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Inlaid Collection (page 9)

"Inlaid

Background imageInlaid Collection: Detail of a table mirror, Maison Giroux, c. 1880 (bronze

Detail of a table mirror, Maison Giroux, c. 1880 (bronze
478207 Detail of a table mirror, Maison Giroux, c.1880 (bronze, ivory & stained fruitwood) (detail of 478206) by Duvinage, Ferdinand (fl.1880); Private Collection; Photo eChristies Images; French

Background imageInlaid Collection: Cup (Tazza), marquetry by Ferdinand Duvinage, second half of the 19th century

Cup (Tazza), marquetry by Ferdinand Duvinage, second half of the 19th century
476613 Cup (Tazza), marquetry by Ferdinand Duvinage, second half of the 19th century (silvered & gilt bronze, ivory and wood) (see also 476612) by Giroux

Background imageInlaid Collection: Napoleon III four-piece desk set, marquetry by Duvinage and Harinckouk, c

Napoleon III four-piece desk set, marquetry by Duvinage and Harinckouk, c
476441 Napoleon III four-piece desk set, marquetry by Duvinage and Harinckouk, c.1877 (ormolu mounted ivory & fruitwood) (see also 476431, 476432 and 476433) by Giroux

Background imageInlaid Collection: Cup on pedestal (bronze, wood & ivory marquetry) (see also 476437)

Cup on pedestal (bronze, wood & ivory marquetry) (see also 476437)
476438 Cup on pedestal (bronze, wood & ivory marquetry) (see also 476437) by Giroux, Alphonse-Gustave (19th century); 8.5x17 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageInlaid Collection: Carriage clock, from a Napoleon III four-piece desk set

Carriage clock, from a Napoleon III four-piece desk set
476433 Carriage clock, from a Napoleon III four-piece desk set, marquetry by Duvinage and Harinckouk, c.1877 (ormolu mounted ivory & fruitwood) (476432 and 476441) by Giroux

Background imageInlaid Collection: Inlaid panel with an exotic bird amidst foliage in marshland

Inlaid panel with an exotic bird amidst foliage in marshland
476430 Inlaid panel with an exotic bird amidst foliage in marshland, Maison Grioux (marquetry & ivory) by Duvinage, Ferdinand (fl.1880)

Background imageInlaid Collection: Two gold, copper and silver inlaid brass circular trays

Two gold, copper and silver inlaid brass circular trays
1196989 Two gold, copper and silver inlaid brass circular trays, decorated with arabesques and inscriptions, late 19th century (gold, copper and silver inlaid brass) by Arabic School

Background imageInlaid Collection: A Mesopotamian silver inlaid brass casket, with dials for a combination lock (side view)

A Mesopotamian silver inlaid brass casket, with dials for a combination lock (side view)
1196756 A Mesopotamian silver inlaid brass casket, with dials for a combination lock (side view), 13th century (silver inlaid brass) by Mesopotamian

Background imageInlaid Collection: Detail of a Louis XVI commode, c. 1770-75 (ormolu mounted tulipwood, fruitwood, sycamore

Detail of a Louis XVI commode, c. 1770-75 (ormolu mounted tulipwood, fruitwood, sycamore
714754 Detail of a Louis XVI commode, c.1770-75 (ormolu mounted tulipwood, fruitwood, sycamore, amaranth & mother of pearl) (see also 714753-55) by Birckle

Background imageInlaid Collection: Louis XIV petit armoise, c. 1700-10 (ormolu, brass, tortoiseshell, ebony & marquetry)

Louis XIV petit armoise, c. 1700-10 (ormolu, brass, tortoiseshell, ebony & marquetry)
1268045 Louis XIV petit armoise, c.1700-10 (ormolu, brass, tortoiseshell, ebony & marquetry) by Boulle, Andre Charles (1642-1732) (attr)

Background imageInlaid Collection: Louis XIV armoire De l Histoire d Apollon, c

Louis XIV armoire De l Histoire d Apollon, c
1209561 Louis XIV armoire De l Histoire d Apollon, c.1695-1700 (ormolu, ebony, brass, tortoiseshell, blue-stained horn & pewter) by Boulle

Background imageInlaid Collection: Louis XIV bureau, The Duchesse de Bourgogne Bureau (ormolu-mounted brass-inlaid

Louis XIV bureau, The Duchesse de Bourgogne Bureau (ormolu-mounted brass-inlaid
1201688 Louis XIV bureau, The Duchesse de Bourgogne Bureau (ormolu-mounted brass-inlaid tortoiseshell & ebony) (see also 1201687) by Boulle, Andre Charles (1642-1732) (attr)

