Inlaid Collection (page 7)

Piano, c. 1937. Creator: Edward L Loper
Piano, c. 1937

Portable Secretary, c. 1937. Creator: Edward L Loper
Portable Secretary, c. 1937

Dulcimer, c. 1937. Creator: Edward L Loper
Dulcimer, c. 1937

Favrile mosaic panel, c. 1910 (glass)
3027060 Favrile mosaic panel, c.1910 (glass) by Tiffany Studios (1902-32); 51.4x75.5 cm; Private Collection; (add.info.: reverse stamped G456 ); Photo eChristies Images; American, out of copyright

An Italian pietre dure inlaid black and white variegated marble table top (pietre dure)
1764801 An Italian pietre dure inlaid black and white variegated marble table top (pietre dure) by Italian School, (19th century); 89.5x61 cm; Private Collection; (add.info)

Part of a fine and rare set of 36 dessert knives and forks
1764669 Part of a fine and rare set of 36 dessert knives and forks, the spot hammered handles inlaid with patinated copper and varicolored gold, with engraved details of various floral

A Napoleon III Boulle occasional table, mid 19th century (ormolu
1144273 A Napoleon III Boulle occasional table, mid 19th century (ormolu, brass & tortoiseshell inlay on ebony & ebonised wood) by French School

Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash
1766357 Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash, ebonised & parcel-gilt) (see also 1766355-6) by Cucci, Domenico (1635-1734) & Gobelins workshop (attr)

Khatamkari calligraphic frame, Qajar Iran, c. 1900 (wood, brass, bone
1775682 Khatamkari calligraphic frame, Qajar Iran, c.1900 (wood, brass, bone, mother-of-pearl & ivory) by Shirazi, Muhammad Husayn (fl.c.1862-98)

A very fine East Persian silver and copper inlaid bronze inkwell and cover, (silver
1196984 A very fine East Persian silver and copper inlaid bronze inkwell and cover, (silver, bronze, copper) by Persian School, (13th century); 10.2

Napoleon III table, designed by Jean Brandely, marquetry by E. Varlot, Paris, c
1121921 Napoleon III table, designed by Jean Brandely, marquetry by E. Varlot, Paris, c.1850-75 (ormolu, gilt-copper, ebony & sycamore) by Diehl

Figure of Vairochana, Densatil (gilt bronze) (see also 876882-4)
876883 Figure of Vairochana, Densatil (gilt bronze) (see also 876882-4) by Tibetan School, (14th century); height: 29.2 cm; Private Collection; (add.info)

Napoleon III Case Necessarie de Bureau, c. 1864-66 (enamelled silver, silver gilt
1065859 Napoleon III Case Necessarie de Bureau, c.1864-66 (enamelled silver, silver gilt, bloodstone, Sevres-style porcelain & semi-precious stones) (see also 1065855-8) by Rudolphi

Upper book cover of two shooting-stars, a torch, foliage, faun on pedestal
985919 Upper book cover of two shooting-stars, a torch, foliage, faun on pedestal, putto and a leg behind a fan, 1893 (contemporary anacreontic binding of dark-blue crushed levant mor)

George III marquetry demi-lune commode, c. 1760-79 (satinwood, amaranth & tulipwood)
CH421590 George III marquetry demi-lune commode, c.1760-79 (satinwood, amaranth & tulipwood) by Chippendale, Thomas (1718-79) (attr.to); 84.5x119x58 cm; Private Collection; (add.info)

George III inlaid side cabinet, c. 1780 (mahogany & tulipwood) (see also 441547)
CH441548 George III inlaid side cabinet, c.1780 (mahogany & tulipwood) (see also 441547) by English School, (18th century); 87.5x122x55.5 cm; Private Collection; (add.info)

Detail of a Regence Boulle marquetry commode en tombeau, 18th - 19th century (ormolu
CH440554 Detail of a Regence Boulle marquetry commode en tombeau, 18th - 19th century (ormolu, rosewood, brass & scarlet tortoiseshell) (see also 440553 and 440555)

Games table with 19th century sabots (ormolu mounted tulipwood, amaranth
CH463050 Games table with 19th century sabots (ormolu mounted tulipwood, amaranth, sycamore & cube parquetry) (see also 451440, 463051 and 463052) by Kemp

Pictorial plate depicting a cottage interior scene with mother
473288 Pictorial plate depicting a cottage interior scene with mother, two young girls and an infant taking her first steps, Florence, c.1900-10 (pietra dura) by Montelatici

