Traces Collection (page 4)

View Castle Gnandstein 1795 Adrian Zingg Swiss
View of the Castle Gnandstein, c. 1795. Adrian Zingg (Swiss, 1734-1816). Grey wash and black ink (applied with pen and point-of-brush) with brown ink and traces of graphite underdrawing; sheet

Four Oxen Pulling Plough 1853 Constant Troyon
Four Oxen Pulling a Plough, 1853. Constant Troyon (French, 1810-1865). Black chalk and gouache with graphite and gum Arabic and traces of white chalk in sky

Pipes Pan 1865 Mariano Fortuny y Carbo Spanish
The Pipes of Pan, 1865. Mariano Fortuny y Carbo (Spanish, 1838-1874). Watercolor with traces of pen and black ink; border in graphite

Agony Garden 1591 Santi di Tito Italian 1536-1602
The Agony in the Garden, c. 1591. Santi di Tito (Italian, 1536-1602). Pen and brown ink, brown wash, heightened with white gouache with traces of black chalk on hillside above stairs

Un Hebreo Christ Shown People recto Design Wall Decoration
Un Hebreo, from Christ Shown to the People (recto); Design for a Wall Decoration with Pasted-in Sketches after Raphael (verso), after 1556 (recto), c. 1580s-90s (verso)

Un Hebreo Christ Shown People recto 1556. Taddeo Zuccaro
Un Hebreo, from Christ Shown to the People (recto), after 1556. After Taddeo Zuccaro (Italian, 1529-1566). Brown wash with outlining in pen and brown ink and red chalk

Design Wall Decoration Pasted- Sketches Raphael
Design for a Wall Decoration with Pasted-in Sketches after Raphael (verso), c. 1580s-90s. Frederico Zuccaro (Italian, 1540/1-1609)

A Beech Wood Resting Traveler 1803 Christoph Nathe
A Beech Wood with a Resting Traveler, 1803. Christoph Nathe (German, 1753-1806). Brown and gray wash with extensive point of brush work

Interior View 1805-1810 Anonymous Watercolor
Interior View, c. 1805-1810. Anonymous. Watercolor and pen and black ink heightened with white, shell gold, and touches of other opaque colors and with traces of graphite; sheet

Choir Stalls Spanish Cathedral 1868 Henri Regnault
Choir Stalls in a Spanish Cathedral, c. 1868. Henri Regnault (French, 1843-1871). Watercolor and gouache with traces of graphite on cream wove paper; sheet: 27.9 x 36.3 cm (11 x 14 5/16 in.)

Seated Italian Woman 1800s Dominque Louis Papety
Seated Italian Woman, 1800s. Dominque Louis Papety (French, 1815-1849). Watercolor with gold paint with traces of graphite underdrawing; sheet: 29.7 x 21 cm (11 11/16 x 8 1/4 in.)

Julius Caesar 1455-1460 Mino da Fiesole Italian
Julius Caesar, c. 1455-1460. Mino da Fiesole (Italian, c. 1430-1484), garland by Mino da Fiesole and Workshop (Italian, c. 1430-1484)

Enthroned Virgin Child 1480s Gil de Siloé
Enthroned Virgin and Child, c. 1480s. Gil de Siloe (Spanish, c. 1501). Alabaster with traces of gilding and polychromy; overall: 31.5 x 22.5 x 16 cm (12 3/8 x 8 7/8 x 6 5/16 in.)

Neath Abbey 1840s Peter De Wint British 1784-1849
Neath Abbey, c. 1840s. Peter De Wint (British, 1784-1849). Watercolor with traces of graphite underdrawing and scratch-away; overall: 16 x 23.6 cm (6 5/16 x 9 5/16 in.)

Inside East Nettley Abbey 1794 Michel Angelo Rooker
Inside the East End of Nettley Abbey, 1794. Michel Angelo Rooker (British, 1746-1801). Gray wash with extensive point of brush with traces of graphite; squared with graphite; overall

Study Hands 1842 Jean-Auguste-Dominique Ingres
Study of Hands, 1842. Jean-Auguste-Dominique Ingres (French, 1780-1867). Graphite with traces of white heightening; sheet: 31.2 x 23.5 cm (12 5/16 x 9 1/4 in.)

Cupid Psyche 1813 Jacques-Louis David French
Cupid and Psyche, 1813. Jacques-Louis David (French, 1748-1825). Gray wash and pen and black ink with white paint and traces of black chalk; sheet: 16.7 x 22.4 cm (6 9/16 x 8 13/16 in.)

