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Kneeled Down Collection (page 7)

"Kneeled Down: A Glimpse into the World of Art and History" In this captivating collection, we witness various moments frozen in time

Background imageKneeled Down Collection: Detail of the Triptych of Willem Moreel, 1484 (oil on panel)

Detail of the Triptych of Willem Moreel, 1484 (oil on panel)
490022 Detail of the Triptych of Willem Moreel, 1484 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges

Background imageKneeled Down Collection: Virgin and Child with St. Catherine and St. Barbara, c. 1520-25 (oil on panel)

Virgin and Child with St. Catherine and St. Barbara, c. 1520-25 (oil on panel)
489891 Virgin and Child with St. Catherine and St. Barbara, c.1520-25 (oil on panel) by Master of the Holy Blood, (fl.1520); Groeningemuseum, Bruges

Background imageKneeled Down Collection: Detail of the Triumph of Christ (oil on panel)

Detail of the Triumph of Christ (oil on panel)
829079 Detail of the Triumph of Christ (oil on panel) by Coxie or Coxcie, Michiel I (1499-1592); Museums of Louvain, Belgium; © Art in Flanders

Background imageKneeled Down Collection: Detail of the central panel of the Baptism of Christ, c. 1502-08 (oil on panel)

Detail of the central panel of the Baptism of Christ, c. 1502-08 (oil on panel)
489877 Detail of the central panel of the Baptism of Christ, c.1502-08 (oil on panel) by David, Gerard (c.1460-1523); Sint-Janshospitaal, Bruges

Background imageKneeled Down Collection: Detail of the right panel of the Virgin and Child with St. Catherine and St. Barbara, c

Detail of the right panel of the Virgin and Child with St. Catherine and St. Barbara, c. 1520-25 (oil on panel)
489896 Detail of the right panel of the Virgin and Child with St. Catherine and St. Barbara, c.1520-25 (oil on panel) by Master of the Holy Blood, (fl.1520); Groeningemuseum, Bruges

Background imageKneeled Down Collection: Central panel of the Triptych of Jan Floreins, 1479 (oil on panel)

Central panel of the Triptych of Jan Floreins, 1479 (oil on panel)
490178 Central panel of the Triptych of Jan Floreins, 1479 (oil on panel) by Memling, Hans (c.1433-94); 46.3x57.4 cm; Groeningemuseum, Bruges, Belgium; (add.info.: See also 490175)

Background imageKneeled Down Collection: The Archdukes Albert and Isabella worshipping the Cross, 1616 (stained glass)

The Archdukes Albert and Isabella worshipping the Cross, 1616 (stained glass)
715397 The Archdukes Albert and Isabella worshipping the Cross, 1616 (stained glass) by Cussers, Cornelis (17th century); Onze Lieve Vrouwkerk, Antwerp Cathedral, Belgium

Background imageKneeled Down Collection: Detail of the right panel of the Baptism of Christ, c. 1502-08 (oil on panel)

Detail of the right panel of the Baptism of Christ, c. 1502-08 (oil on panel)
489882 Detail of the right panel of the Baptism of Christ, c.1502-08 (oil on panel) by David, Gerard (c.1460-1523); Groeningemuseum, Bruges

Background imageKneeled Down Collection: The Relic Bearer, sculpture by George Minne (1866-1941) c. 1897 (marble)

The Relic Bearer, sculpture by George Minne (1866-1941) c. 1897 (marble)
HGM79398 The Relic Bearer, sculpture by George Minne (1866-1941) c.1897 (marble) by Minne, George (1866-1941); 36.5x67 cm; Kunstmuseum Den Haag, The Hague, Netherlands; © Kunstmuseum den Haag

Background imageKneeled Down Collection: The Reception of Charles II and his Brothers, 1671 (oil on canvas)

The Reception of Charles II and his Brothers, 1671 (oil on canvas)
490288 The Reception of Charles II and his Brothers, 1671 (oil on canvas) by Meunincxhove, Jan Baptist van (fl.1644-1703); 199x249 cm; Groeningemuseum, Bruges

Background imageKneeled Down Collection: Left panel of the Triptych of Job, c. 1500-24 (oil on panel)

Left panel of the Triptych of Job, c. 1500-24 (oil on panel)
489889 Left panel of the Triptych of Job, c.1500-24 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Groeningemuseum, Bruges

Background imageKneeled Down Collection: Jacob meets his brother Esau (oil on canvas)

Jacob meets his brother Esau (oil on canvas)
490124 Jacob meets his brother Esau (oil on canvas) by Hoecke, Jan van den (1611-51); 237x378 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageKneeled Down Collection: Detail of the right panel of the Triptych of Saint John the Baptist and Saint John the Evangelist

