Traces Collection (page 2)

Traces of light
Emilian Avramescu

Traces
Vito Miribung

on tour
Uschi Hermann

Pesh-kabz and scabbard, nd. Blade has traces of watering. Hilt possibly of walrus ivory. Lanyard stanchion missing. Inscription on reverse of tang explains its history

Temple guardian. Statue. Japan, 14th century
Statue of a Temple Guardian. Wood with traces of painting. 14th century. Japan. Rijksmuseum. Amsterdam. Holland

UFO sighting at Trans-en-Provence, France
A sketch of Renato Niccolais garden at Trans-en-Provence, France, where he claims a UFO came down from the sky, hovered or landed for a few seconds, then shot away again, leaving traces on the ground

Investigating UFO landing, Socorro, New Mexico
Socorro, New Mexico: investigating traces of a landed UFO seen by a policeman (Zamora)

Fossils. 1. Footprints of a bird. 2. Mudcracks. 3. Ammonite. 4. Trilobite. 5. Ripplemarks. 6. Fish. From The Worlds Foundations or Geology for Beginners, published 1883

Fern fossils in coal. From The Worlds Foundations or Geology for Beginners, published 1883

Amedeo Modigliani Beatrice Portrait de BA atrice Hastings
Amedeo Modigliani: Beatrice (Portrait de Beatrice Hastings), Amedeo Modigliani, 1916, Oil on canvas with newsprint, A British poet and journalist, Beatrice Hastings moved to Paris in 1914

Scholar desk 1752 oil oak wood 29. 5 x 24 cm signed
Scholar at the desk, 1752, oil on oak wood, 29.5 x 24 cm, signed and dated on the dark paper sheet behind the standing folio directly above and beside it: Juncker fecit

Ad marginem 1930 210 E 10 1935-1936 revised water color
Ad marginem, 1930, 210 (E 10), 1935-1936 (revised), water color and nib on varnish primer nailed to cardboard on stretcher, white primer on the reverse with traces of paint

View Dalkey Road November 1843 Elizabeth Murray
View of Dalkey from the Road, November 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor with traces of white gouache over graphite on gray wove paper, 176 mm × 254 mm

Beaumans Castle 1845 Elizabeth Murray English
Beaumans Castle, 1845, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 176 mm × 260 mm

Gateway Beaumans Castle 1845 Elizabeth Murray
Gateway, Beaumans Castle, 1845, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 171 mm × 250 mm

Portrait Selina Quin Markham 1850 Elizabeth Murray
Portrait of Selina (Quin) Markham, 1850, Elizabeth Murray, English, c. 1815-1882, England, Black chalk with colored fabricated chalk, and traces of white gouache, on gray wove paper, 254 mm × 176 mm

Brick Wall Open Door Shovel 1852 Elizabeth Murray
Brick Wall with Open Door and Shovel, 1852, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 254 mm × 184 mm

Young Girl Crop Cricket Bat n. d. Elizabeth Murray
Young Girl with Crop and Cricket Bat, n.d. Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 260 mm × 180 mm

Child Praying 1848 Elizabeth Murray English c. 1815-1882
Child Praying, 1848, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 174 mm × 131 mm

Sardinia Sassari Ardara S. Antioco di Bisarcio, this is my Italy, the italian country of visual history, Medieval Romanesque architecture, originally cathedral for the diocese of Bisarcio

Marches Ancona Fabriano S. Agostino Italy italian country
Marches Ancona Fabriano S. Agostino, this is my Italy, the italian country of visual history, Medieval Architecture begun early 13th century restored in 1768, 1938, and recently

Lazio Latina Cori Temple Hercules Italy italian country
Lazio Latina Cori Temple of Hercules, this is my Italy, the italian country of visual history, Distant views, medium range views and detailed views of the temple remains

Valkenburg Ferry Boat Jan de Bisschop Dutch 1628
The Valkenburg Ferry Boat; Jan de Bisschop (Dutch, 1628 - 1671); The Netherlands; 1655 - 1660; Pen and brown ink and brown and grey wash over traces of black chalk; 9.5 x 15.9 cm (3 3, 4 x 6 1, 4 in.)

