Traces Collection (page 3)

Joseph Prison Interpreting Dreams Govaert Flinck
Joseph in Prison Interpreting Dreams; Govaert Flinck (Dutch, 1615 - 1660); Netherlands; about 1639; Pen and brown ink, traces of black chalk; 11.4 x 13.5 cm (4 1, 2 x 5 5, 16 in.)

Nail Makers Jean-Michel Moreau le jeune French
The Nail Makers; Jean-Michel Moreau le jeune (French, 1741 - 1814); about 1763; Pen and black ink and brush with gray wash over traces of black chalk; 11.7 x 24.1 cm (4 5, 8 x 9 1, 2 in.)

Virgin Child Riccio Andrea Briosco Italian 1470
Virgin and Child; Riccio (Andrea Briosco) (Italian, 1470 - 1532); Italy; about 1520 - 1525; Terracotta with traces of polychromy; 64.4 x 58 x 31.5 cm, 38.1022 kg (25 3, 8 x 22 13, 16 x 12 3, 8 in)

Fox Chicken Meissen Porcelain Manufactory German
A Fox with a Chicken; Meissen Porcelain Manufactory (German, active 1710 - present), Model by Johann Gottlieb Kirchner (German, born 1706); Meissen

Portrait Lady Jean-Etienne Liotard Swiss 1702
Portrait of a Lady; Jean-Etienne Liotard (Swiss, 1702 - 1789); 1758 - 1762; Black, white and traces of red chalk on blue paper; 62.2 × 50.8 cm (24 1, 2 × 20 in.)

Couple Embracing Artist Studio Eugene Louis
A Couple Embracing in an Artists Studio; Eugene Louis Lami (French, 1800 - 1890); 1881; Watercolor over traces of black chalk, with touches of white gouache; 19.8 x 24.6 cm (7 13, 16 x 9 11, 16 in.)

Family Shepherds Giovanni Benedetto Castiglione
A Family of Shepherds; Giovanni Benedetto Castiglione (Italian, 1609 - 1664); late 1640s; Brush and colored oil paint, over traces of black chalk; 35.2 × 48.7 cm (13 7, 8 × 19 3, 16 in.)

Lazarus Begging Crumbs Dives Table Heinrich Aldegrever
Lazarus Begging for Crumbs from Divess Table; Heinrich Aldegrever (German, 1502 - about 1561); 1552; Pen and brown ink, brown wash, traces of black chalk, incised for transfer; 7.8 x 10.8 cm (3 1)

Midas King Phrygia Nicolas Mignard Mignard d Avignon
Midas, King of Phrygia; Nicolas Mignard (Mignard d Avignon) (French, 1606 - 1668); about 1655; Black chalk with traces of white chalk, squared in black chalk; 42.4 × 26 cm (16 11, 16 × 10 1, 4 in.)

Figures Tending Wounded Saint Sebastian Andrea Lilio
Figures Tending to the Wounded Saint Sebastian; Andrea Lilio (Italian, about 1555 - after 1627); about 1596; Black chalk with traces of white chalk

Studies Four Figures Giovanni Battista Piranesi
Studies of Four Figures; Giovanni Battista Piranesi (Italian, 1720 - 1778); 1760 - 1765; Pen and brown ink and brown wash, traces of black chalk; 25 × 17.3 cm (9 13, 16 × 6 13, 16 in.)

Floral Designs Blue Bird 1773 / 74 Giacomo Cavenezia
Floral Designs with a Blue Bird, c. 1773/74. Giacomo Cavenezia (Italian). Pen and black and brown ink, brush and black and brown wash, watercolor and gouache

Floral Designs Two Birds 1774 Giacomo Cavenezia
Floral Designs with Two Birds, 1774. Giacomo Cavenezia (Italian). Pen and brown ink, brush and brown wash, gouache and watercolor, over traces of black chalk; sheet: 31.7 x 22.8 cm (12 1/2 x 9 in.)

Half-Length Figure Study Woman 1500s Ludovico Cardi Cigoli
Half-Length Figure Study of a Woman, 1500s. Ludovico Cardi Cigoli (Italian, 1559-1613). Red chalk over traces of black chalk; sheet: 39.4 x 17 cm (15 1/2 x 6 11/16 in.)

Triptych Life Virgin 1325-1350 France Lorraine
Triptych: The Life of the Virgin, c. 1325-1350. France, Lorraine?, or Austria?, Gothic period, 14th century. Ivory, traces of gilding; overall: 25.9 x 21.3 cm (10 3/16 x 8 3/8 in.)

Last Communion St. Jerome 1726 Giovanni Battista Tiepolo
The Last Communion of St. Jerome, c. 1726. Giovanni Battista Tiepolo (Italian, 1696-1770). Pen and brown ink and brush and brown wash over traces of black chalk heightened with lead white; sheet

Patio 1908 John Singer Sargent American 1856-1925
The Patio, 1908. John Singer Sargent (American, 1856-1925). Watercolor with traces of gouache over graphite; sheet: 53.2 x 34.6 cm (20 15/16 x 13 5/8 in.)

