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Carvings Collection (page 7)

Carvings have the power to tell stories, preserve history, and captivate our imaginations

Background imageCarvings Collection: HMS 'Gibraltar'(chromolitho)

HMS "Gibraltar"(chromolitho)
2790858 HMS " Gibraltar" (chromolitho) by English School, (20th century); Private Collection; (add.info.: HMS " Gibraltar." Illustration for one of a set of cigarette cards)

Background imageCarvings Collection: HMS 'Duke of Wellington'(chromolitho)

HMS "Duke of Wellington"(chromolitho)
2790846 HMS " Duke of Wellington" (chromolitho) by English School, (20th century); Private Collection; (add.info)

Background imageCarvings Collection: HMS 'Colossus'(chromolitho)

HMS "Colossus"(chromolitho)
2790840 HMS " Colossus" (chromolitho) by English School, (20th century); Private Collection; (add.info.: HMS " Colossus." Illustration for one of a set of cigarette cards)

Background imageCarvings Collection: HMS 'Queen Charlotte'(chromolitho)

HMS "Queen Charlotte"(chromolitho)
2790839 HMS " Queen Charlotte" (chromolitho) by English School, (20th century); Private Collection; (add.info.: HMS " Queen Charlotte." Illustration for one of a set of cigarette)

Background imageCarvings Collection: Two corbels and other fragments of architectural detail in St Philip

Two corbels and other fragments of architectural detail in St Philip
2832217 Two corbels and other fragments of architectural detail in St Philips (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Carving on Staircase in House adjoining Passage off Baldwin Street (w / c on paper)

Carving on Staircase in House adjoining Passage off Baldwin Street (w / c on paper)
2831766 Carving on Staircase in House adjoining Passage off Baldwin Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Fireplace at Mr. Barne s, Counterslip (w / c on paper)

Fireplace at Mr. Barne s, Counterslip (w / c on paper)
2831628 Fireplace at Mr. Barne s, Counterslip (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Chimneypiece at 28 Redcliffe Street (w / c on paper)

Chimneypiece at 28 Redcliffe Street (w / c on paper)
2831588 Chimneypiece at 28 Redcliffe Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Frieze at Mr Thomas s, Bristol Back (pencil & w / c on paper)

Frieze at Mr Thomas s, Bristol Back (pencil & w / c on paper)
2831756 Frieze at Mr Thomas s, Bristol Back (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Boss from St Thomass Church (pencil & w / c on paper)

Boss from St Thomass Church (pencil & w / c on paper)
2831567 Boss from St Thomass Church (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Carved figure from St Thomass Church (pencil & w / c on paper)

Carved figure from St Thomass Church (pencil & w / c on paper)
2831564 Carved figure from St Thomass Church (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Details of College Gateway (pencil on paper)

Details of College Gateway (pencil on paper)
2831393 Details of College Gateway (pencil on paper) by Mackenzie, Frederick (c.1788-1854); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Sofa, c. 1830 (mahogany & damask)

Sofa, c. 1830 (mahogany & damask)
3084500 Sofa, c.1830 (mahogany & damask) by English School, (19th century); 94x196.5x53.2 cm; The Geffrye Museum of the Home, London, UK; (add.info.: A mahogany sofa upholstered in modern red damask)

Background imageCarvings Collection: Writing desk, c. 1860 (walnut)

Writing desk, c. 1860 (walnut)
3084394 Writing desk, c.1860 (walnut) by English School, (19th century); 94x59x59 cm; The Geffrye Museum of the Home, London, UK; (add.info.: A walnut Davenport with a fretted A gallery to the top)

Background imageCarvings Collection: A crafsmans workshop (colour litho)

A crafsmans workshop (colour litho)
961229 A crafsmans workshop (colour litho) by German School, (19th century); Private Collection; (add.info.: A crafsmans workshop, with a carpenter whittling a statuette of Jesus Christ)

Background imageCarvings Collection: Bantu craftsman of Douala, Cameroon, Central West Africa

Bantu craftsman of Douala, Cameroon, Central West Africa
Bantu craftsman of Douala (Duala) making wooden carvings, Cameroon, Central West Africa (at the time a French colony). Date: 1922

Background imageCarvings Collection: Ruins of Hathor Temple, Dendera, Egypt

Ruins of Hathor Temple, Dendera, Egypt
Man and camel at the Ruins of the Hathor Temple, Dendera, Egypt. Date: 1922

Background imageCarvings Collection: Inscriptions on temple wall, Medinet Habu, Luxor, Egypt

Inscriptions on temple wall, Medinet Habu, Luxor, Egypt
Inscriptions of hunting scenes on the wall of the Mortuary Temple of Ramesses III at Medinet Habu, Luxor, Egypt. Date: 1922

Background imageCarvings Collection: Curious carvings by James Henry Pullen at Earlswood Asylum

Curious carvings by James Henry Pullen at Earlswood Asylum. Pullen was a 70 year old with a genius for model-making and was patronised by King Edward VII who from time to time sent him tusks of ivory

