Kneeled Down Collection (page 4)

The Vision of St Eustace, 1499-1503 (engraving)
7414923 The Vision of St Eustace, 1499-1503 (engraving) by Durer or Duerer, Albrecht (1471-1528); 35.9--26.1 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Albrecht Durer)

Tapestry fragment of mille fleurs depicting Saint Benedict presenting his heart to the Virgin Mary, 1500-25 (wool)
3576138 Tapestry fragment of mille fleurs depicting Saint Benedict presenting his heart to the Virgin Mary, 1500-25 (wool) by European School, (16th century); 81.2x187.9 cm; Burrell Collection

Tapestry panel depicting the Annunciation, from Upper Rhineland (wool, gold, linen & silk threads)
3576065 Tapestry panel depicting the Annunciation, from Upper Rhineland (wool, gold, linen & silk threads) by German School, (15th century); 76.2x68.5 cm; Burrell Collection, Glasgow

Octagonal fragment of tapestry depicting woman and bearded, kneeling man between large flowers (wool)
3576281 Octagonal fragment of tapestry depicting woman and bearded, kneeling man between large flowers (wool) by Scandinavian School, (17th century); 29.8x31.7 cm; Burrell Collection, Glasgow

Tapestry panel with scenes from the Passion from an antependium, from Upper Rhineland (wool & linen)
3576061 Tapestry panel with scenes from the Passion from an antependium, from Upper Rhineland (wool & linen) by German School, (16th century); 63.5x68.5 cm; Burrell Collection, Glasgow

Adoration of the Shepherds, c. 1480-1500 (oil on wood)
XOS5887422 Adoration of the Shepherds, c. 1480-1500 (oil on wood) by Italian School, (15th century); 36x34.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Italy, 15th century)

Adoration of the Shepherds, c. 1500 (oil on wood)
XOS5887421 Adoration of the Shepherds, c. 1500 (oil on wood) by Italian school, (15th-16th century); 63x51 cm; Cleveland Museum of Art, OH, USA; (add.info.: Northern Italy)

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Anthony Woodville
3733249 Anthony Woodville.; (add.info.: Engraving depicting Anthony Woodville, 2nd Earl Rivers presenting his book to Edward IV of England)

Anthony Woodville presenting Caxton
3784562 Anthony Woodville presenting Caxton; (add.info.: Anthony Woodville presenting Caxton to Edward IV - from engraving of medieval manuscript)

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7413370

Tapestry fragment depicting Vintager, possibly from Tournai, 1450-1500 (wool)
3576113 Tapestry fragment depicting Vintager, possibly from Tournai, 1450-1500 (wool) by Belgian School, (15th century); 96.5x66 cm; Burrell Collection, Glasgow

Tapestry antependium depicting the Coronation of the Virgin between three holy bishops and two saints
3576052 Tapestry antependium depicting the Coronation of the Virgin between three holy bishops and two saints, from Middle Germany, 1450-99 (wool, gold & silk) by German School

Tapestry antependium depicting the Death of the Virgin, from Nuremberg (wool, yellow silk & gold thread)
3576046 Tapestry antependium depicting the Death of the Virgin, from Nuremberg (wool, yellow silk & gold thread) by German School, (15th century); 83.8x170.1 cm; Burrell Collection, Glasgow

"The Moonstone" by Wilkie Collins
864174 "The Moonstone" by Wilkie Collins by Fraser, Arthur Anderson (1861-1904); (add.info.: Rachel Verrinder, in front of Godfrey Abelwhite and Miss Clack)

On the praise and virtue of the noblemen and clerics of Boccaccio, 1493 (miniature)
7415662 On the praise and virtue of the noblemen and clerics of Boccaccio, 1493 (miniature) by Besancon, Jacques de (15th century) (attr)

The vision of the 7 candlesticks, 1481 (engraving)
7415642 The vision of the 7 candlesticks, 1481 (engraving) by Durer or Duerer, Albrecht (1471-1528); Bibliotheque Nationale, Paris

Anthony Woodville presenting Caxton
3786334 Anthony Woodville presenting Caxton; (add.info.: Anthony Woodville presenting Caxton to Edward IV - from engraving of medieval manuscript)

The Nativity with SS. Sixtus (?) and Jerome and a cardinal (oil on panel)
GLS314055 The Nativity with SS. Sixtus (?) and Jerome and a cardinal (oil on panel) by Netherlandish School; 52.2x41.8 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Tapestry fragment depicting Marriage of Louis XII with Jeanne, daughter of Louis XI, from Brussels, 1500 (wool & silk)
3576129 Tapestry fragment depicting Marriage of Louis XII with Jeanne, daughter of Louis XI, from Brussels, 1500 (wool & silk) by Belgian School, (16th century); 55.9x67.3 cm; Burrell Collection

