Kneeled Down Collection (page 6)

illustration for El principe de los ingenios, Miguel de Cervantes Saavedra (The Prince of Wits)
CUL4893093 illustration for El principe de los ingenios, Miguel de Cervantes Saavedra (The Prince of Wits, Miguel de Cervantes Saavedra), 1876 (engraving) by Planas

Bernadette Soubirous, from a late 19th century painting (tinted photo mounted on card)
CHT174520 Bernadette Soubirous, from a late 19th century painting (tinted photo mounted on card) by French School, (20th century); Bibliotheque des Arts Decoratifs, Paris

Calvary and the Family of Gillis de Smidt and Maria de Deckere (oil on panel)
471471 Calvary and the Family of Gillis de Smidt and Maria de Deckere (oil on panel) by Key, Adriaen Thomasz (1544-90); 181x118 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Right panel of Christ on the Cross with the Virgin, St. John and Mary Magdalene (oil on panel)
490257 Right panel of Christ on the Cross with the Virgin, St. John and Mary Magdalene (oil on panel) by Claeissens, Pieter (1499/1500-76); Groeningemuseum, Bruges

Left panel of Christ on the Cross with the Virgin, St. John and Mary Magdalene (oil on panel)
490256 Left panel of Christ on the Cross with the Virgin, St. John and Mary Magdalene (oil on panel) by Claeissens, Pieter (1499/1500-76); Groeningemuseum, Bruges

Isabella of Portugal and St. Elizabeth, c. 1457-60 (oil on canvas)
490100 Isabella of Portugal and St. Elizabeth, c.1457-60 (oil on canvas) by Christus, Petrus (c.1410-1475/76); 59x33 cm; Groeningemuseum, Bruges, Belgium; (add.info.: Left wing of a triptych)

St. Francis Receiving the Stigmata, 1633 (oil on canvas)
LAF470873 St. Francis Receiving the Stigmata, 1633 (oil on canvas) by Rubens, Peter Paul (1577-1640); 265.5x193 cm; Museum voor Schone Kunsten, Ghent, Belgium; (add.info.: St)

The Crucifixion (left wing), The Prophecy of the Recovery of Hezekiah (centre panel)
LAF470985 The Crucifixion (left wing), The Prophecy of the Recovery of Hezekiah (centre panel), Abbot Jacobus Delrio with Patron Saint (right wing) (oil on panel) by Backer

The Last Communion of Francis of Assisi, 1619 (oil on panel)
471187 The Last Communion of Francis of Assisi, 1619 (oil on panel) by Rubens, Peter Paul (1577-1640); 422x266 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Gabriel, from the Orsini Polyptych (tempera on panel) (see also 471173-5)
471172 Gabriel, from the Orsini Polyptych (tempera on panel) (see also 471173-5) by Martini, Simone (1284-1344); 25x15 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Our Lady of the Seven Dolours (oil on panel)
471161 Our Lady of the Seven Dolours (oil on panel) by Hoogstraeten Master, (fl.1490-c.1530); 96x316.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

The Miracle of Lactation (oil on panel)
LAF470875 The Miracle of Lactation (oil on panel) by Flemish School; 93.3X130.1 cm; Museum voor Schone Kunsten, Ghent, Belgium; (add.info.: St)

Detail of Madonna with Petrus Wijts (oil on panel)
490248 Detail of Madonna with Petrus Wijts (oil on panel) by Flemish School, (17th century); Groeningemuseum, Bruges, Belgium; (add.info.: Central panel of a triptych showing Peter Wijts)

Christ on the Cross with the Virgin, St. John and Mary Magdalene (oil on panel)
490253 Christ on the Cross with the Virgin, St. John and Mary Magdalene (oil on panel) by Claeissens, Pieter (1499/1500-76); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Madonna with Petrus Wijts (oil on panel)
490245 Madonna with Petrus Wijts (oil on panel) by Flemish School, (17th century); Groeningemuseum, Bruges, Belgium; (add.info.: Central panel of a triptych showing Peter Wijts)

Detail of the Triptych of Willem Moreel, 1484 (oil on panel)
490023 Detail of the Triptych of Willem Moreel, 1484 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges

Calvary and the Family of Gillis de Smidt and Maria de Deckere (oil on panel)
471470 Calvary and the Family of Gillis de Smidt and Maria de Deckere (oil on panel) by Key, Adriaen Thomasz (1544-90); 181x118 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