Background imageCarvings Collection: Bishop Lloyds House, Chester

Bishop Lloyds House, Chester. circa 1900

Background imageCarvings Collection: Reading Centre, Reus, Tarragona, Catalonia, Spain

Reading Centre, Reus, Tarragona, Catalonia, Spain
Faþíñe of the Reading Centre (Centro de Lectura), Reus, Tarragona province, Catalonia, Spain. Date: circa 1910s

Background imageCarvings Collection: The Cathedral, Tarragona, Catalonia, Spain

The Cathedral, Tarragona, Catalonia, Spain
Main facade of the Cathedral, Tarragona, Catalonia, Spain. Date: circa 1904

Background imageCarvings Collection: Santa Maria Church, Mahon, Menorca, Balearic Islands, Spain

Santa Maria Church, Mahon, Menorca, Balearic Islands, Spain
Interior of the Church of Santa Maria, Mahon, capital of Menorca, Balearic Islands, Spain, showing the pipes of the monumental organ. Date: circa 1900s

Background imageCarvings Collection: Grand Panorama of the Great Exhibition, South-East Portion of the Nave (engraving)

Grand Panorama of the Great Exhibition, South-East Portion of the Nave (engraving)
1102546 Grand Panorama of the Great Exhibition, South-East Portion of the Nave (engraving) by English School, (19th century); Private Collection; (add.info.: Grand Panorama of the Great Exhibition)

Background imageCarvings Collection: Female protective figure (pagar), 19th century or earlier (wood)

Female protective figure (pagar), 19th century or earlier (wood)
1071540 Female protective figure (pagar), 19th century or earlier (wood) by Toba Batak Culture (19th century); 51.4x27.9x10.2 cm; Dallas Museum of Art, Texas

Background imageCarvings Collection: Visigothic carvings in the Chapel of Sao Pedro de Balsemao, Se, Lamego, Portugal c

Visigothic carvings in the Chapel of Sao Pedro de Balsemao, Se, Lamego, Portugal c
1126662 Visigothic carvings in the Chapel of So Pedro de Balsemo, SA©, Lamego, Portugal c.599 (granite) by Visigothic (6th century AD); Chapel of So Pedro de Balsemo, SA©, Lamego

Background imageCarvings Collection: Chimneypiece at 113 Redcliffe Street (w / c on paper)

Chimneypiece at 113 Redcliffe Street (w / c on paper)
2831589 Chimneypiece at 113 Redcliffe Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Chimneypiece dated 1632, at 128 Redcliffe Street (w / c on paper)

Chimneypiece dated 1632, at 128 Redcliffe Street (w / c on paper)
2831586 Chimneypiece dated 1632, at 128 Redcliffe Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Two stone figures from St Thomass Church (pencil & w / c on paper)

Two stone figures from St Thomass Church (pencil & w / c on paper)
2831565 Two stone figures from St Thomass Church (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Fragment of Carved Oak from old Tuckers Hall, Temple Street (w / c on paper)

Fragment of Carved Oak from old Tuckers Hall, Temple Street (w / c on paper)
2831631 Fragment of Carved Oak from old Tuckers Hall, Temple Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: Stone carvings from St Thomass Church (pencil on paper)

Stone carvings from St Thomass Church (pencil on paper)
2831570 Stone carvings from St Thomass Church (pencil on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCarvings Collection: George I, snuff box, c. 1714 (silver & ivory)

George I, snuff box, c. 1714 (silver & ivory)
2959907 George I, snuff box, c.1714 (silver & ivory) by English School, (18th century); Timothy Millett Collection; (add.info.: George I (28 May 1660 - 11 June 1727)

Background imageCarvings Collection: Miniature lime wood picture, c. 1780 (lime wood)

Miniature lime wood picture, c. 1780 (lime wood)
2959883 Miniature lime wood picture, c.1780 (lime wood) by French School, (18th century); Timothy Millett Collection; French, out of copyright

Background imageCarvings Collection: Carvings over the Hall Mantel (b / w photo)

Carvings over the Hall Mantel (b / w photo)
3102487 Carvings over the Hall Mantel (b/w photo) by Latham, Charles (d.1912); Private Collection; (add.info.: Carvings over the Hall Mantel)

Background imageCarvings Collection: The Arches and Carvings of the Chapel Gallery (b / w photo)

The Arches and Carvings of the Chapel Gallery (b / w photo)
3102460 The Arches and Carvings of the Chapel Gallery (b/w photo) by Latham, Charles (d.1912); Private Collection; (add.info.: The Arches and Carvings of the Chapel Gallery)

Background imageCarvings Collection: Room by Munthe at Holmencollen, 1905 (colour litho)

Room by Munthe at Holmencollen, 1905 (colour litho)
STC364694 Room by Munthe at Holmencollen, 1905 (colour litho) by Jungman, Nico (1872-1935); Private Collection; (add.info)

Background imageCarvings Collection: Folded-arm type female figurines, from Paros, Early Cycladic II Period