George III secretaire library bookcase, c. 1765 (ebony-inlaid mahogany)
CH441566 George III secretaire library bookcase, c.1765 (ebony-inlaid mahogany) by Chippendale, Thomas (1718-79) (attr.to); 251.5x199.6x62.5 cm; Private Collection; Photo eChristies Images; British

Detail of a Louis XV commode, retailed by Adrien Delorme (ormolu mounted tulipwood
CH466589 Detail of a Louis XV commode, retailed by Adrien Delorme (ormolu mounted tulipwood, amaranth, fruitwood & marquetry) (see also 463007) by Roussel

Louis XV commode, c. 1765-70 (ormolu mounted tulipwood, sycamore
CH463004 Louis XV commode, c.1765-70 (ormolu mounted tulipwood, sycamore, amaranth & marquetry) (see also 463003, 465390 and 465391) by Roussel

Royal Louis XVI commode (ormolu-mounted amaranth, sycamore, mahogany
3057866 Royal Louis XVI commode (ormolu-mounted amaranth, sycamore, mahogany, parquetry & marquetry) by Riesener, Jean-Henri (1734-1806); 95x165x63 cm; Private Collection; (add.info.: The moulded)

Royal Louis XV commode, c. 1757 (ormolu-mounted tulipwood, amaranth, sycamore & marquetry)
3057859 Royal Louis XV commode, c.1757 (ormolu-mounted tulipwood, amaranth, sycamore & marquetry) by French School, (18th century); 90x137x59.5 cm; Private Collection; (add.info.: Circa 1757)

Console table, Venice, late 17th century (ivory, stained horn and pewter-inlaid ebony
2975547 Console table, Venice, late 17th century (ivory, stained horn and pewter-inlaid ebony, amaranth, walnut and fruitwood marquetry) by Italian School

Console table, Venice, late 17th century (ivory, stained horn and pewter-inlaid ebony
2975546 Console table, Venice, late 17th century (ivory, stained horn and pewter-inlaid ebony, amaranth, walnut and fruitwood marquetry) by Italian School

Louis XVI Secretaire a Abbatant, late 18th century (marble, leather, ormolu-mounted kingwood, tulipwood, amaranth)
3479848 Louis XVI Secretaire a Abbatant, late 18th century (marble, leather, ormolu-mounted kingwood, tulipwood, amaranth)

Louis XVI commode (marble, ormolu-mounted fruitwood & lacquer) (see also 3479845)
3479844 Louis XVI commode (marble, ormolu-mounted fruitwood & lacquer) (see also 3479845) by Mewesen, Pierre-Harry (18th century); Private Collection; Photo eChristies Images; French, out of copyright

Ottoman dagger, first half of the 18th century (gold damascene, coral & turquoise)
957252 Ottoman dagger, first half of the 18th century (gold damascene, coral & turquoise) by Turkish School, (18th century); length: 41.5 cm; Private Collection; Photo eChristies Images; Turkish

Polychrome tempietto, Florentine, 16th century with later additions (marble)
940604 Polychrome tempietto, Florentine, 16th century with later additions (marble) by Italian School, (16th century); 101x54.5x38 cm; Private Collection; (add.info)

Cabinet, c. 1925 (wood)
3061100 Cabinet, c.1925 (wood) by Frank, Jean-Michel (1895-1941); 96.5x110x30 cm; Private Collection; (add.info.: Inlaid straw fan pattern, rectangular, opening two doors in front)

Console table, Venice, late 17th century (ivory, stained horn and pewter-inlaid ebony
2975544 Console table, Venice, late 17th century (ivory, stained horn and pewter-inlaid ebony, amaranth, walnut and fruitwood marquetry) by Italian School

Table cabinet, late 17th century (ivory & ebony)
745216 Table cabinet, late 17th century (ivory & ebony) by Anglo-Indian School, (17th century); 29x43.5x31.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Gueridon, c. 1925 (mahogany with fruitwood inlay)
740665 Gueridon, c.1925 (mahogany with fruitwood inlay) by Follot, Paul (1877-1941); 74x76 cm; Private Collection; Photo eChristies Images; French, out of copyright

Late Louis XV bureau plat, third quarter of the 18th century (ormolu mounted tulipwood
714756 Late Louis XV bureau plat, third quarter of the 18th century (ormolu mounted tulipwood, amaranth, leather & parquetry) by Birckle, Jacques (1734-1803) (attr)

Cabinet-on-stand, incorporating marquetry panels and constructional elements from a
486553 Cabinet-on-stand, incorporating marquetry panels and constructional elements from a commode by David Roentgen, the frieze mounts attributed to Francois Redmond (ormolu mounted ebony)