Anthony Woodville, Earl Rivers, presenting the Dictes and Saying of the Philosophers to his brother-in-law, Edward IV
3329858 Anthony Woodville, Earl Rivers, presenting the Dictes and Saying of the Philosophers to his brother-in-law, Edward IV

Tapestry fragment depicting Marriage of Louis XII with Anne of Brittany, from Brussels, 1500 (wool & silk)
3576130 Tapestry fragment depicting Marriage of Louis XII with Anne of Brittany, from Brussels, 1500 (wool & silk) by Belgian School, (16th century); 55.9x67.3 cm; Burrell Collection, Glasgow

Christ's Entry into Jerusalem (oil on copper)
GLS224046 Christ's Entry into Jerusalem (oil on copper) by Blake, William (1757-1827); 31.1x47.9 cm; Stirling Maxwell Collection, Pollok House, Glasgow

May Prinsep (Prayer) 1867 (oil on canvas)
MAN62988 May Prinsep (Prayer) 1867 (oil on canvas) by Watts, George Frederic (1817-1904); 102.6x69.6 cm; Manchester Art Gallery, UK; (add.info.: May Prinsep (1853-1935);)

Bethnal Green Allotment, 1943 (oil on canvas)
3499593 Bethnal Green Allotment, 1943 (oil on canvas) by Ginner, Charles (1878-1952); 56x72 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Ezra laments in prayer, Illustration from the Dore Bible, 1866
3665603 Ezra laments in prayer, Illustration from the Dore Bible, 1866 by Dore, Gustave (1832-83); (add.info.: Ezra laments in prayer, Illustration from the Dore Bible 1866)

Berengaria's alarm for the safety of her husband, Richard Coeur de Lion, 1850 (oil on canvas)
MAN277418 Berengaria's alarm for the safety of her husband, Richard Coeur de Lion, 1850 (oil on canvas) by Collins, Charles Alston (1828-73); 130.2x160 cm; Manchester Art Gallery

Textile panel with Esther and Ahasuerus, mid to late 17th century (stitches: tent)
7394048 Textile panel with Esther and Ahasuerus, mid to late 17th century (stitches: tent) by English School, (17th century); Ashmolean Museum, University of Oxford

Daniel confronts the priests of Baal, Illustration from the Dore Bible, 1866
3665443 Daniel confronts the priests of Baal, Illustration from the Dore Bible, 1866 by Dore, Gustave (1832-83); (add.info.: Daniel confronts the priests of Baal)

The Chamberlain and his assistants before the Virgin, 1489 (painting on wood)
885904 The Chamberlain and his assistants before the Virgin, 1489 (painting on wood) by Cozzarelli, Guidoccio di Giovanno (1450-1517); Archivio di Stato, Siena

Virgin Mary Entrusting the City of Siena to Jesus, 1480 (painting on wood)
885897 Virgin Mary Entrusting the City of Siena to Jesus, 1480 (painting on wood) by Landi, Neroccio di (Neroccio da Siena) (1447-1500); Archivio di Stato, Siena

Elijah Raises the Son of the widow of Zarephath, Illustration from the Dore Bible, 1866
3665491 Elijah Raises the Son of the widow of Zarephath, Illustration from the Dore Bible, 1866 by Dore, Gustave (1832-83); (add.info.: Elijah Raises the Son of the widow of Zarephath)

Cyrus offers vases for the Second Temple in Jerusalem, Illustration from the Dore Bible, 1866
3665458 Cyrus offers vases for the Second Temple in Jerusalem, Illustration from the Dore Bible, 1866 by Dore, Gustave (1832-83); (add.info.: Cyrus offers vases for the Second Temple in Jerusalem)

David praying, 1652 (Etching)
7393421 David praying, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 1 x 9, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

A Fisherman Drinking Beside His Canoe, 1894 (woodblock print with w/c and gouache on paper)
5860910 A Fisherman Drinking Beside His Canoe, 1894 (woodblock print with w/c and gouache on paper) by Gauguin, Paul (1848-1903); 20.6 -- 14 cm; The Art Institute of Chicago, IL