Background imageInlaid Collection: Mechanical cylinder bureau, Neuwied, c. 1776-79 (ormolu-mounted and brass-inlaid amboyna

Mechanical cylinder bureau, Neuwied, c. 1776-79 (ormolu-mounted and brass-inlaid amboyna
3057862 Mechanical cylinder bureau, Neuwied, c.1776-79 (ormolu-mounted and brass-inlaid amboyna, tulipwood, stained sycamore & marquetry) by Roentgen

Background imageInlaid Collection: Console table, Venice, late 17th century (ivory, stained horn and pewter-inlaid ebony

Console table, Venice, late 17th century (ivory, stained horn and pewter-inlaid ebony
2975545 Console table, Venice, late 17th century (ivory, stained horn and pewter-inlaid ebony, amaranth, walnut and fruitwood marquetry) by Italian School

Background imageInlaid Collection: Louis XV commode, c. 1740 (ormolu-mounted Chinese black, polychrome & gilt lacquer

Louis XV commode, c. 1740 (ormolu-mounted Chinese black, polychrome & gilt lacquer
3267451 Louis XV commode, c.1740 (ormolu-mounted Chinese black, polychrome & gilt lacquer, serpentine, marble and vernis) by Risamburgh

Background imageInlaid Collection: Micromosaic tabletop, Rome, late 18th century (mosaic, ormolu-mounted ebony & satinwood)

Micromosaic tabletop, Rome, late 18th century (mosaic, ormolu-mounted ebony & satinwood)
3250700 Micromosaic tabletop, Rome, late 18th century (mosaic, ormolu-mounted ebony & satinwood) by Raffaelli, Giacomo (1753-1836) (attr)

Background imageInlaid Collection: Small Namban box and cover, late 16th - early 17th century (lacquer)

Small Namban box and cover, late 16th - early 17th century (lacquer)
622459 Small Namban box and cover, late 16th - early 17th century (lacquer) by Japanese School; 21.5x6.5 cm; Private Collection; (add.info.: Decorated in gold hiramakie)

Background imageInlaid Collection: Momoyama Period Christian folding missal stand, late 16th - early 17th century (lacquer

Momoyama Period Christian folding missal stand, late 16th - early 17th century (lacquer
622455 Momoyama Period Christian folding missal stand, late 16th - early 17th century (lacquer) (see also 622457) by Japanese School; height: 35.1 cm; Private Collection; (add.info)

Background imageInlaid Collection: George III blue Japanned quarter striking long case clock, York, c

George III blue Japanned quarter striking long case clock, York, c
615807 George III blue Japanned quarter striking long case clock, York, c.1760 (wood & metal) (see also 615808) by Hindley

Background imageInlaid Collection: Neoclassic secretaire a abattant, c. 1775 (ormolu mounted sycamore, burr yew

Neoclassic secretaire a abattant, c. 1775 (ormolu mounted sycamore, burr yew
491920 Neoclassic secretaire a abattant, c.1775 (ormolu mounted sycamore, burr yew, stained tulipwood & marquetry) see also 491918-19) by Roentgen

Background imageInlaid Collection: A pair of mahogany chairs with pewter and ivory inlaid floral decoration, (mahogany

A pair of mahogany chairs with pewter and ivory inlaid floral decoration, (mahogany
1195002 A pair of mahogany chairs with pewter and ivory inlaid floral decoration, (mahogany, pewter and ivory) by Bugatti, Carlo (1855-1940); Private Collection; Photo eChristies Images; Italian

Background imageInlaid Collection: Bureau cabinet (red & gilt japanning) (see also 746619)

Bureau cabinet (red & gilt japanning) (see also 746619)
746618 Bureau cabinet (red & gilt japanning) (see also 746619) by Anglo-Dutch School, (18th Century); 198x90x56.5 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Background imageInlaid Collection: Louis XV bombe commode (ormolu mounted amaranth, tulipwood, marble & parquetry)

Louis XV bombe commode (ormolu mounted amaranth, tulipwood, marble & parquetry)
714761 Louis XV bombe commode (ormolu mounted amaranth, tulipwood, marble & parquetry) by Birckle, Jacques (1734-1803); 91.5x132.5x66 cm; Private Collection; (add.info)

Background imageInlaid Collection: Louis XVI secretaire (tulipwood, amaranth & marquetry)

Louis XVI secretaire (tulipwood, amaranth & marquetry)
714760 Louis XVI secretaire (tulipwood, amaranth & marquetry) by Birckle, Jacques (1734-1803); 142.5x99x41.5 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageInlaid Collection: Detail of a late Louis XV commode, third quarter of the 18th century