Detail of the right panel of the Triptych of Saint John the Baptist and Saint John the Evangelist
489853 Detail of the right panel of the Triptych of Saint John the Baptist and Saint John the Evangelist, 1474-79 (oil on panel) by Memling, Hans (c.1433-94); Sint-Janshospitaal, Bruges

Background imageKneeled Down Collection: The Virgin and Child with Two Angels (left wing), Margaret of Austria in Worship of the Virgin

The Virgin and Child with Two Angels (left wing), Margaret of Austria in Worship of the Virgin (right wing)
LAF470854 The Virgin and Child with Two Angels (left wing), Margaret of Austria in Worship of the Virgin (right wing) (oil on panel) by Master of 1499 (fl.1499)

Background imageKneeled Down Collection: Triptych of Willem Moreel, 1484 (oil on panel)

Triptych of Willem Moreel, 1484 (oil on panel)
490016 Triptych of Willem Moreel, 1484 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges, Belgium; (add.info)

Background imageKneeled Down Collection: The Baptism of Christ, c. 1502-08 (oil on panel)

The Baptism of Christ, c. 1502-08 (oil on panel)
489871 The Baptism of Christ, c.1502-08 (oil on panel) by David, Gerard (c.1460-1523); 132.2x182.4 cm; Sint-Janshospitaal, Bruges, Belgium; (add.info.: Also known as the Triptych of Jean des Trompes)

Background imageKneeled Down Collection: Fountain with Kneeling Youths, c. 1905 (plaster)

Fountain with Kneeling Youths, c. 1905 (plaster)
3267771 Fountain with Kneeling Youths, c.1905 (plaster) by Minne, George (1866-1941); 169.5x240 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageKneeled Down Collection: The Annunciation (oil on canvas)

The Annunciation (oil on canvas)
LAF470874 The Annunciation (oil on canvas) by Janssens, Jan (1590-1656); 258.5x220.5 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageKneeled Down Collection: The Citizens of Antwerp bring back to Saint Norbert the Monstrance

The Citizens of Antwerp bring back to Saint Norbert the Monstrance and other Sacred Vessels that they had hidden
471238 The Citizens of Antwerp bring back to Saint Norbert the Monstrance and other Sacred Vessels that they had hidden from Tankelin, 1630 (oil on canvas) by Vos

Background imageKneeled Down Collection: Triptych of Jan Floreins, 1479 (oil on panel)

Triptych of Jan Floreins, 1479 (oil on panel)
490175 Triptych of Jan Floreins, 1479 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges, Belgium; (add.info.: Commissioned by by Brother Jan Floreins)

Background imageKneeled Down Collection: Triptych of Adriaan Reins, 1480 (oil on panel)

Triptych of Adriaan Reins, 1480 (oil on panel)
490183 Triptych of Adriaan Reins, 1480 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges, Belgium; (add.info.: The principal theme of this triptych, commissioned by Adriaan Reins)

Background imageKneeled Down Collection: Exterior of the Triptych of Saint John the Baptist and Saint John the Evangelist

Exterior of the Triptych of Saint John the Baptist and Saint John the Evangelist, 1474-79 (oil on panel)
489812 Exterior of the Triptych of Saint John the Baptist and Saint John the Evangelist, 1474-79 (oil on panel) by Memling, Hans (c.1433-94); Sint-Janshospitaal, Bruges

Background imageKneeled Down Collection: The Last Supper, 1927 (oil on canvas)

The Last Supper, 1927 (oil on canvas)
490037 The Last Supper, 1927 (oil on canvas) by Woestyne, Gustave van de (1881-1947); 395x300 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageKneeled Down Collection: The Painter Michelangelo at the Deathbed of Vittoria Colonna (oil on canvas)

The Painter Michelangelo at the Deathbed of Vittoria Colonna (oil on canvas)
471351 The Painter Michelangelo at the Deathbed of Vittoria Colonna (oil on canvas) by Keyser, Nicaise de (1813-87); 57.5x70.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageKneeled Down Collection: Detail of the Virgin and Child with Canon Joris van der Paele, 1434-36 (oil on panel)

Detail of the Virgin and Child with Canon Joris van der Paele, 1434-36 (oil on panel)
490104 Detail of the Virgin and Child with Canon Joris van der Paele, 1434-36 (oil on panel) by Eyck, Jan van (c.1390-1441); Groeningemuseum, Bruges

Background imageKneeled Down Collection: Jacopo Pesaro, Bishop of Paphos, being presented by Pope Alexander VI to Saint Peter, c

Jacopo Pesaro, Bishop of Paphos, being presented by Pope Alexander VI to Saint Peter, c. 1503-06 (oil on canvas)
471190 Jacopo Pesaro, Bishop of Paphos, being presented by Pope Alexander VI to Saint Peter, c.1503-06 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576)