Nehemiah the prophet at the gates of Jerusalem, Illustration from the Dore Bible, 1866
3665606 Nehemiah the prophet at the gates of Jerusalem, Illustration from the Dore Bible, 1866 by Dore, Gustave (1832-83); (add.info.: Nehemiah the prophet at the gates of Jerusalem)

Moses rescued by the daughter of the Pharaoh of Egypt, Illustration from the Dore Bible, 1866
3665482 Moses rescued by the daughter of the Pharaoh of Egypt, Illustration from the Dore Bible, 1866 by Dore, Gustave (1832-83); (add.info.: Moses rescued by the daughter of the Pharaoh of Egypt)

Don Stefano, monk of San Galgano, kneeling before St. Galgano, 1320 (painting on wood)
885886 Don Stefano, monk of San Galgano, kneeling before St. Galgano, 1320 (painting on wood) by Italian School, (14th century); Archivio di Stato, Siena

Triumph of the Catholic Church, Detail depicting the heretic Arius, 1365 (fresco)
AIS5365113 Triumph of the Catholic Church, Detail depicting the heretic Arius, 1365 (fresco) by Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77); (add.info)

The consecration of the Emperor Napoleon I and Coronation of the Empress Josephine, 1804. 1806 (oil on canvas)
JLJ4567506 The consecration of the Emperor Napoleon I and Coronation of the Empress Josephine, 1804. 1806 (oil on canvas) by David, Jacques Louis (1748-1825); 621x979 cm; Louvre, Paris

O God of battles! Steel my soldiers hearts Act IV, Sc I from Henry V by William Shakespeare (colour litho)
3779874 O God of battles! Steel my soldiers hearts Act IV, Sc I from Henry V by William Shakespeare (colour litho) by English School; Lebrecht History

Sainte Marthe de Tarascon abbeyLazarus's resurrection by Jean- Marie Vien, 1747, Frigolet, France
GNG5266912 Sainte Marthe de Tarascon abbeyLazarus's resurrection by Jean- Marie Vien, 1747, Frigolet, France; Godong

Kneeling female figure with bowl and child, late 19th or early 20th century (wood, kaolin, glass or mica, & paint)
1068140 Kneeling female figure with bowl and child, late 19th or early 20th century (wood, kaolin, glass or mica, & paint) by African School; 54.6x25.4x24 cm; Dallas Museum of Art, Texas

A Roman soldier mocking Christ, with the artist's name in Latin above, and below a poem berating man for his sins
XAM77564 A Roman soldier mocking Christ, with the artist's name in Latin above, and below a poem berating man for his sins, titlepage to the series The Great Passion, pub

Sixtus IV appointing Bartolomeo Platina Prefect of the Vatican Library, c. 1477 (fresco)
3362266 Sixtus IV appointing Bartolomeo Platina Prefect of the Vatican Library, c.1477 (fresco) by Forli, Melozzo da (1438-94); 370x315 cm; (add.info)

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"Kneeled Down: A Glimpse into the World of Art and History" In this captivating collection, we witness various moments frozen in time, where individuals find themselves kneeled down, their actions imbued with significance and emotion. From ancient rituals to religious devotion, from historical events to tender encounters, these diverse artworks offer a glimpse into the rich tapestry of human experiences. The initiation of a Mistress of Egypt in the Egyptian Rite engraving transports us back to an era shrouded in mystery and mysticism. The solemnity on her face as she kneels before her mentors hints at the weighty responsibilities that await her. In "Douleur de Marie-Madeleine, " Mary Magdalene's grief is palpable as she kneels in anguish. The lithograph captures her profound sorrow over the loss of Jesus Christ, evoking empathy within our hearts. A pivotal moment unfolds between Charles II and General Monk as they meet amidst political turmoil. In this artwork, their kneeling figures symbolize loyalty and submission while negotiating power dynamics that would shape history. "The Vision of St Eustace" enchants viewers with its intricate engravings. As St Eustace gazes upon a majestic stag bearing a radiant cross between its antlers, he falls to his knees in awe-struck reverence for this divine encounter. Saint Benedict presents his heart to the Virgin Mary in a stunning mille fleurs tapestry fragment. Kneeling before her majesty with humility and devotion, he offers himself completely to God's service—a poignant portrayal of faithfulness. The Annunciation comes alive through vibrant threads woven meticulously onto linen silk panels. Mary's humble posture as she kneels before Gabriel signifies acceptance of her sacred role—the motherhood that would change humanity forever. An octagonal fragment reveals an intriguing scene—a woman beside a bearded man who kneels amidst large flowers—leaving us pondering their story and connection.