Detail of a late Louis XV commode, third quarter of the 18th century
714759 Detail of a late Louis XV commode, third quarter of the 18th century (ormolu mounted tulipwood, amaranth, stained fruitwood, marble & parquetry) (see also 714758) by Birckle

Background imageInlaid Collection: George III inlaid side cabinet, c. 1780 (mahogany & tulipwood) (see also 441548)

George III inlaid side cabinet, c. 1780 (mahogany & tulipwood) (see also 441548)
CH441547 George III inlaid side cabinet, c.1780 (mahogany & tulipwood) (see also 441548) by English School, (18th century); 87.5x122x55.5 cm; Private Collection; (add.info)

Background imageInlaid Collection: Inlaid commode with two drawers (wood) (see also 463016 and 463017)

Inlaid commode with two drawers (wood) (see also 463016 and 463017)
CH463015 Inlaid commode with two drawers (wood) (see also 463016 and 463017) by European School, (18th century); Private Collection; Photo eChristies Images; European, out of copyright

Background imageInlaid Collection: Libellule cabinet, c. 1900 (rosewood, walnut, fruitwood & bronze) (see also 696497-502)

Libellule cabinet, c. 1900 (rosewood, walnut, fruitwood & bronze) (see also 696497-502)
696501 Libellule cabinet, c.1900 (rosewood, walnut, fruitwood & bronze) (see also 696497-502) by Galle, Emile (1846-1904); Private Collection; Photo eChristies Images; French, out of copyright

Background imageInlaid Collection: Dagger (iron, bronze & glass)

Dagger (iron, bronze & glass)
1065814 Dagger (iron, bronze & glass) by Roman; length: 30 cm; Private Collection; (add.info.: The rectangular blade bulging slightly at the mid-rib and tapering to a sharp tip)

Background imageInlaid Collection: Napoleon III table, designed by Jean Brandely, marquetry by E. Varlot, Paris, c

Napoleon III table, designed by Jean Brandely, marquetry by E. Varlot, Paris, c
1121920 Napoleon III table, designed by Jean Brandely, marquetry by E. Varlot, Paris, c.1850-75 (ormolu, gilt-copper, ebony & sycamore) by Diehl

Background imageInlaid Collection: One of a pair of marquetry and parquetry commodes, c. 1765

One of a pair of marquetry and parquetry commodes, c. 1765
CH463022 One of a pair of marquetry and parquetry commodes, c.1765 (lacquered brass mounted kingwood, amaranth, tulipwood & bois satine) (see also 463023) by German School

Background imageInlaid Collection: Detail of an inlaid commode with two drawers (wood) (see also 463015 and 463016)

Detail of an inlaid commode with two drawers (wood) (see also 463015 and 463016)
CH463017 Detail of an inlaid commode with two drawers (wood) (see also 463015 and 463016) by European School, (18th century); Private Collection; Photo eChristies Images; European, out of copyright

Background imageInlaid Collection: Transitional table a la Bourgogne (ormolu mounted tulipwood & marquetry) (see also 463011

Transitional table a la Bourgogne (ormolu mounted tulipwood & marquetry) (see also 463011
CH463012 Transitional table a la Bourgogne (ormolu mounted tulipwood & marquetry) (see also 463011, 463013 and 463014) by Roussel

Background imageInlaid Collection: Inlaid bowl, Fars, Persia (silver, gold & brass)

Inlaid bowl, Fars, Persia (silver, gold & brass)
CH448374 Inlaid bowl, Fars, Persia (silver, gold & brass) by Persian School, (14th century); diam: 12 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Background imageInlaid Collection: Bureau-cabinet, Vizagapatam, c. 1720-30 (ivory, teak, ebony & tortoiseshell)

Bureau-cabinet, Vizagapatam, c. 1720-30 (ivory, teak, ebony & tortoiseshell)
3241976 Bureau-cabinet, Vizagapatam, c.1720-30 (ivory, teak, ebony & tortoiseshell) by Anglo-Indian School, (18th Century); 211x110x62 cm; Private Collection; (add.info)

Background imageInlaid Collection: Coffee table, c. 1929 (mica & ebony veneer)

Coffee table, c. 1929 (mica & ebony veneer)
3061110 Coffee table, c.1929 (mica & ebony veneer) by Frank, Jean-Michel (1895-1941); 40x95.5x43 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageInlaid Collection: Cabinet, c. 1925 (wood)

Cabinet, c. 1925 (wood)
3061096 Cabinet, c.1925 (wood) by Frank, Jean-Michel (1895-1941); 96.5x110x30 cm; Private Collection; (add.info.: Inlaid straw fan pattern, rectangular, opening two doors in front)

Background imageInlaid Collection: One of a pair of George II side tables (marble, verde antico, lapis lazuli & serpentine)