Background imageKneeled Down Collection: The Virgin and Child with Canon Joris van der Paele, 1434-36 (oil on panel)

The Virgin and Child with Canon Joris van der Paele, 1434-36 (oil on panel)
490102 The Virgin and Child with Canon Joris van der Paele, 1434-36 (oil on panel) by Eyck, Jan van (c.1390-1441); 122.1x157.8 cm; Groeningemuseum, Bruges

Background imageKneeled Down Collection: The Holy Women at the Tomb of Christ, 1890 (oil on canvas)

The Holy Women at the Tomb of Christ, 1890 (oil on canvas)
471145 The Holy Women at the Tomb of Christ, 1890 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 259x160.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageKneeled Down Collection: The death of Queen Elizabeth I (1603), 1892 (illustration)

The death of Queen Elizabeth I (1603), 1892 (illustration)
7312245 The death of Queen Elizabeth I (1603), 1892 (illustration); Private Collection; (add.info.: "depiction of the death of the Queen of England Elisabeth I (1533-1603) on 24 March 1603

Background imageKneeled Down Collection: A grotesque man kneeling, holding a tall beer glass at its base

A grotesque man kneeling, holding a tall beer glass at its base, 1529-62 (pen and dark brown ink on paper)
7308183 A grotesque man kneeling, holding a tall beer glass at its base, 1529-62 (pen and dark brown ink on paper) by Durer or Duerer, Albrecht (1471-1528); 15.3x10.2 cm; Ashmolean Museum

Background imageKneeled Down Collection: The Adoration of the Kings, c. 1490 (tempera on panel)

The Adoration of the Kings, c. 1490 (tempera on panel)
7305494 The Adoration of the Kings, c.1490 (tempera on panel) by Spanish School, (15th century); 156.5 x 96.5 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by unknown Aragonese Artist (15th century))

Background imageKneeled Down Collection: Interior of a chapel (painting)

Interior of a chapel (painting)
886863 Interior of a chapel (painting) by Abbati, Giuseppe (1836-1868); Galleria d'Arte Moderna, Palazzo Pitti, Florence, Tuscany, Italy; (add.info.: by Giuseppe Abbati (1836-1868))

Background imageKneeled Down Collection: The Enchanter Merlin and the Fairy Vivien in the Forest of Broceliande, from Broceliande

The Enchanter Merlin and the Fairy Vivien in the Forest of Broceliande, from Broceliande
CHT244618 The Enchanter Merlin and the Fairy Vivien in the Forest of Broceliande, from Broceliande, a play by Jean Lorrain (1855-1906) c.1900 (woodcut) by Berthon

Background imageKneeled Down Collection: Our lady of Mercy and Blessed Isnardo da Chiampo, 1519 (fresco)

Our lady of Mercy and Blessed Isnardo da Chiampo, 1519 (fresco)
7292562 Our lady of Mercy and Blessed Isnardo da Chiampo, 1519 (fresco) by Verla, Alessandro (fl.1519-60); Chiesa di Santa Corona, Vicenza, Italy; (add.info.: Church of Santa Corona)



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"Kneeled Down: A Glimpse into the World of Art and History" In this captivating collection, we witness various moments frozen in time, where individuals find themselves kneeled down, their actions imbued with significance and emotion. From ancient rituals to religious devotion, from historical events to tender encounters, these diverse artworks offer a glimpse into the rich tapestry of human experiences. The initiation of a Mistress of Egypt in the Egyptian Rite engraving transports us back to an era shrouded in mystery and mysticism. The solemnity on her face as she kneels before her mentors hints at the weighty responsibilities that await her. In "Douleur de Marie-Madeleine, " Mary Magdalene's grief is palpable as she kneels in anguish. The lithograph captures her profound sorrow over the loss of Jesus Christ, evoking empathy within our hearts. A pivotal moment unfolds between Charles II and General Monk as they meet amidst political turmoil. In this artwork, their kneeling figures symbolize loyalty and submission while negotiating power dynamics that would shape history. "The Vision of St Eustace" enchants viewers with its intricate engravings. As St Eustace gazes upon a majestic stag bearing a radiant cross between its antlers, he falls to his knees in awe-struck reverence for this divine encounter. Saint Benedict presents his heart to the Virgin Mary in a stunning mille fleurs tapestry fragment. Kneeling before her majesty with humility and devotion, he offers himself completely to God's service—a poignant portrayal of faithfulness. The Annunciation comes alive through vibrant threads woven meticulously onto linen silk panels. Mary's humble posture as she kneels before Gabriel signifies acceptance of her sacred role—the motherhood that would change humanity forever. An octagonal fragment reveals an intriguing scene—a woman beside a bearded man who kneels amidst large flowers—leaving us pondering their story and connection.