Madonna Child Saints Catherine John Baptist 1340-1350
Madonna and Child with Saints Catherine and John the Baptist, c. 1340-1350. Giovanni di Agostino (Italian, c. 1310-1370). Marble with traces of polychromy and gilding; overall

Man Standing Back 1630 Gerard ter Borch Dutch
A Man Standing Seen from the Back, c. 1630. Gerard ter Borch (Dutch, 1617-1681). Black chalk heightened with traces of white chalk; framing lines in brown ink; sheet: 28.9 x 15 cm (11 3/8 x 5 7/8 in.)

A Miracle Saint Philip Benizzi Healing Demoniac Woman
A Miracle of Saint Philip Benizzi: The Healing of a Demoniac Woman, c. 1557. Taddeo Zuccaro (Italian, 1529-1566). Brush and point of brush and red chalk wash

Sketch Two Men Various Figures 1600s Italy Bologna
Sketch of Two Men and Other Various Figures, 1600s. Italy, Bologna, 17th century. Red chalk (traces of pen and brown ink unrelated to composition); sheet: 21.3 x 29.2 cm (8 3/8 x 11 1/2 in.)

Landscape Shepherds 1700 Domenico I Piola Italian
Landscape with Shepherds, c. 1700?. Domenico I Piola (Italian, 1627-1703). Pen and brown ink and brush and brown wash over traces of black chalk; framing lines in brown ink; sheet

Profile Girl Holding Candle 1400s Italy 15th century
Profile of a Girl Holding a Candle, 1400s. Italy, 15th century. Pen and brown ink, heightened with traces of white gouache; sheet: 15.2 x 10.8 cm (6 x 4 1/4 in.)

Rocky Inlet Boats Buildings recto Sketches Castles
Rocky Inlet with Boats and Buildings (recto); Sketches of Castles (verso), 1600s. Netherlands, 17th century. Pen and brown ink, point of brush and black and gray wash

Rocky Inlet Boats Buildings recto 1600s Netherlands
Rocky Inlet with Boats and Buildings (recto), 1600s. Netherlands, 17th century. Pen and brown ink, point of brush and black and gray wash

Group Six Children recto 1700s France 18th century
Group of Six Children (recto), 1700s(?). France, 18th century (?). Red crayon over traces of black chalk; sheet: 26.9 x 36.9 cm (10 9/16 x 14 1/2 in.)

Group Six Children recto Sketch Village verso
Group of Six Children (recto); Sketch of a Village (verso), 1700s(?). France, 18th century (?). Red crayon over traces of black chalk; sheet: 26.9 x 36.9 cm (10 9/16 x 14 1/2 in.)

Saint Andrew 1515-1520 Circle Master Elsloo Netherlandish
Saint Andrew, c. 1515-1520. Circle of Master of Elsloo (Netherlandish). Oak with traces of paint; overall: 70.8 x 27 cm (27 7/8 x 10 5/8 in.)

Figure Sword 4th-3rd Century BC China Eastern Zhou dynasty
Figure with Sword, 4th-3rd Century BC. China, Eastern Zhou dynasty (771-256 BC), Warring States period (475-221 BC). Wood with traces of polychromy; overall: 49.5 cm (19 1/2 in.)

Game Bowls 1790s Giovanni Domenico Tiepolo Italian
The Game of Bowls, 1790s. Giovanni Domenico Tiepolo (Italian, 1727-1804). Pen and brown ink and brush and brown wash, over traces of black chalk; framing lines in brown ink over graphite; sheet

Disk Ornament 500s Ostrogothic Migration period
Disk Ornament, 500s. Ostrogothic?, Migration period, 6th century. Bronze, gold foil, traces of gilding and glass; overall: 4.5 cm (1 3/4 in.)

Buckle 400s Hunnish Migration Period Bronze traces
Buckle, 400s. Hunnish, Migration Period. Bronze, traces of gilding, and garnets; overall: 5.8 x 4.4 cm (2 5/16 x 1 3/4 in.)

Man Seated Ground recto 1500s Italy 16th century
Man Seated on the Ground, Seen from Behind (recto), 1500s. Italy, 16th century. Brush and black wash heightened with traces of white gouache; sheet: 15.7 x 14.8 cm (6 3/16 x 5 13/16 in.)