One of a pair of George II side tables (marble, verde antico, lapis lazuli & serpentine)
3060711 One of a pair of George II side tables (marble, verde antico, lapis lazuli & serpentine) by Kent, William (1684-1748) (manner of); 156.5x87x75.5 cm; Private Collection; (add.info)

Background imageInlaid Collection: Small tazza, Trapani, first half of the 17th century (gilt-copper & coral)

Small tazza, Trapani, first half of the 17th century (gilt-copper & coral)
2627244 Small tazza, Trapani, first half of the 17th century (gilt-copper & coral) by Italian School, (17th century); width: 15 cm; Private Collection; Photo eChristies Images; Italian

Background imageInlaid Collection: A pair of recumbent deer (gilt-copper & cloisonne enamel)

A pair of recumbent deer (gilt-copper & cloisonne enamel)
6198065 A pair of recumbent deer (gilt-copper & cloisonneenamel) by Chinese School, Qing Dynasty - Qianlong Period (1735-96); length: 24.8 cm; Private Collection; (add.info)

Background imageInlaid Collection: A Pleasant Dining-Room in the Queens Head, Theobalds Road, London (b / w photo)

A Pleasant Dining-Room in the Queens Head, Theobalds Road, London (b / w photo)
5990130 A Pleasant Dining-Room in the Queens Head, Theobalds Road, London (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

Background imageInlaid Collection: An Augsburg gilt-metal, rock-crystal and pierre dure-mounted ebony

An Augsburg gilt-metal, rock-crystal and pierre dure-mounted ebony
5962781 An Augsburg gilt-metal, rock-crystal and pierre dure-mounted ebony, kingwood and ebonised table-cabinet, c.1630-40 by German School

Background imageInlaid Collection: Gujarat mother-of-pearl inlaid casket, Western India (metal & mother-of-pearl)

Gujarat mother-of-pearl inlaid casket, Western India (metal & mother-of-pearl)
5938010 Gujarat mother-of-pearl inlaid casket, Western India (metal & mother-of-pearl) by Indian School, (17th century); 32.4x51.5x28.3 cm; Private Collection; (add.info)

Background imageInlaid Collection: Mughal cabinet, Gujarat or Sindh, Western India (ivory-inlaid wood)

Mughal cabinet, Gujarat or Sindh, Western India (ivory-inlaid wood)
5938001 Mughal cabinet, Gujarat or Sindh, Western India (ivory-inlaid wood) by Indian School, (17th century); 58 x 43 x 43 cm; Private Collection; (add.info.: Of rectangular form)

Background imageInlaid Collection: Sword, late second or very early third century (iron)

Sword, late second or very early third century (iron)
2967364 Sword, late second or very early third century (iron) by Roman; length: 46 cm; Arbeia Roman Fort & Museum, Tyne & Wear Archives & Museums; (add.info)



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"Inlaid: A Glimpse into the Opulence of Ancient Civilizations and Exquisite Artistry" Step into a world of grandeur and marvel at the intricate craftsmanship that adorns historical treasures. From the mesmerizing Mask of Tutankhamun, adorned with golden splendor, to the resplendent Moroccan Harem, these inlaid masterpieces transport us to an era of lavish beauty. The Golden Mask of Egyptian Pharaoh Tutankhamun stands as a testament to ancient Egypt's obsession with opulence. Inlaid with precious stones, this iconic artifact captures the essence of royalty and mystique. Journeying further east, we encounter a Turkish Lady on a settee smoking gracefully amidst her ornate surroundings. The delicate patterns inlaid within her surroundings reflect Turkey's rich artistic heritage. Venturing beyond borders, we discover an engraved artillery shell case from Germany's Bezalel School. This remarkable piece showcases how even functional objects can be transformed into works of art through meticulous inlay techniques. Intriguingly hidden within Tunisia's Arab Bazaar lie countless treasures waiting to be discovered. Among them is an Egyptian Lady of the Harem figurine delicately inlaid with vibrant colors—a testament to North Africa's cultural fusion. Closer to home, Sir Savile Crossley invites us into his seat at Somerleyton Hall near Norfolk. Here, items of interior decoration catch our eye—each one meticulously crafted and exquisitely inlaid—speaking volumes about British aristocracy’s love for elegance and refinement. Traveling back centuries once more, we find ourselves gazing upon an alabaster vase from Pharaoh Tutankhamun’s tomb intricately adorned with floral garlands—an epitome of ancient Egypt's mastery over decorative arts. Bosnia beckons us next with its Decorative Islamic Interior—a symphony where geometric patterns intertwine seamlessly, showcasing the region's rich cultural heritage and artistic finesse.