Vessel Deity Mask 1200-900 BC Central Mexico
Vessel with Deity Mask, 1200-900 BC. Central Mexico (Las Bocas, Puebla?), Olmec, Formative Period. Ceramic, traces of pigment; overall: 18 x 17.1 x 15.9 cm (7 1/16 x 6 3/4 x 6 1/4 in.)

Perseus Minerva Temple first third 18th century
Perseus and Minerva before a Temple, first third 18th century?. Jan Goeree (Dutch, 1670-1731). Pen and brown ink, brush and brown and gray wash, over traces of red chalk

Lady Elliott Commonly Called Dolly Tall 1775 / 1827
Lady Elliott, Commonly Called Dolly The Tall, 1775/1827. Thomas Rowlandson (British, 1756-1827). Graphite, pen and brown ink, and watercolor

Portrait Sir Captain West Dutton Indiaman 1785
Portrait of Sir Captain West of the Dutton Indiaman, 1785. John I Smart (British, 1741-1811). Watercolor over traces of black chalk

Portrait General Keith MacAlister 1800-1810 John I Smart
Portrait of General Keith MacAlister, c. 1800-1810. John I Smart (British, 1741-1811). Watercolor and graphite, heightened with traces of white gouache

Portrait Miss Mary Tadman 1809 John I Smart British
Portrait of Miss Mary Tadman, 1809. John I Smart (British, 1741-1811). Watercolor and graphite, heightened with traces of white gouache on paper; sheet: 15.4 x 13.4 cm (6 1/16 x 5 1/4 in.); image

Portrait Comtesse Starjinska 1800s Eugene Isabey
Portrait of Comtesse Starjinska, 1800s. Eugene Isabey (French, 1803-1886). Charcoal, black crayon, brush and grey wash, and graphite

Seated Young Lady Facing Right John Downman British
Seated Young Lady Facing Right. John Downman (British, 1750-1824). Brush and black chalk wash and watercolor with traces of black crayon; image

Grotesque Satyr Feeding Dragon recto 1565 1588
Grotesque with a Satyr Feeding a Dragon (recto), c. 1565/1588. Marco Marchetti (Italian, 1565-1588). Pen and brown ink and brush and brown wash

Grotesque Leaping Centaur verso 1565 / 1588 Marco Marchetti
Grotesque with a Leaping Centaur (verso), c. 1565/1588. Marco Marchetti (Italian, 1565-1588). Pen and brown ink and brush and brown wash

Grotesque Satyr Feeding Dragon recto Leaping Centaur
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a Leaping Centaur (verso), c. 1565/1588. Marco Marchetti (Italian, 1565-1588)

Boys School 19th Century Emile Aubert Lessoire
Boys School, 19th Century. Emile Aubert Lessoire (French, 1805-1876). Watercolor with gouache over graphite, with traces of gold paint; sheet: 35.8 x 24.6 cm (14 1/8 x 9 11/16 in.); secondary support

Standing Officer Holding Boars Spear 1586 Hendrick Goltzius
Standing Officer Holding a Boars Spear, 1586. Hendrick Goltzius (Dutch, 1558-1617). Pen and brown ink and brush and brown wash with red chalk (in the face and hands), heightened with traces of white

Head Bodhisattva Avalokiteshvara 300s-400s Afghanistan
Head of Bodhisattva Avalokiteshvara, 300s-400s. Afghanistan or Pakistan, Gandhara, late Kushan Period (1st century-320). Stucco with traces of paint; overall: 45.7 x 35.5 cm (18 x 14 in.)

Rendering Interior Design 1880- 1900 August Frederick Biehle
Rendering for Interior Design, about 1880- 1900. August Frederick Biehle (American, 1854-1918), M. James Bowman (American, 1872-1970)

Boat Beach Le Treport 1854 Francois Bonvin
Boat on a Beach, Le Treport, 1854. Francois Bonvin (French, 1817-1887). Watercolor and gouache over traces of graphite; sheet: 21.8 x 31.9 cm (8 9/16 x 12 9/16 in.)

Death Horseback Chasing Flying Knight 1631 Sebastian Vrancx
Death on Horseback Chasing a Flying Knight, 1631. Sebastian Vrancx (Flemish, 1573-1647). Pen and brown ink and brush and brown wash

Head Young Man recto Sketch verso 1780s Gaetano Gandolfi
Head of a Young Man (recto) Sketch of a Head (verso), 1780s. Gaetano Gandolfi (Italian, 1734-1802). Black chalk with red chalk

Head Young Man 1780s Gaetano Gandolfi Italian
Head of a Young Man, 1780s. Gaetano Gandolfi (Italian, 1734-1802). Black chalk with red chalk, heightened with traces of white chalk (black and red chalk stumped in places); sheet

Study Flayed Torso 1554 Bartolommeo da Arezzo
Study of a Flayed Torso, 1554. Bartolommeo da Arezzo (Italian, 1578). Pen and brown ink and brush and brown wash over traces of black chalk; incised; sheet: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.)

