Pyrgi, Decorative exterior wall of a building in the village of Pyrgi

Greece, Pyrgi, Decorative exterior wall of a building in the village of Pyrgi

Background imageSgraffito Collection: Jugenstil house, Cranachstrasse 12, Weimar, Germany, (1905), 2018. Artist: Alan John Ainsworth

Jugenstil house, Cranachstrasse 12, Weimar, Germany, (1905), 2018. Artist: Alan John Ainsworth
Jugenstil house, Cranachstrasse 12, Weimar, Germany, (1905), 2018. Roof detail on Villa Bornmuller, designed by Rudolf Zapfe (1860-1934)

Background imageSgraffito Collection: Les Hiboux, 55 Brugmann Avenue, Brussels, Belgium, c2014-c2017. Artist: Alan John Ainsworth

Les Hiboux, 55 Brugmann Avenue, Brussels, Belgium, c2014-c2017. Artist: Alan John Ainsworth
Miscellaneous Brussels art nouveau details, Belgium, c2014-c2017. Brick townhouse with circular windows and sgraffito designed by architect Edouard Pelseneer

Background imageSgraffito Collection: Avenue Jef Lambeaux, Brussels, Belgium, (1902), c2014-c2017. Artist: Alan John Ainsworth

Avenue Jef Lambeaux, Brussels, Belgium, (1902), c2014-c2017. Artist: Alan John Ainsworth
Avenue Jef Lambeaux, Brussels, Belgium, c2014-c2017

Background imageSgraffito Collection: 120 Avenue Brugmann, Brussels, Belgium, (1904), c2014-c2017. Artist: Alan John Ainsworth

120 Avenue Brugmann, Brussels, Belgium, (1904), c2014-c2017. Artist: Alan John Ainsworth
120 Avenue Brugmann, Brussels, Belgium, c2014-c2017. Designed for Mr. Roersch by Ernest Blerot: 1904. Asymmetrical composition in white stone with loggia and ironwork

Background imageSgraffito Collection: 29 & 31 Avenue Winston Churchill, Brussels, Belgium, c2014-c2017. Artist: Alan John Ainsworth

29 & 31 Avenue Winston Churchill, Brussels, Belgium, c2014-c2017. Artist: Alan John Ainsworth
29 & 31 Avenue Winston Churchill, Brussels, Belgium, c2014-c2017. Designed by Aimable Delune

Background imageSgraffito Collection: Maison Dricot, 47 rue Malibran, Brussels, Belgium, (1900), c2014-c2017

Maison Dricot, 47 rue Malibran, Brussels, Belgium, (1900), c2014-c2017
Maison Dricot, 47 rue Malibran, Brussels, Belgium, c2014-c2017. Designed by Edouard Pelseneer: 1900: With sgraffito by Paul Cauchie of six construction workers with their tools and materials

Background imageSgraffito Collection: 9-15 Avenue Albert Giraud, Schaerbeek, Brussels, Belgium, (1910), c2014-c2017. Artist

9-15 Avenue Albert Giraud, Schaerbeek, Brussels, Belgium, (1910), c2014-c2017. Artist
9-15 Avenue Albert Giraud, Schaerbeek, Brussels, Belgium, c2014-c2017. Designed by Francois Hamelsoet: 1910. Panels of sgraffiti by Paul Cauchie

Background imageSgraffito Collection: 50 Rue Washington, Ixelles, Brussels, Belgium, (1898), c2014-2017. Artist: Alan John Ainsworth

50 Rue Washington, Ixelles, Brussels, Belgium, (1898), c2014-2017. Artist: Alan John Ainsworth
50 Rue Washington, Ixelles, Brussels, Belgium, c2014-2017. Designed by Ernest Blerot: 1898. Facade in white stone with sgraffites floral pattern above front door and on entablature

Background imageSgraffito Collection: Les Hiboux, 55 Avenue Brugmann, Brussels, Belgium, (1899), c2014-c2017. Artist: Alan John Ainsworth

Les Hiboux, 55 Avenue Brugmann, Brussels, Belgium, (1899), c2014-c2017. Artist: Alan John Ainsworth
Les Hiboux, 55 Avenue Brugmann, Brussels, Belgium, c2014-c2017. Designed by Edouard Pelseneer: 1899 for the symbolist painter Fernand Khnopff. Owls on red brick and stone with sgraffiti