The Nativity of Christ, c. 1474-76 (oil on panel)
XIR375150 The Nativity of Christ, c.1474-76 (oil on panel) by Master of Avila (fl.1450-1500); Museo Lazaro Galdiano, Madrid

Codex 2772 f. 13 The Adoration of the Magi (vellum)
BAL11827 Codex 2772 f.13 The Adoration of the Magi (vellum) by German School, (15th century); Osterreichische Nationalbibliothek, Vienna, Austria

The Adoration of the Shepherds (oil on canvas)
3471327 The Adoration of the Shepherds (oil on canvas) by Tilborgh, Gillis van (1625-78); 115.4x178 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Annunciation (oil on panel)
471531 Annunciation (oil on panel) by Weyden, Rogier van der (1399-1464) (follower of); 20x12 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Portrait of Livia van Steelant, 1524 (oil on panel)
LAF470841 Portrait of Livia van Steelant, 1524 (oil on panel) by Horenbout, Gerard (1465-1541); 43x33.5 cm; Museum voor Schone Kunsten, Ghent

Left panel of the Baptism of Christ, c. 1502-08 (oil on panel)
489875 Left panel of the Baptism of Christ, c.1502-08 (oil on panel) by David, Gerard (c.1460-1523); Groeningemuseum, Bruges, Belgium; (add.info.: Also known as the Triptych of Jean des Trompes)

Detail of Donor with Saint Nicholas and Donor's Wife with Saint Godeliva, c. 1515-21 (oil on panel)
489948 Detail of Donor with Saint Nicholas and Donor's Wife with Saint Godeliva, c.1515-21 (oil on panel) by Provoost, Jan (c.1465-1529); Groeningemuseum, Bruges

Saint John the Baptist Enthroned (oil on panel)
489902 Saint John the Baptist Enthroned (oil on panel) by Master of Portillo, (fl.c.1490-1530); 137x82.2 cm; Groeningemuseum, Bruges, Belgium; (add.info.: Central panel of an altarpiece)

Detail of the right panel of the Virgin and Child with St. Catherine and St. Barbara, c. 1520-25 (oil on panel)
489892 Detail of the right panel of the Virgin and Child with St. Catherine and St. Barbara, c.1520-25 (oil on panel) by Master of the Holy Blood, (fl.1520); Groeningemuseum, Bruges

Portrait of Juan Pardo II and his wives Anna Ingenieulandt and Maria Anchemant, 1580 (oil on panel)
490170 Portrait of Juan Pardo II and his wives Anna Ingenieulandt and Maria Anchemant, 1580 (oil on panel) by Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613); Groeningemuseum, Bruges

The Nativity, c. 1470 (oil on panel)
XIR238690 The Nativity, c.1470 (oil on panel) by German School, (15th century); Musee de l'Oeuvre de Notre Dame, Strasbourg, France

Suffer the Little Children come to Me, 1923 (oil on canvas)
471243 Suffer the Little Children come to Me, 1923 (oil on canvas) by Vriendt, Juliaan de (1842-1935); 253x180 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

A Canon with St. Livinus (left wing), The Family of St. Anne (centre panel), Donor with St
LAF470879 A Canon with St. Livinus (left wing), The Family of St. Anne (centre panel), Donor with St. Elizabeth (right wing)

Portrait of Lieven van Pottelsberghe, 1524 (oil on panel)
LAF470837 Portrait of Lieven van Pottelsberghe, 1524 (oil on panel) by Horenbout, Gerard (1465-1541); 43x33.5 cm; Museum voor Schone Kunsten, Ghent

Our Lady of the Seven Dolours (oil on panel)
471162 Our Lady of the Seven Dolours (oil on panel) by Hoogstraeten Master, (fl.1490-c.1530); 316.5x96 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Flaxweeding in Flanders, 1887 (oil on canvas)
471129 Flaxweeding in Flanders, 1887 (oil on canvas) by Claus, Emile (1849-1924); 128x198 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Right panel of the Baptism of Christ, c. 1502-08 (oil on panel)
489874 Right panel of the Baptism of Christ, c.1502-08 (oil on panel) by David, Gerard (c.1460-1523); Groeningemuseum, Bruges, Belgium; (add.info.: Also known as the Triptych of Jean des Trompes)