Figures Walking Parkland Louis Carrogis de Carmontelle
Figures Walking in a Parkland; Louis Carrogis de Carmontelle (French, 1717 - 1806); France; 1783 - 1800; Watercolor and gouache with traces of black chalk underdrawing on translucent Whatman paper;

Youth Running Giorgio Vasari Italian 1511 1574
Youth Running; Giorgio Vasari (Italian, 1511 - 1574); about 1544 - 1545; Pen and brown ink and brown wash over traces of black chalk, heightened with white gouache

Christ Savior Saints John Baptist Jerome Catherine
Christ the Savior above Saints John the Baptist, Jerome, Catherine, and Thomas; Giuseppe Porta (Giuseppe Salviati) (Italian)

Study Southeast Section Cupola Florence Cathedral
Study for the Southeast Section of the Cupola of Florence Cathedral; Giorgio Vasari (Italian, 1511 - 1574); Florence, Tuscany

Design Circular Dish recto Figure Studies verso
Design for a Circular Dish (recto); Figure Studies (verso); Taddeo Zuccaro (Italian, 1529 - 1566); Italy; about 1553 - 1556; Pen and brown ink

Scenes Life Prodigal Son Master Saint Christopher
Scenes from the Life of the Prodigal Son; Master of Saint Christopher (Flemish, active first half of 16th century); Netherlands; about 1530; Pen and brown ink and gray wash

Landscape Shepherds River Town Beyond recto Figure Studies
Landscape with Shepherds by a River and a Town Beyond (recto); Figure Studies and Roman Ruins (verso); Jan van Scorel or Workshop (Dutch)

Studies Figures Architecture recto Figure Studies
Studies of Figures and Architecture (recto); Figure Studies (verso); Perino del Vaga (Piero Buonaccorsi) (Italian, 1501 - 1547); Italy; about 1542-1545; Pen and brown ink

Mars Venus Abraham Bloemaert Dutch 1564 1651
Mars and Venus; Abraham Bloemaert (Dutch, 1564 - 1651); about 1592; Pen and brown ink, brown wash, white heightening over traces of black chalk; 41.1 x 30.2 cm (16 3, 16 x 11 7, 8 in.)

Madonna Child Saints Fra Bartolommeo Baccio della
Madonna and Child with Saints; Fra Bartolommeo (Baccio della Porta) (Italian, 1472 - 1517); Italy; 1510 - 1513; Black chalk with traces of white chalk; 37.5 × 28.3 cm (14 3, 4 × 11 1, 8 in.)

Study Male Figure Rosso Fiorentino Giovanni Battista
Study of a Male Figure; Rosso Fiorentino (Giovanni Battista di Jacopo di Gasparre) (Italian, 1494 - 1540); about 1538 - 1540; Red chalk with traces of black chalk; outlines indented with a stylus for

Annunciation 1568 Luca Cambiaso Italian 1527-1585
The Annunciation, c. 1568. Luca Cambiaso (Italian, 1527-1585). Pen and brown ink (iron gall) and brush and brown wash over traces of black chalk; sheet: 29.5 x 20.7 cm (11 5/8 x 8 1/8 in.)

Three Scenes Passion Christ recto Architectural Sketch
Three Scenes from the Passion of Christ (recto) Architectural Sketch (verso), 1500s. Northern Italy, 16th century. Pen and brown ink and brush and brown wash over traces of black chalk; framing line

Three Scenes Passion Christ 1500s Northern Italy
Three Scenes from the Passion of Christ, 1500s. Northern Italy, 16th century. Pen and brown ink and brush and brown wash over traces of black chalk; framing line (left edge) in brown ink; sheet

Mountain Landscape Figures first half 1600s Anton Mirou
Mountain Landscape with Figures, first half 1600s. Anton Mirou (Flemish, bef 1586-aft 1661). Pen and brown ink and brush and gray wash with blue and green watercolor, over traces of black chalk

Sheep Heads second third quarter 1800s Wouter Verschuur
Sheep Heads, second or third quarter 1800s. Wouter Verschuur (Dutch, 1812-1874). Black chalk and brush and gray and black wash over traces of graphite; framing lines in brown ink and graphite; sheet

