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He, soon as there I stood at the tombs foot, ey d me a space, c1890. Creator: Gustave Doré

He, soon as there I stood at the tombs foot, ey d me a space, c1890. Creator: Gustave Doré


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He, soon as there I stood at the tombs foot, ey d me a space, c1890. Creator: Gustave Doré

He, soon as there I stood at the tombs foot, ey d me a space, then in disdainful mood address d me: " Say, what ancestors were thine?", c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri. This long, narrative poem, written in Italian c1308-1321, tracing Dantes imaginary journey from Hell, through Purgatory and finally to Heaven and a beatific vision of God, has been published numerous times. This edition, published late 19th century, is illustrated by Gustave Dore. [Cassell Petter & Galpin, c1890]

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Media ID 18910316

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Aligheri Alighieri Dante Dante Aligheri Dante Alighieri Divina Commedia Divine Comedy Dore Gustave Gustave Dore Heat Hell Louis Christophe Gustave Dore Mausoleum Paul Gustave Paul Gustave Dore Petter And Galpin Poem Publius Publius Vergilius Maro Soul Torment Tormented Vergil Vergilio Vergilius Maro Virgil Cassell Nakedness Nudity Poetry


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EDITORS COMMENTS
In this print titled "He, soon as there I stood at the tombs foot, ey d me a space" we are transported to the world of Dante Alighieri's "The Divine Comedy". Created by Gustave Doré in 1890, this illustration depicts a powerful scene from the first part of the epic poem, "Inferno". At the center of the image stands Dante himself, accompanied by his guide through Hell, Virgil. The two figures are confronted by an imposing man who gazes down upon them with disdainful eyes. His question hangs in the air: "Say, what ancestors were thine?". This encounter captures both Dante's vulnerability as he embarks on his journey and his determination to confront his own past. Doré's intricate engravings bring life to Dante's vivid imagination. The monochrome palette adds depth and intensity to every detail - from the tormented souls surrounding them to the grandeur of their surroundings. "The Vision of Hell" is not merely a literary masterpiece; it is also a visual feast that transports us into another realm. As we gaze upon this print, we can almost feel ourselves standing beside Dante and Virgil in that haunting mausoleum. It serves as a reminder of our mortality and urges us to reflect on our own lives. This edition published in late 19th century beautifully showcases Gustave Doré's artistic prowess while paying homage to one of literature's greatest works.

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