Folded-arm type female figurines, from Paros, Early Cycladic II Period
REV346633 Folded-arm type female figurines, from Paros, Early Cycladic II Period (2700-2300 BC) (marble) by Greek; height: 39.30 cm; Louvre, Paris, France; (add.info.: statuettes feminines)

Background imageCarvings Collection: Tomb of William Taillefer, Count of Toulouse, 4th / 5th century (stone)

Tomb of William Taillefer, Count of Toulouse, 4th / 5th century (stone)
MAE413554 Tomb of William Taillefer, Count of Toulouse, 4th/5th century (stone) by French School; St. Sernin, Toulouse, France; (add.info.: William III Taillefer (975-1037)

Background imageCarvings Collection: Temple of Antoninus and Faustina, details from the portico

Temple of Antoninus and Faustina, details from the portico
468644 Temple of Antoninus and Faustina, details from the portico, from Les Edifices Antiques de Rome, published 1682 (engraving) by Desgodets

Background imageCarvings Collection: The pulpit in the Church of Sant Andrea, c. 1298-1301 (marble)

The pulpit in the Church of Sant Andrea, c. 1298-1301 (marble)
466941 The pulpit in the Church of Sant Andrea, c.1298-1301 (marble) by Pisano, Giovanni (c.1245-p.1314); Sant Andrea, Pistoia, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageCarvings Collection: View of the Loggie del Sansovino (b / w photo)

View of the Loggie del Sansovino (b / w photo)
MES408669 View of the Loggie del Sansovino (b/w photo) by Italian Photographer; Venice, Italy; (add.info.: built 1537-49 by Jacopo Sansovino (1486-1570); ); eMark Edward Smith; Italian

Background imageCarvings Collection: Engaged Capital with a Fantastic Creature and Three Birds, early 1100s (limestone)

Engaged Capital with a Fantastic Creature and Three Birds, early 1100s (limestone)
499724 Engaged Capital with a Fantastic Creature and Three Birds, early 1100s (limestone) by French School, (12th century); 53.7x50.8x74.9 cm; Cleveland Museum of Art, OH

Background imageCarvings Collection: HMS 'St Vincent'(chromolitho)

HMS "St Vincent"(chromolitho)
2790845 HMS " St Vincent" (chromolitho) by English School, (20th century); Private Collection; (add.info.: HMS " St Vincent." Illustration for one of a set of cigarette cards)

Background imageCarvings Collection: HMS 'Royal William'(chromolitho)

HMS "Royal William"(chromolitho)
2790842 HMS " Royal William" (chromolitho) by English School, (20th century); Private Collection; (add.info.: HMS " Royal William." Illustration for one of a set of cigarette)

Background imageCarvings Collection: Parthenon sculptures: North Frieze, British Museum (b / w photo)

Parthenon sculptures: North Frieze, British Museum (b / w photo)
6000893 Parthenon sculptures: North Frieze, British Museum (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: North Frieze, British Museum)

Background imageCarvings Collection: Parthenon sculptures: South frieze, British Museum (b / w photo)

Parthenon sculptures: South frieze, British Museum (b / w photo)
6000887 Parthenon sculptures: South frieze, British Museum (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: South frieze, British Museum)

Background imageCarvings Collection: The Lady Chapel, Ely Cathedral: East End, Next Altar, North Side (b / w photo)

The Lady Chapel, Ely Cathedral: East End, Next Altar, North Side (b / w photo)
6022541 The Lady Chapel, Ely Cathedral: East End, Next Altar, North Side (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: East End, Next Altar, North Side)



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Carvings have the power to tell stories, preserve history, and captivate our imaginations. From the intricate details of The Tree of Life at Animal Kingdom in Disneyworld, Orlando, Florida, United States of America to the ancient white horse dating back to 1812 carved in chalk on Milk Hill, Marlborough Downs; they can a testament to human creativity and craftsmanship. Traveling across continents, one can marvel at the Islamic carvings adorning the Alhambra in Spain or be mesmerized by Picture No. 10741327 capturing the beauty of Char Bangla Temple in Baranagore, West Bengal, India. Indian petroglyphs drawn on red sandstone transport us back in time while Easter Island's Moai Statues leave us pondering their mysterious origins. The Pashtunath Jain temple sculpture found in Haridwar, Uttarakhand showcases exquisite artistry from Asia while Sottoguda's giant wooden troll exemplifies local craftsmanship amidst Veneto's Dolomites. Even political figures like Lenin find themselves immortalized through carvings such as the image found in Bishkek, Kyrgyzstan. Russia's St Petersburg boasts an array of stunning carvings that adorn its architecture and public spaces. Meanwhile masks and handicrafts from Colombia showcase South America's rich cultural heritage. Whether it is a symbol of faith or an expression of artistic prowess passed down through generations; these diverse carvings serve as reminders that human creativity knows no bounds. They invite us to appreciate different cultures and celebrate our shared humanity through this timeless form of artistry.