Round Tower Castle Munoth Schafhausen Switzerland
Round Tower, Castle of Munoth, Schafhausen, Switzerland, 1842. John William Casilear (American, 1811-1893). Graphite and orange and yellow crayon

Figures Winding Road mid-1600s Salvator Rosa
Figures on a Winding Road, mid-1600s. Salvator Rosa (Italian, 1615-1673). Pen and brown ink and brush and gray and brown wash

Figures Rocky Pool 1660 / 1673 Salvator Rosa Italian
Figures by a Rocky Pool, 1660/1673. Salvator Rosa (Italian, 1615-1673). Pen and brown ink and brush and gray and brown wash; traces of framing lines in brown ink; sheet

Holy Family 17th century Anonymous Pen brown ink
Holy Family, 17th century. Anonymous. Pen and brown ink and brush and brown wash over traces of black chalk or charcoal; sheet: 10.3 x 8 cm (4 1/16 x 3 1/8 in.)

Reims 1914 Auguste Louis Lepere French 1849-1918
Reims, 1914. Auguste Louis Lepere (French, 1849-1918). Pen and brush and black ink with traces of black crayon heightened with white;

Flowering Bush Eroded Bank 1565-1570 Federico Barocci
Flowering Bush above an Eroded Bank, 1565-1570. Federico Barocci (Italian, 1528-1612). Black chalk, brush and brown wash, and lead white (partially oxidized to pink)

Crucified Christ Tree Life Monks Nuns 1639 Laurent de La Hyre
The Crucified Christ as the Tree of Life with Monks and Nuns, c. 1639. Laurent de La Hyre (French, 1606-1656). Black chalk, black chalk wash

Standing Disciple Mahakasyapa Holding Cylindrical Reliquary
Standing Disciple Mahakasyapa Holding a Cylindrical Reliquary, c. 550. China, Hebei province, Southern Xiangtangshan caves, Northern Qi dynasty (550-577)

Fragment Double Capital Mary Martha Raising Lazarus
Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus, 1145-1165. Southwest France, Ariege, region of Foix, mid-12th century

Plaque Christ Carrying Cross 1480-1500 Germany
Plaque: Christ Carrying the Cross, c. 1480-1500. Germany, Lower Rhine, late 15th Century. Ivory with traces of color and gold, mounted in silver frame; overall: 12.6 x 9 cm (4 15/16 x 3 9/16 in.)

Landscape Wooded Stream Boulder 1880s William Allen Wall
Landscape with Wooded Stream and Boulder, c. 1880s. William Allen Wall (American, 1801-1885). Watercolor and gouache with traces of graphite;

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"Traces: Unveiling the Mysteries of the Universe and Beyond" In a world brimming with enigmatic phenomena, they can left behind as silent witnesses to extraordinary events. From the mind-boggling Proton collision C014 in 1797, where particles clashed in an intricate dance, to the ethereal Higgs boson captured in conceptual artwork, these traces offer glimpses into realms beyond our comprehension. The Lead ion collisions echo through time like celestial whispers, revealing secrets hidden within subatomic realms. As we ponder their significance, they beckon us towards a deeper understanding of our universe's intricacies. But traces extend far beyond scientific marvels. They transcend earthly boundaries and venture into uncharted territories. The mysterious encounters with UFOs witnessed by Zamora and Socorro leave indelible marks on human consciousness—an eternal reminder that there is more to this world than meets the eye. Even amidst technological advancements lie timeless tests of truthfulness. The Lie detector test stands as a trace of humanity's quest for authenticity—a testament to our desire for transparency in an ever-shifting landscape. Yet some traces defy temporal constraints altogether. Like grains slipping through an hourglass, Sands of Time carry imprints from ages past—remnants of forgotten civilizations whispering stories yet untold. And then there are those fragments that bridge gaps between eras—the Fragment of a frieze from First Cathedral's apse dating back to the 7th century connects us with ancient wisdom and artistic prowess—a tangible link between past and present. Finally, amidst all these captivating tales lies Irene—a name etched upon hearts forevermore—a trace left by someone who touched lives profoundly—an enduring legacy woven into the fabric of existence itself. In this vast tapestry called life, traces serve as breadcrumbs leading us closer to unraveling mysteries both big and small. They remind us that even when answers seem elusive or obscured by time's relentless march, traces persist—a testament to the eternal quest for knowledge and understanding.