Lot Daughters 1600s Circle Pietro da Cortona
Lot and His Daughters, 1600s. Circle of Pietro da Cortona (Italian, 1596-1669). Pen and brown ink over black chalk(?), heightened with traces of white gouache; sheet

Bacchanal 1600s Circle Pietro da Cortona Italian
Bacchanal, 1600s. Circle of Pietro da Cortona (Italian, 1596-1669). Pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised

Landscape Tower Seashore 1600-1614 Filippo Napoletano
Landscape with Tower at Seashore, 1600-1614(?). Filippo Napoletano (Italian, c. 1587-c. 1629). Pen and brown ink and brush and brown

Maternal Solicitude 1777 Jean Baptiste Le Prince
Maternal Solicitude, 1777. Jean Baptiste Le Prince (French, 1734-1781). Pen and black ink and brush and brown wash over graphite

Pan cuts reed nymph Syrinx turned School Fontainebleau
Pan cuts the reed into which the nymph Syrinx has turned; School of Fontainebleau; France; mid-16th century; Pen and brown ink, and brown wash on brown paper, over traces of black chalk

Banks Marne Dawn Albert Dubois-Pillet French
The Banks of the Marne at Dawn; Albert Dubois-Pillet (French, 1846 - 1890); France; about 1888; Watercolor over traces of black chalk; 15.8 × 22.2 cm (6 1, 4 × 8 3, 4 in.)

Joseph Prison Interpreting Dreams Govaert Flinck
Joseph in Prison Interpreting Dreams; Govaert Flinck (Dutch, 1615 - 1660); Netherlands; about 1639; Pen and brown ink, traces of black chalk; 11.4 x 13.5 cm (4 1, 2 x 5 5, 16 in.)

Nail Makers Jean-Michel Moreau le jeune French
The Nail Makers; Jean-Michel Moreau le jeune (French, 1741 - 1814); about 1763; Pen and black ink and brush with gray wash over traces of black chalk; 11.7 x 24.1 cm (4 5, 8 x 9 1, 2 in.)

Virgin Child Riccio Andrea Briosco Italian 1470
Virgin and Child; Riccio (Andrea Briosco) (Italian, 1470 - 1532); Italy; about 1520 - 1525; Terracotta with traces of polychromy; 64.4 x 58 x 31.5 cm, 38.1022 kg (25 3, 8 x 22 13, 16 x 12 3, 8 in)

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"Traces: Unveiling the Mysteries of the Universe and Beyond" In a world brimming with enigmatic phenomena, they can left behind as silent witnesses to extraordinary events. From the mind-boggling Proton collision C014 in 1797, where particles clashed in an intricate dance, to the ethereal Higgs boson captured in conceptual artwork, these traces offer glimpses into realms beyond our comprehension. The Lead ion collisions echo through time like celestial whispers, revealing secrets hidden within subatomic realms. As we ponder their significance, they beckon us towards a deeper understanding of our universe's intricacies. But traces extend far beyond scientific marvels. They transcend earthly boundaries and venture into uncharted territories. The mysterious encounters with UFOs witnessed by Zamora and Socorro leave indelible marks on human consciousness—an eternal reminder that there is more to this world than meets the eye. Even amidst technological advancements lie timeless tests of truthfulness. The Lie detector test stands as a trace of humanity's quest for authenticity—a testament to our desire for transparency in an ever-shifting landscape. Yet some traces defy temporal constraints altogether. Like grains slipping through an hourglass, Sands of Time carry imprints from ages past—remnants of forgotten civilizations whispering stories yet untold. And then there are those fragments that bridge gaps between eras—the Fragment of a frieze from First Cathedral's apse dating back to the 7th century connects us with ancient wisdom and artistic prowess—a tangible link between past and present. Finally, amidst all these captivating tales lies Irene—a name etched upon hearts forevermore—a trace left by someone who touched lives profoundly—an enduring legacy woven into the fabric of existence itself. In this vast tapestry called life, traces serve as breadcrumbs leading us closer to unraveling mysteries both big and small. They remind us that even when answers seem elusive or obscured by time's relentless march, traces persist—a testament to the eternal quest for knowledge and understanding.