View Ancient Buildings second half 17th century
View of Ancient Buildings, second half 17th century. Jacob van der Ulft (Dutch, 1627-1689). Pen and brown ink and brush and brown wash over traces of graphite; framing lines in brown ink (iron gall)

Man Seated Ground recto Sketch verso 1500s Italy
Man Seated on the Ground, Seen from Behind (recto); Sketch (verso), 1500s. Italy, 16th century. Brush and black wash heightened with traces of white gouache; sheet

Temptation Saint Anthony late 1570s Luca Cambiaso
Temptation of Saint Anthony, late 1570s. Luca Cambiaso (Italian, 1527-1585). Pen and brown ink and brush and brown wash, over traces of black chalk; sheet

Copy Primaticcios Juno Awakening Sleep 1535
Copy after Primaticcios Juno Awakening Sleep, after 1535. Copy after Francesco Primaticcio (Italian, 1504-1570). Pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash)

View Alkmaar Boats 1600s Netherlands 17th century
View of Alkmaar with Boats, 1600s. Netherlands, 17th century. Point of brush and gray ink and brush and gray wash with traces of pen

August Landscape Wagons 1655 Pieter Molyn Dutch
August: Landscape with Wagons, c.1655. Pieter Molyn (Dutch, 1595-1661). Black chalk and brush and gray wash over traces of graphite; framing lines in brown ink; sheet

Peasant Girl Stony Road 1800s R Gigli Italian
Peasant Girl on a Stony Road, 1800s. R. Gigli (Italian). Watercolor over traces of black chalk(?); sheet: 63.4 x 43.5 cm (24 15/16 x 17 1/8 in.)

Design Ceiling Mars Aries 1700s Italy 18th century
Design for a Ceiling: Mars and Aries, 1700s. Italy, 18th century. Pen and brown ink and brush and brown wash and watercolor, with gouache

Scene Park 1760 Jean-Honore Fragonard French
Scene in a Park, c. 1760. Jean-Honore Fragonard (French, 1732-1806). Pen and brown and gray ink, brush and brown and gray wash

St. Jerome Study 1490 Filippino Lippi Italian
St. Jerome in His Study, c. 1490. Filippino Lippi (Italian, 1457-1504). Pen and brown ink over traces of black chalk(?), with brush and brown wash

Koma-inu Guardian Lion-Dog 1185-1333 Japan Kamakura Period
Koma-inu: Guardian Lion-Dog, 1185-1333. Japan, Kamakura Period (1185-1333). Wood with traces of polychromy; overall: 49.6 cm (19 1/2 in.)

Pair Koma-inu Guardian Lion-Dogs 1185-1333 Japan
Pair of Koma-inu: Guardian Lion-Dogs, 1185-1333. Japan, Kamakura Period (1185-1333). Wood with traces of polychromy; overall: 49.6 cm (19 1/2 in.)

Sketches Virgin Child second half 1500s Giulio Campi
Sketches of Virgin and Child, second half 1500s. Giulio Campi (Italian, c. 1500-1572). Black chalk; framing lines in traces of gold ink; sheet: 20.3 x 13.4 cm (8 x 5 1/4 in.)

Nativity Dream Joseph 1527 / 30 Parmigianino Italian
The Nativity with the Dream of Joseph, c. 1527/30?. Parmigianino (Italian, 1503-1540). Pen and brown and black ink and brush and brown wash, with traces of brush and black wash

Plaque Virgin Child Angels 1320-1330 France Paris
Plaque: The Virgin and Child with Angels, c. 1320-1330. France, Paris, Gothic period. Ivory, traces of paint and gilding; overall: 22.9 x 11.5 cm (9 x 4 1/2 in.)

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"Traces: Unveiling the Mysteries of the Universe and Beyond" In a world brimming with enigmatic phenomena, they can left behind as silent witnesses to extraordinary events. From the mind-boggling Proton collision C014 in 1797, where particles clashed in an intricate dance, to the ethereal Higgs boson captured in conceptual artwork, these traces offer glimpses into realms beyond our comprehension. The Lead ion collisions echo through time like celestial whispers, revealing secrets hidden within subatomic realms. As we ponder their significance, they beckon us towards a deeper understanding of our universe's intricacies. But traces extend far beyond scientific marvels. They transcend earthly boundaries and venture into uncharted territories. The mysterious encounters with UFOs witnessed by Zamora and Socorro leave indelible marks on human consciousness—an eternal reminder that there is more to this world than meets the eye. Even amidst technological advancements lie timeless tests of truthfulness. The Lie detector test stands as a trace of humanity's quest for authenticity—a testament to our desire for transparency in an ever-shifting landscape. Yet some traces defy temporal constraints altogether. Like grains slipping through an hourglass, Sands of Time carry imprints from ages past—remnants of forgotten civilizations whispering stories yet untold. And then there are those fragments that bridge gaps between eras—the Fragment of a frieze from First Cathedral's apse dating back to the 7th century connects us with ancient wisdom and artistic prowess—a tangible link between past and present. Finally, amidst all these captivating tales lies Irene—a name etched upon hearts forevermore—a trace left by someone who touched lives profoundly—an enduring legacy woven into the fabric of existence itself. In this vast tapestry called life, traces serve as breadcrumbs leading us closer to unraveling mysteries both big and small. They remind us that even when answers seem elusive or obscured by time's relentless march, traces persist—a testament to the eternal quest for knowledge and understanding.