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Chimneypiece dated 1632, at 128 Redcliffe Street (w / c on paper)

Chimneypiece dated 1632, at 128 Redcliffe Street (w  /  c on paper)


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Chimneypiece dated 1632, at 128 Redcliffe Street (w / c on paper)

2831586 Chimneypiece dated 1632, at 128 Redcliffe Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; English, out of copyright

Media ID 22990820

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

1632 Atlantes Atlas Bristol Carvings Chimneypiece Chimneypieces Coats Of Arms Fireplace Fireplaces Redcliffe Street Atlantid


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> Architecture > Ornamental

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Hugh O'Neill

> Fine Art Finder > Artists > Thomas Leeson the Elder Rowbotham

> Fine Art Finder > Interiors: Domestic


EDITORS COMMENTS
This print showcases a remarkable chimneypiece, dating back to 1632, located at 128 Redcliffe Street. The intricate details of this piece are beautifully captured on watercolor paper by the talented artist Thomas Leeson Rowbotham the Elder (1783-1853). Housed in the esteemed Bristol Museum and Art Gallery in the UK, this artwork is part of the prestigious eBristol Museums, Galleries & Archives collection. The chimneypiece itself is a true testament to exquisite craftsmanship and architectural grandeur. Adorned with elaborate carvings and an ornate coat of arms, it exudes elegance and sophistication. The fireplace serves as a focal point within its interior setting, radiating warmth and inviting coziness into any space lucky enough to house it. One cannot help but be captivated by the atlantes or atlantids—carved figures that resemble male caryatids—supporting this magnificent structure. Their muscular bodies add strength and character to an already impressive design. The rich history embedded within each stroke of paint on this print transports us back in time. It reminds us of an era when attention to detail was paramount and decorative artistry flourished. Thanks to William Jerdone Braikenridge's generous bequest in 1908, we can still appreciate this extraordinary piece today. As we gaze upon it, let us marvel at its beauty while honoring its significance as a cultural treasure from Bristol—a timeless masterpiece that continues to inspire awe

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