Kneeled Down Collection (page 9)

Fol. 41r The Adoration of the Magi (vellum)
ALI142912 Fol.41r The Adoration of the Magi (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Fol. 64r A young man asks Christ how one can attain eternal life (vellum)
ALI142882 Fol.64r A young man asks Christ how one can attain eternal life (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Fol. 142r An Angel Appears to Zacharias in the Temple (vellum)
ALI142384 Fol.142r An Angel Appears to Zacharias in the Temple (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

The Death of Hyacinth, 1920 (oil on canvas)
1769782 The Death of Hyacinth, 1920 (oil on canvas) by Morley, Harry (1881-1943); 95.4x109.3 cm; Private Collection; (add.info.: The Death of Hyacinth. Harry Morley (1881-1943). Oil on canvas

Conferring knighthood on the field of battle after the recipient has killed two of the enemy
478226 Conferring knighthood on the field of battle after the recipient has killed two of the enemy, from Military and Religious Life in the Middle Ages by Paul Lacroix

The Dream of the Shepherd, 1896 (oil on canvas)
3617996 The Dream of the Shepherd, 1896 (oil on canvas) by Hodler, Ferdinand (1853-1918); 250.2 -- 130.5 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Der Traum des Hirten; )

Window depicting Pieta and the Pentecost (stained glass)
PC344937 Window depicting Pieta and the Pentecost (stained glass) by English School, (15th century); Church of St. Peter & St. Paul, East Harling, Norfolk, UK; (add.info.: Norwich School; )

A good shot, front cover illustration from Le Petit Journal, supplement illustre, 8th November 1914 (colour litho)
486929 A good shot, front cover illustration from Le Petit Journal, supplement illustre, 8th November 1914 (colour litho) by Damblans

Grace (oil on canvas)
XIR384527 Grace (oil on canvas) by Benard, Jean-Baptiste (fl.1751-c.1789); Musee des Beaux-Arts, Arras, France; (add.info.: La Benedicite; )

Raising of Lazarus (tempera on panel)
REV346193 Raising of Lazarus (tempera on panel) by Master of the Tiburtine Sibyl (fl.c.1480-95); Museo de San Carlos, Mexico City, Mexico; (add.info.: resurrection de Lazare; raised from the dead; )

The Pieta, (oil on canvas)
827665 The Pieta, (oil on canvas) by Mansueti, Giovanni di Niccolo (fl.1485-1527); 37.2x42.3 cm; Private Collection; (add.info.: The Pieta. Giovanni di Niccolo Mansueti (active 1485-died 1527)

The Childhood of Saint Genevieve, 1874 (oil on canvas)
987347 The Childhood of Saint Genevieve, 1874 (oil on canvas) by Puvis de Chavannes, Pierre (1824-98); 52x102.3 cm; Private Collection; (add.info)

Tsar Ivan IV (1530-84) Conquering Kazan in 1552, 1800s (oil on canvas)
BAL266197 Tsar Ivan IV (1530-84) Conquering Kazan in 1552, 1800s (oil on canvas) by Ugryumov, Grigoriy Ivanovich (1764-1823); 107x87 cm; Belorussian National Gallery, Minsk, Belarus

Two female nudes, reclining and kneeling (The Friends), 1912 (w / c & pencil on paper)
993640 Two female nudes, reclining and kneeling (The Friends), 1912 (w/c & pencil on paper) by Schiele, Egon (1890-1918); 35x46 cm; Private Collection; Photo © Christies Images

The Pieta, c. 1542 (oil on canvas)
990353 The Pieta, c.1542 (oil on canvas) by Vasari, Giorgio (1511-74); 192x136 cm; Private Collection; (add.info.: The Pieta. Giorgio Vasari (1511-1574). Oil on panel

Pieta
897419 Pieta by French School, (14th century); Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium; (add.info.: Pity)

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"Kneeled Down: A Glimpse into the World of Art and History" In this captivating collection, we witness various moments frozen in time, where individuals find themselves kneeled down, their actions imbued with significance and emotion. From ancient rituals to religious devotion, from historical events to tender encounters, these diverse artworks offer a glimpse into the rich tapestry of human experiences. The initiation of a Mistress of Egypt in the Egyptian Rite engraving transports us back to an era shrouded in mystery and mysticism. The solemnity on her face as she kneels before her mentors hints at the weighty responsibilities that await her. In "Douleur de Marie-Madeleine, " Mary Magdalene's grief is palpable as she kneels in anguish. The lithograph captures her profound sorrow over the loss of Jesus Christ, evoking empathy within our hearts. A pivotal moment unfolds between Charles II and General Monk as they meet amidst political turmoil. In this artwork, their kneeling figures symbolize loyalty and submission while negotiating power dynamics that would shape history. "The Vision of St Eustace" enchants viewers with its intricate engravings. As St Eustace gazes upon a majestic stag bearing a radiant cross between its antlers, he falls to his knees in awe-struck reverence for this divine encounter. Saint Benedict presents his heart to the Virgin Mary in a stunning mille fleurs tapestry fragment. Kneeling before her majesty with humility and devotion, he offers himself completely to God's service—a poignant portrayal of faithfulness. The Annunciation comes alive through vibrant threads woven meticulously onto linen silk panels. Mary's humble posture as she kneels before Gabriel signifies acceptance of her sacred role—the motherhood that would change humanity forever. An octagonal fragment reveals an intriguing scene—a woman beside a bearded man who kneels amidst large flowers—leaving us pondering their story and connection.