Inlaid Collection (page 8)

Late Victorian inlaid side cabinet, 1875-1900 (rosewood & ivory)
3804329 Late Victorian inlaid side cabinet, 1875-1900 (rosewood & ivory) by Collinson & Lock (est.1860s); 153x132x39 cm; Private Collection; (add.info)

Footstool detail with bone carving of cupids, leopards and cornucopia, c
3526098 Footstool detail with bone carving of cupids, leopards and cornucopia, c.100 AD (wood, bone and glass) by Roman, (2nd century AD); Metropolitan Museum of Art, New York

Couch and footstool with bone carvings and glass inlays, c. 100 AD (wood, bone and glass)
3526086 Couch and footstool with bone carvings and glass inlays, c.100 AD (wood, bone and glass) by Roman, (2nd century AD); Metropolitan Museum of Art, New York

A pair of recumbent deer (gilt-copper & cloisonne enamel)
6198059 A pair of recumbent deer (gilt-copper & cloisonneenamel) by Chinese School, Qing Dynasty - Qianlong Period (1735-96); length: 24.8 cm; Private Collection; (add.info)

A Louis XVI meuble d appui, c. 1785-90 (ormolu-mounted brass & pewter-inlaid brown
5648377 A Louis XVI meuble d appui, c.1785-90 (ormolu-mounted brass & pewter-inlaid brown tortoiseshell & boulle marquetry) by Montigny, Philippe-Claude (1734-1800) (attr)

An Italian ormolu-mounted ivory and hardstone-inlaid ebony and ebonised cabinet
5962773 An Italian ormolu-mounted ivory and hardstone-inlaid ebony and ebonised cabinet (ivory & ebony) by Italian School

Temple Pendant with Two Birds Flanking a Tree of Life (front
5901698 Temple Pendant with Two Birds Flanking a Tree of Life (front) and Geometric and Vegetal Motifs (back), Kievan Rus, 11th-12th century (cloisonneenamel)

Sword, late second or very early third century (iron)
5865168 Sword, late second or very early third century (iron) by Roman; length: 46 cm; Arbeia Roman Fort & Museum, Tyne & Wear Archives & Museums; (add.info)

Chest of Drawers (Commode), c. 1725 (kingwood with gilt-metal mounts, marble top)
500104 Chest of Drawers (Commode), c.1725 (kingwood with gilt-metal mounts, marble top) by Doirat, Etienne (c.1670-1732) (attr)

Coach-makers compass plough plane, southern Austria
701092 Coach-makers compass plough plane, southern Austria, mid-19th century (sheet & cast brass, wrought iron and hornbeam) (see also 701093) by Austrian School

Overmantels (engraving)
969904 Overmantels (engraving) by English School, (20th century); Private Collection; (add.info.: Overmantels. Illustration for The Book of the Home edited by C E Humphry (Gresham, 1910)

Mask, possibly of Tlaloc, c. 1350-1521 (wood, turquoise, shell, lignite and resin)
1068684 Mask, possibly of Tlaloc, c.1350-1521 (wood, turquoise, shell, lignite and resin) by Mixtec (c.1300-1521); 19.5x16x9.2 cm; Dallas Museum of Art, Texas

Cabinet on stand, c. 1650-75 (wood, ivory, gilt, bronze & tortoiseshell)
1069528 Cabinet on stand, c.1650-75 (wood, ivory, gilt, bronze & tortoiseshell) by European School, (17th century); 171.8x144.2x52.1 cm; Dallas Museum of Art, Texas

Cabinet on stand, 1660-80 (wood, ivory, tortoiseshell, shell & gilt bronze)
1069527 Cabinet on stand, 1660-80 (wood, ivory, tortoiseshell, shell & gilt bronze) by Gole, Pierre (1620-84); 173.4x125.7x43.2 cm; Dallas Museum of Art, Texas

Folding fan with an Old Testament subject, possibly Adonijah before Solomon, c
1069496 Folding fan with an Old Testament subject, possibly Adonijah before Solomon, c.1770s (mixed media) by European School, (18th century); 27.9x50.8 cm; Dallas Museum of Art, Texas

Satinwood Wardrobe, Inlaid with Tulipwood, Harewood, Holly, Ebony, Mahogany, and Other Woods
LLM461270 Satinwood Wardrobe, Inlaid with Tulipwood, Harewood, Holly, Ebony, Mahogany, and Other Woods by Foley, Edwin John (1859-1912); Private Collection; (add.info.: Satinwood Wardrobe)