The Parable of the Prodigal Son, c. 1884 (Oil on canvas)
7212777 The Parable of the Prodigal Son, c.1884 (Oil on canvas) by Rich, William George (1857-after 1901); The Ms Gallery, London, UK; (add.info.: Rich)

Martyrdom of Saint Andrew, 1600s (oil on canvas)
XOS5887423 Martyrdom of Saint Andrew, 1600s (oil on canvas) by Reni, Guido (1575-1642) (after); 55.3x47 cm; Cleveland Museum of Art, OH, USA; (add.info.: after Guido Reni (1575-1642))

Detail of the Triptych of Willem Moreel, 1484 (oil on panel)
490024 Detail of the Triptych of Willem Moreel, 1484 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges

Left wing of the Triptych of Adriaan Reins, 1480 (oil on panel)
490185 Left wing of the Triptych of Adriaan Reins, 1480 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges, Belgium; (add.info.: Showing the donor, Adriaan Reins)

Detail of Donor with Saint Nicholas and Donor's Wife with Saint Godeliva, c. 1515-21 (oil on panel)
489947 Detail of Donor with Saint Nicholas and Donor's Wife with Saint Godeliva, c.1515-21 (oil on panel) by Provoost, Jan (c.1465-1529); Groeningemuseum, Bruges

Detail of the left panel of the Virgin and Child with St. Catherine and St. Barbara, c. 1520-25 (oil on panel)
489895 Detail of the left panel of the Virgin and Child with St. Catherine and St. Barbara, c.1520-25 (oil on panel) by Master of the Holy Blood, (fl.1520); Groeningemuseum, Bruges

The Blessing from Saint Eligius (oil on panel)
471558 The Blessing from Saint Eligius (oil on panel) by Francken or Franck, Ambrosius the Elder (1544-1618); 260x89 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Detail of the Donor, right panel of the Triptych of the Virgin and Child with Saints Catherine and Barbara
862495 Detail of the Donor, right panel of the Triptych of the Virgin and Child with Saints Catherine and Barbara (oil on panel) by Master of the Holy Blood, (fl.1520); Groeningemuseum, Bruges

Detail of the Triptych of Willem Moreel, 1484 (oil on panel)
490022 Detail of the Triptych of Willem Moreel, 1484 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges

Virgin and Child with St. Catherine and St. Barbara, c. 1520-25 (oil on panel)
489891 Virgin and Child with St. Catherine and St. Barbara, c.1520-25 (oil on panel) by Master of the Holy Blood, (fl.1520); Groeningemuseum, Bruges

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"Kneeled Down: A Glimpse into the World of Art and History" In this captivating collection, we witness various moments frozen in time, where individuals find themselves kneeled down, their actions imbued with significance and emotion. From ancient rituals to religious devotion, from historical events to tender encounters, these diverse artworks offer a glimpse into the rich tapestry of human experiences. The initiation of a Mistress of Egypt in the Egyptian Rite engraving transports us back to an era shrouded in mystery and mysticism. The solemnity on her face as she kneels before her mentors hints at the weighty responsibilities that await her. In "Douleur de Marie-Madeleine, " Mary Magdalene's grief is palpable as she kneels in anguish. The lithograph captures her profound sorrow over the loss of Jesus Christ, evoking empathy within our hearts. A pivotal moment unfolds between Charles II and General Monk as they meet amidst political turmoil. In this artwork, their kneeling figures symbolize loyalty and submission while negotiating power dynamics that would shape history. "The Vision of St Eustace" enchants viewers with its intricate engravings. As St Eustace gazes upon a majestic stag bearing a radiant cross between its antlers, he falls to his knees in awe-struck reverence for this divine encounter. Saint Benedict presents his heart to the Virgin Mary in a stunning mille fleurs tapestry fragment. Kneeling before her majesty with humility and devotion, he offers himself completely to God's service—a poignant portrayal of faithfulness. The Annunciation comes alive through vibrant threads woven meticulously onto linen silk panels. Mary's humble posture as she kneels before Gabriel signifies acceptance of her sacred role—the motherhood that would change humanity forever. An octagonal fragment reveals an intriguing scene—a woman beside a bearded man who kneels amidst large flowers—leaving us pondering their story and connection.