Figure 47: A suggestion of this same weeping, 1854-56, printed 1862

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Figure 47: A suggestion of this same weeping, 1854-56, printed 1862

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Media ID 20166750

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Adrien Alban Tournachon Adrien Tournachon Boulogne Boulogne Duchenne De Crying Duchenne Duchenne De Duchenne De Boulogne Duchenne De Boulogne Guillaume Amant Duchenne Guillaume Benjamin Amand Electric Shock Electrical Electricity Electrophysiology Emotion Experiment Experimental Expression Facial Expression Faradic Current Faradisation Feeling Grimace Grimacing Guillaume Amant Guillaume Amant Duchenne De Boulogne Guillaume Benjamin Ama Guillaume Benjamin Amand Guillaume Benjamin Amand Duchenne Guinea Pig Muscle Muscles Neurology Stimulation Tournachon Adrien Tournachon Adrien Alban Weeping Albumen Print Albumen Silver Print

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EDITORS COMMENTS
Figure 47: A Suggestion of this Same Weeping, captured between 1854-56 and printed in 1862, is a captivating black and white albumen silver print by Adrien Alban Tournachon, also known as Duchenne de Boulogne. This remarkable photograph belongs to the 19th-century era and showcases the experimental nature of early photography. The image portrays an electrifying scene where a guinea pig subject is subjected to an electric shock experiment. Duchenne de Boulogne was renowned for his pioneering work in electrophysiology, specifically studying facial expressions through electrical stimulation. In this particular composition, he explores the concept of emotion by capturing the grimacing face of his guinea pig model under faradic current. The intensity of emotions conveyed through the animal's facial expression is both fascinating and thought-provoking. The stark contrast between light and shadow enhances the dramatic impact of this monochromatic masterpiece. Tournachon's technical expertise shines through in every detail, showcasing his mastery over albumen printing techniques from glass negatives. This photograph not only serves as a testament to Duchenne de Boulogne's groundbreaking research but also stands as a significant contribution to the field of experimental photography during that period. It offers us a glimpse into the scientific advancements made during that time while simultaneously evoking contemplation on human emotions and their physical manifestations. As we admire Figure 47: A Suggestion of this Same Weeping today, we are reminded of how art can intersect with science to create powerful visual narratives that transcend time and continue to captivate audiences centuries later.

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