Detail of a female mask mount with lambrequin tiara, on a late Regency premiere-parite
CTS407276 Detail of a female mask mount with lambrequin tiara, on a late Regency premiere-parite marquetry bureau, c.1730-40 (gilt bronze & wood) by Boulle, Andre Charles (1642-1732) (attr)

Crown, workshops of the Kremlin, 1682 (gold, sable & precious stones)
BAL464787 Crown, workshops of the Kremlin, 1682 (gold, sable & precious stones) by Russian School (17th century); 20.3x61 cm; Kremlin Museums, Moscow, Russia; Russian, out of copyright

Containers (mother of pearl)
LIT389933 Containers (mother of pearl) by Thai School; Bangkok, Thailand; Photo eLuca Tettoni; Thai, out of copyright

Jewellery Box, c. 1730 (oak, ebony, pietra dura, bronze & semi-precious stones)
779611 Jewellery Box, c.1730 (oak, ebony, pietra dura, bronze & semi-precious stones) by Foggini, Giovanni Battista (1652-1725); 34.9x52.7x43.2 cm; Minneapolis Institute of Arts, MN

Persian Art (chromolitho)
735409 Persian Art (chromolitho) by European School, (19th century); Private Collection; (add.info.: Persian Art. Liebig card)

Damascened Helmet of King Francis I of France, 1855 (engraving)
KW428475 Damascened Helmet of King Francis I of France, 1855 (engraving) by Negroli, Filippo (fl.1532-51) (after); Private Collection; (add.info)

Cupboard with seven columns, c. 1665 (wood and marquetry)
XIR391145 Cupboard with seven columns, c. 1665 (wood and marquetry) by French School, (17th century); Musee d Unterlinden, Colmar, France; (add.info.: cabinet has seven columns; ); French

Seated Miroku Bosatsu (polychromed wood with crystal, metal and gold leaf)
2628784 Seated Miroku Bosatsu (polychromed wood with crystal, metal and gold leaf) by Japanese School (13th century); 29.2x19.1x16.8 cm; Minneapolis Institute of Arts, MN

The Childrens Corner, St Martins in the Fields (colour photo)
3096704 The Childrens Corner, St Martins in the Fields (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: The Childrens Corner, St Martins in the Fields)

Sideboard, detail, c. 1880 (walnut) (see also 2972953)
3084386 Sideboard, detail, c.1880 (walnut) (see also 2972953) by Day, Lewis Foreman (1845-1910); The Geffrye Museum of the Home, London

The Roscrea Brooch, from Roscrea, County Tipperary (silver, gold and amber)
XBP341840 The Roscrea Brooch, from Roscrea, County Tipperary (silver, gold and amber) by Viking, (9th century); length: 18.3 cm; National Museum of Ireland, Dublin

St. Cecilia, 1903 (painted relief, mother of pearl)
HMP90490 St. Cecilia, 1903 (painted relief, mother of pearl) by Marriott, Frederick (1860-1941); 62.5x31 cm; Harris Museum and Art Gallery, Preston, Lancashire

Tumi or ceremonial knife in the shape of Naylamp, Chimu (gold & semi-preicous stones)
XIR161948 Tumi or ceremonial knife in the shape of Naylamp, Chimu (gold & semi-preicous stones) by Pre-Columbian; Private Collection; (add.info)

Tumi or ceremonial knife in the shape of Naylamp, Chimu (gold)
XIR162919 Tumi or ceremonial knife in the shape of Naylamp, Chimu (gold) by Pre-Columbian; Museo del Oro, Lima, Peru; South American, out of copyright

The royal shrine within the tomb of Tutankhamen
Entrance of the burial chamber of Tutankhamen with the immense gilt shrine built to cover and protect the sarcophagus. Its roof, with cornice top and torus moulding

Marquetry detail from a buffet (wood)
XIR212988 Marquetry detail from a buffet (wood) by French School, (17th century); Musee de l Hotel Lallemant, Bourges, France; (add.info.: buffet has two marquetry bodies; ); French, out of copyright

Anglo-Saxon Relics, Personal Ornaments of Gold and Bronze. Enamelled ring of King Ethelwulf, enamelled brooch set with garnets, engraved pins, enamelled bronze cross with gold mount, gold cross

Round brooch (gold & cloisonne enamel)
XIR204977 Round brooch (gold & cloisonne enamel) by Merovingian School; Museo Nazionale del Bargello, Florence, Tuscany, Italy; French, out of copyright