Background imageSgraffito Collection: 63 Rue de Chatelain, Ixelles, Brussels, Belgium, (1903), c2014-2017. Artist: Alan John Ainsworth

63 Rue de Chatelain, Ixelles, Brussels, Belgium, (1903), c2014-2017. Artist: Alan John Ainsworth
63 Rue de Chatelain, Ixelles, Brussels, Belgium, c2014-2017. Designed by Georges Hobe: 1903. Facade in white bricks, enhanced with blue stone. Corniche frieze of sgraffiti by Paul Cauchie

Background imageSgraffito Collection: 21-33 Rue General Patton, Brussels, Belgium, (1900-1903), c2014-c2017. Artist: Alan John Ainsworth

21-33 Rue General Patton, Brussels, Belgium, (1900-1903), c2014-c2017. Artist: Alan John Ainsworth
21-33 Rue General Patton, Brussels, Belgium, c2014-c2017. Gregoire Lebique & Sons: 1900-03. Sgraffito attributed to Adolphe Crespin

Background imageSgraffito Collection: 94 Rue Tenbosch, Brussels, Belgium, (1902), c2014-c2017. Artist: Alan John Ainsworth

94 Rue Tenbosch, Brussels, Belgium, (1902), c2014-c2017. Artist: Alan John Ainsworth
94 Rue Tenbosch, Brussels, Belgium, c2014-c2017. Designed by Benjaminb de Lestre de Fabribeckers: 1902. Facade in glazed bricks decorated with sgraffiti

Background imageSgraffito Collection: Avenue Jean Volders / Rue Vanderschrick, Brussels, Belgium, (1904), c2014-c2017. Artist

Avenue Jean Volders / Rue Vanderschrick, Brussels, Belgium, (1904), c2014-c2017. Artist
Avenue Jean Volders/Rue Vanderschrick, Brussels, Belgium, c2014-c2017. Designed by Ernest Blerot: 1904. Jean Volders (1855-1896) was a socialist politician and promoter of universal suffrage

Background imageSgraffito Collection: Maison Algave, 7 Rue Antoine Breart, Brussels, (1898), c2014-c2017. Artist: Alan John Ainsworth

Maison Algave, 7 Rue Antoine Breart, Brussels, (1898), c2014-c2017. Artist: Alan John Ainsworth
Maison Algave, 7 Rue Antoine Breart, Brussels, c2014-c2017. Designed by Paul Hankar: 1898 for the tailor Jean-Baptiste Aglave. Brick and white stone with sgraffites by Adolphe Crespin



All Professionally Made to Order for Quick Shipping

Sgraffito is a fascinating technique that has been used in various forms of art throughout history. Dating back to the Italian Renaissance, sgraffitos were commonly seen in wood-mosaic, marble-mosaic, and bas-reliefs. These intricate designs added depth and texture to sculptures and buildings alike. In the late 19th century, ceramic vases adorned with sgraffito became popular. One such vase from 1895 showcases the delicate craftsmanship involved in creating these pieces. The Soviet modernist movement of the 1970s also embraced sgraffito, as evidenced by a stunning example found in Minusinsk, Krasnoyarsk Krai, Russia. Moving away from ceramics and sculptures, sgraffito made its way onto buildings as well. In Slavonice, Czech Republic's South Moravia region, you can find remarkable structures featuring elaborate sgraffito designs on their facades. The Old Town Square or Staromestske Namesti boasts one such building called House At The Minute with a beautifully painted facade. The folk artists of rural Pennsylvania also incorporated sgraffito into their creations during the 1930s. Plates and drawings from this era showcase their talent for combining traditional techniques with unique designs. Plate 4 depicts an unknown artist's interpretation of rural Pennsylvania's folk art using sgraffito while Plate 14 offers another glimpse into this captivating style. Even though the creators behind these works remain unknown today (as seen in Drawing for Plate 8), their legacy lives on through their skillful use (as shown in Drawing for Plate 2). This technique continues to inspire artists around the world who seek to add depth and intricacy to their own masterpieces (like those depicted in Plate 2). From ancient times to contemporary artistry, it is clear that sgraffito holds a special place within artistic expression.