Detail of a Louis XIV commode (ormolu, brass, tortoiseshell & ebony boulle
486118 Detail of a Louis XIV commode (ormolu, brass, tortoiseshell & ebony boulle) (see also 486114-19) by Sageot, Nicholas (1666-1731); Private Collection; (add.info.: In premier parte)

Renaissance revival pietra-dura mounted meuble-a-deux-corps, c. 1860-80 (walnut)
decoration, carved, renaissance revival, relief, ornate, c15th style, wood, cabinet, mounted, carving, inlay, wooden, meuble-a-deux-corps, cupboard, furniture, decorated, meuble a deux corps, chest

Cachepot, Maison Giroux, last quarter of the 19th century (bronze, ivory
476609 Cachepot, Maison Giroux, last quarter of the 19th century (bronze, ivory, brass & stained fruitwood) (see also 476610) by Duvinage

Plaque in the Japanese manner (ivory, ormolu, gilt copper & silvered metal)
476447 Plaque in the Japanese manner (ivory, ormolu, gilt copper & silvered metal) by Duvinage and Harinckouk (19th century); 21x27.5 cm; Private Collection; Photo eChristies Images; French

Napoleon III centre table, c. 1856 (rosewood & enamel) (see also 476435 and 476436)
476434 Napoleon III centre table, c.1856 (rosewood & enamel) (see also 476435 and 476436) by Tahan, Jean Pierre Alexandre (1813-92); 82x157x93 cm; Private Collection; Photo eChristies Images; French

Napoleon III four-piece desk set, marquetry by Duvinage and Harinckouk, c
476432 Napoleon III four-piece desk set, marquetry by Duvinage and Harinckouk, c.1877 (ormolu mounted ivory & fruitwood) (see also 476431, 476433 and 476441) by Giroux

Storage trunk (Nagamochi), Edo Period (lacquer & gilt copper)
747060 Storage trunk (Nagamochi), Edo Period (lacquer & gilt copper) by Japanese School, (19th century); 145.7x58.4x64.7 cm; Private Collection; (add.info)

Marble and bronze table, 1st century A. D
3931597 Marble and bronze table, 1st century A.D. by Roman Imperial Period (27 BC-476 AD); Metropolitan Museum of Art, New York, USA; (add.info.: Said to be from Boscoreale, Bay of Naples)

A rare lacquer casket with integral drawer, commissioned by the Portuguese
3736285 A rare lacquer casket with integral drawer, commissioned by the Portuguese (lacquer & mother of pearl) by Momoyama Period (1568-1600); Private Collection; (add.info)

Late Victorian inlaid side cabinet, 1875-1900 (rosewood & ivory)
3804329 Late Victorian inlaid side cabinet, 1875-1900 (rosewood & ivory) by Collinson & Lock (est.1860s); 153x132x39 cm; Private Collection; (add.info)

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"Inlaid: A Glimpse into the Opulence of Ancient Civilizations and Exquisite Artistry" Step into a world of grandeur and marvel at the intricate craftsmanship that adorns historical treasures. From the mesmerizing Mask of Tutankhamun, adorned with golden splendor, to the resplendent Moroccan Harem, these inlaid masterpieces transport us to an era of lavish beauty. The Golden Mask of Egyptian Pharaoh Tutankhamun stands as a testament to ancient Egypt's obsession with opulence. Inlaid with precious stones, this iconic artifact captures the essence of royalty and mystique. Journeying further east, we encounter a Turkish Lady on a settee smoking gracefully amidst her ornate surroundings. The delicate patterns inlaid within her surroundings reflect Turkey's rich artistic heritage. Venturing beyond borders, we discover an engraved artillery shell case from Germany's Bezalel School. This remarkable piece showcases how even functional objects can be transformed into works of art through meticulous inlay techniques. Intriguingly hidden within Tunisia's Arab Bazaar lie countless treasures waiting to be discovered. Among them is an Egyptian Lady of the Harem figurine delicately inlaid with vibrant colors—a testament to North Africa's cultural fusion. Closer to home, Sir Savile Crossley invites us into his seat at Somerleyton Hall near Norfolk. Here, items of interior decoration catch our eye—each one meticulously crafted and exquisitely inlaid—speaking volumes about British aristocracy’s love for elegance and refinement. Traveling back centuries once more, we find ourselves gazing upon an alabaster vase from Pharaoh Tutankhamun’s tomb intricately adorned with floral garlands—an epitome of ancient Egypt's mastery over decorative arts. Bosnia beckons us next with its Decorative Islamic Interior—a symphony where geometric patterns intertwine seamlessly, showcasing the region's rich cultural heritage and artistic finesse.