Fontainebleau armchair, 1796-1803 (mahogany)
MMT157991 Fontainebleau armchair, 1796-1803 (mahogany) by Jacob-Desmalter, Francois Honore Georges (1770-1841); 92x58 cm; Musee Marmottan Monet, Paris, France; French, out of copyright

Queen Elizabeth I lute by John Rose, 1580, from Musical Instruments
STC83411 Queen Elizabeth I lute by John Rose, 1580, from Musical Instruments by (coloured litho) by Hipkins, Alfred James (1826-1903); Private Collection; The Stapleton Collection; British

Table-top view of Pembroke table in Hepplewhite style, late 18th century
BAL1234 Table-top view of Pembroke table in Hepplewhite style, late 18th century by English School, (18th century); Victoria & Albert Museum, London, UK; English, out of copyright

Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash
1766356 Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash, ebonised & parcel-gilt) (see also 1766355-7) by Cucci, Domenico (1635-1734) & Gobelins workshop (attr)

Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash
1766355 Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash, ebonised & parcel-gilt) (see also 1766356-7) by Cucci, Domenico (1635-1734) & Gobelins workshop (attr)

A Florentine pietra dura plaque with a parrot on its perch on a table with an Etruscan
1765117 A Florentine pietra dura plaque with a parrot on its perch on a table with an Etruscan krater vase, a vase of flowers and ewers, c.1870 (marble) by Italian School

Mochica necklace, c. 200-600 AD (shell & turquoise)
1547221 Mochica necklace, c.200-600 AD (shell & turquoise) by Pre-Columbian; width: 26 cm; Private Collection; (add.info.: Composed of 27 trapezoidal conch shell plaques strung as a wide collar)

Louis XVI commode, c. 1764 (ormolu mounted amaranth, tulipwood, bois satine
487641 Louis XVI commode, c.1764 (ormolu mounted amaranth, tulipwood, bois satine, sycamore & marquetry) by Leleu, Jean Francois (1729-1807)

Mechanical cylinder bureau, the mounts attributed to Francois Redmond, c
486603 Mechanical cylinder bureau, the mounts attributed to Francois Redmond, c.1777-80 (ormolu-mounted, brass-inlaid amboyna, tulipwood, stained sycamore & marquetry) (see also 486554) by Roentgen

Detail of a Louis XIV commode (ormolu, brass, tortoiseshell & ebony boulle
486115 Detail of a Louis XIV commode (ormolu, brass, tortoiseshell & ebony boulle) (see also 486114-19) by Sageot, Nicholas (1666-1731); Private Collection; (add.info.: In premier parte)

Detail of a Mamluk candlestick base in the name Sultan Shihab Al-Dunya Wa Al-Din Ahmad
482966 Detail of a Mamluk candlestick base in the name Sultan Shihab Al-Dunya Wa Al-Din Ahmad bin Al-Malik Al-Nasir Muhammad

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"Inlaid: A Glimpse into the Opulence of Ancient Civilizations and Exquisite Artistry" Step into a world of grandeur and marvel at the intricate craftsmanship that adorns historical treasures. From the mesmerizing Mask of Tutankhamun, adorned with golden splendor, to the resplendent Moroccan Harem, these inlaid masterpieces transport us to an era of lavish beauty. The Golden Mask of Egyptian Pharaoh Tutankhamun stands as a testament to ancient Egypt's obsession with opulence. Inlaid with precious stones, this iconic artifact captures the essence of royalty and mystique. Journeying further east, we encounter a Turkish Lady on a settee smoking gracefully amidst her ornate surroundings. The delicate patterns inlaid within her surroundings reflect Turkey's rich artistic heritage. Venturing beyond borders, we discover an engraved artillery shell case from Germany's Bezalel School. This remarkable piece showcases how even functional objects can be transformed into works of art through meticulous inlay techniques. Intriguingly hidden within Tunisia's Arab Bazaar lie countless treasures waiting to be discovered. Among them is an Egyptian Lady of the Harem figurine delicately inlaid with vibrant colors—a testament to North Africa's cultural fusion. Closer to home, Sir Savile Crossley invites us into his seat at Somerleyton Hall near Norfolk. Here, items of interior decoration catch our eye—each one meticulously crafted and exquisitely inlaid—speaking volumes about British aristocracy’s love for elegance and refinement. Traveling back centuries once more, we find ourselves gazing upon an alabaster vase from Pharaoh Tutankhamun’s tomb intricately adorned with floral garlands—an epitome of ancient Egypt's mastery over decorative arts. Bosnia beckons us next with its Decorative Islamic Interior—a symphony where geometric patterns intertwine seamlessly, showcasing the region's rich cultural heritage and artistic finesse.