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In the Bad Lands-Sioux, c1905. Creator: Edward Sheriff Curtis

In the Bad Lands-Sioux, c1905. Creator: Edward Sheriff Curtis


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In the Bad Lands-Sioux, c1905. Creator: Edward Sheriff Curtis

In the Bad Lands-Sioux, c1905. Three Native Americans on horseback

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Media ID 35136523

© Heritage Art/Heritage Images

Anthropology Curtis Edward Sheriff Curtis Edwards Dakota Edward Sheriff Curtis Edwards Curtis Ethnography Ethnology First Nation First Nations Geological Geology Journey North America North American Rock Formation Sioux Badlands White And Black


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EDITORS COMMENTS
In this striking photograph titled "In the Bad Lands-Sioux," taken by Edward Sheriff Curtis around 1905, we witness a moment of quiet contemplation and connection between three Native American men and their horses amidst the rugged and awe-inspiring landscape of the Badlands in North America. The Badlands, a geological formation characterized by its sharp, eroded buttes and pinnacles, serve as a dramatic backdrop to the scene. The Sioux men, dressed in traditional garb, gaze out at the vast expanse before them, perhaps reflecting on the journey that led them to this place. Their horses, strong and steadfast, seem to blend seamlessly into the terrain, their coats blending with the rocky landscape. The image captures a sense of timelessness and the deep connection between these men and the land they inhabit. Edward Sheriff Curtis, a pioneering American anthropologist, photographer, and ethnographer, dedicated his career to documenting the lives and cultures of Native American tribes. This photograph is a testament to his commitment to preserving the heritage and history of these communities, providing a glimpse into a bygone era. The image is a powerful reminder of the importance of cultural preservation and the beauty and resilience of the human spirit. The Library of Congress holds this photograph in its vast collection, making it an invaluable resource for scholars, historians, and anyone interested in the rich tapestry of American history and culture.

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